Ardor

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. They created no empires. Even the hallucinogenic plant, the soma, which appears at the centre of some of their rituals, has not been identified with any certainty. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now. Following the 'hundred paths' of the Satapatha Brahmana, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as 'the whole of Vedic India was an attempt to think further'.

1656: A Boston court sentences a ship's captain to sit in the stocks for two hours for 'lewd and unseemly behaviour' on the Sabbath. His offence? Arriving home that Sunday after three years at sea, he had kissed his wife. 1889: The chief justice of England debates with fellow judges whether a man can have 'sexual connection with a duck.' 1968: J. Edgar Hoover tries to ban the recording 'Two Virgins' because the cover depicts John Lennon and Yoko Ono stark naked from both directions. 2000: A stripper sues her plastic surgeon because her bottom looks like her top after he stitches breast implants into her buttocks. Spanning all legal history, from the Bible onward, these and other sex-charged legal cases are covered when sex meets the law in "Ardor in the Court."

In a meditation on the wisdom of the Vedas, Roberto Calasso's Ardor brings ritual and sacrifice to bear on the modern world In this revelatory volume, Roberto Calasso, whom The Paris Review has called "a literary institution," explores the ancient texts known as the Vedas. Little is known about the Vedic people, who lived more than three thousand years ago in northern India: They left behind almost no objects, images, or ruins. They created no empires. Even the soma, the likely hallucinogenic plant that appears at the center of some of their rituals, has not been identified with any certainty. Only a "Parthenon of words" remains: verses and formulations suggesting a daring understanding of life. "If the Vedic people had been asked why they did not build cities," writes Calasso, "they could have replied: we did not seek power, but rapture." This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that defines the Vedas. Often at odds with modern thought, these texts illuminate the nature of consciousness more vividly than anything else has managed to till now. Following the "hundred paths" of the Satapatha Brahmana, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as "the whole of Vedic India was an attempt to think further."

"Whitesides sticks the landing in his conclusion to the Kingdom of Grit trilogy" (Publishers Weekly). The final book in an action-packed epic fantasy series set in a world with dragon-fueled magic where master con artist Ardor Benn takes a job to steal a living dragon. Ardor Benn has taken his lies to a new level, infiltrating high society so he can steal a priceless resource. But now that he's on the inside, he finds himself poring through ancient texts, searching for answers to his deepest questions. He discovers something is coming. Something world-ending. Now, an old enemy is extorting him for one last job. Steal a live dragon. He doesn't know how, and he doesn't know why. But he's got a feeling that it's a job he has to take. Only problem is, Ard's running short on time and shorter on lies. And his personal ambitions are alienating all of his allies. With no one else to rely on, he'll have to trust the one person nobody else does: himself. Kingdom of Grit:The Thousand Deaths of Ardor BennThe Shattered Realm of Ardor BennThe Last Lies of Ardor Benn

"Mission Impossible, but with magic, dragons, and a series of heists that go from stealing a crown to saving the world" (David Dalglish). Master con artist Ardor Benn and his crew of intrepid thieves are hired to pull off a series of wildly complex heists, from stealing a crown to saving the world, in this daring fantasy adventure. Liar. Thief. Legend. Ardor Benn is no ordinary thief. Rakish, ambitious, and master of wildly complex heists, he styles himself a Ruse Artist Extraordinaire. When a priest hires him for the most daring ruse yet, Ardor knows he'll need more than quick wit and sleight of hand. Assembling a dream team of forgers, disguisers, schemers, and thieves, he sets out to steal from the most powerful king the realm has ever known. But it soon becomes clear there's more at stake than fame and glory -- Ard and his team might just be the last hope for human civilization. Discover the start of an epic fantasy trilogy that begins with a heist and quickly explodes into a full-tilt, last ditch plan to save humanity.

"The enjoyable blend of intrigue, lighthearted escapades, and thrilling action brilliantly sets the stage for the series' conclusion. Readers will be thrilled." (Publishers Weekly) The second in an action-packed epic fantasy series: In a world with dragon-fueled magic, master con artist Ardor Benn must infiltrate a centuries-old secret organization to find a missing royal heir. Ardor Benn saved civilization from imminent destruction, but his efforts brought war to the kingdom. It is believed that the rightful rulers have all been assassinated. However, a young heir might have survived. An ancient organization known as The Realm is behind the chaos, working from the shadows. Under the anonymity of masks, information is distributed sparingly. Ard's been hired to infiltrate them, but he's got competition from an old friend. One who's set to prove she's better than the self-proclaimed "Ruse Artist Extraordinaire." If Ard can't find the heir then his world may again approach ruin. Stopping the complete and utter collapse of civilization is quickly becoming Ard's specialty. Kingdom of Grit:The Thousand Deaths of Ardor BennThe Shattered Realm of Ardor BennThe Last Lies of Ardor Benn

Ardor, inspiration, the soul, the sublime: Such terms have long since fallen from favor among critics and artists alike. In his new collection of essays, Adam Zagajewski continues his efforts to reclaim for art not just the terms but the scanted spiritual dimension of modern human existence that they stake out. Bringing gravity and grace to his meditations on art, society, and history, Zagajewski wears his erudition lightly, with a disarming blend of modesty and humor. His topics range from autobiography (his first visit to a post-Soviet Lvov after childhood exile; his illicit readings of Nietzsche in Communist Poland); to considerations of artist friends past and present (Zbigniew Herbert, Czeslaw Milosz); to intellectual and psychological portraits of cities he has known, east and west; to a dazzling thumbnail sketch of postwar Polish poetry. Zagajewski gives an account of the place of art in the modern age that distinguishes his self-proclaimed liberal vision from the "right-wing radicalism" of such modernist precursors as Eliot or Yeats. The same mixture of ardor and compassion that marks Zagajewski's distinctive contribution to modern poetry runs throughout this eloquent, engaging collection.

Gail Bishop is a headstrong, driven, single-minded businesswoman, a successful independent professional at only 29 years old. But she still feels empty. Eddie Chase is a fun-loving real-estate agent who made a mint in the boom market, now fast running out of money. And their friends set them up on a blind date, unaware that many years ago, they were once married to each other. Now, both are taken aback by their feelings for each other at a romantic, seaside cottage on Ardor Point, and by the impact this will have on the rest of their lives. This long-languishing relationship that Gail thought was surely dead, could it hold the secret, the meaning of life that she's looking for? A heart-wrenching story of human kindness and love without strings.