Arrowood And The Meeting House Murders An Arrowood Mystery Book 4

London Society takes their problems to Sherlock Holmes. Everyone else goes to Arrowood. ‘Finlay depicts a seedy, desperate London and vivid characters with considerable skill’ The Times

A detective tracks a vicious killer through the slums of Victorian London in this “fiercely edgy” mystery that adds grit to the world of Sherlock Holmes (Booklist). London, 1865. The city is terrified. A killer haunts the streets, crime bosses are taking control, and the police force is stretched to the breaking point. Those who have means turn to Sherlock Holmes, but the celebrated private detective rarely visits the streets of South London, where the crimes are sleazier and the people are poorer. In these precincts, victims turn to a man who despises Holmes and everything he represents: his wealthy clientele and his showy forensic approach to crime. Arrowood is a self-taught psychologist, occasional drunkard, and private investigator. When a man mysteriously disappears and Arrowood’s best lead is viciously stabbed before his eyes, he and his sidekick Barnett face their toughest quest yet: to capture the head of the most notorious gang in London . . .

“Enthralling . . . an alternative Sherlock Holmes, who, instead of relying on physical clues and logic, focuses on the psychology of the people involved.” —Publishers Weekly (starred review) 1896: Sherlock Holmes has once again hit the headlines, solving mysteries for the cream of aristocracy. But among the workhouses and pudding shops of South London, private detective William Arrowood is presented with far grittier, more violent, and considerably less well-paid cases. Arrowood has no doubt who is the better detective, and when Mr. and Mrs. Barclay engage him to find their daughter, Birdie—who married a pig farmer and hasn’t been seen since—he’s sure it won’t be long before he and his assistant, Barnett, have tracked her down. But this seemingly simple missing-person case soon turns into a murder investigation. Far from the comfort of Baker Street, Arrowood’s London is a city of unrelenting cruelty, where evil is waiting to be uncovered . . . Praise for Arrowood “A new series that historical crime fans will be clamoring to read more of.” —The Times of London “A wonderful premise: a downscale Sherlock Holmes for the rest of us.” —Kirkus Reviews “Fiercely edgy . . . Finlay captures the filth, frustration, and dark humor of the Victorian-era slum . . . Doyle’s fans will be entertained.” —Booklist “The Victorian workingman’s answer to the higher-class Sherlock Holmes—a foul-mouthed, hard-drinking, shabby detective with a seriously bad attitude toward his more famous counterpart . . . It’s a terrific premise . . . Finlay has fun referencing the Holmes canon, and he gives his hero a skill that the more famous detective lacks.” —The Seattle Times

‘Brimming with dark humour, fast-paced action ... this is a top-class series that grows in stature with every new book’ Lancashire Evening Post SHORTLISTED FOR THE 2021 HWA GOLD CROWN AWARD LONGLISTED FOR THE 2021 CWA GOLD DAGGER

An explosive, fast-paced espionage thriller for fans of Frank Gardner and Mick Herron. 'Dark and twisted, A Time to Lie is a tense and timely novel' Adam Hamdy A pulse-pounding thrill-ride' Chris Whitaker A LONG-BURIED BODY. On the morning of the Tory Party conference, the bones of a young woman's hand are discovered in a London building site. A DIVISIVE PRIME MINISTER. Prime Minister Robin Sandford is accused of killer her. With his career on the brink of ruin, he enlists the unofficial help of MI5. A decision which leads him into a new world of espionage, mass executions and murder. A PLOT TO BRING HIM DOWN... The deeper he goes, the more treacherous the game becomes. And if he fails to expose the truth, the whole country will pay the price... 'A pulse-pounding thrill-ride' Chris Whitaker 'Dark and twisted, a tense and timely novel' Adam Hamdy 'Masterful ... I was completely absorbed' Daily Record 'Brims with tension' Sunday Post

Detective Carl Morck investigates the twenty-year-old murders of a brother and sister whose confessed killer may actually be innocent, a case with ties to a homeless woman and powerful adversaries.

“The classic trifecta of talent, heart, and a bone-deep sense of storytelling….A masterful performance, deftly rendered and deeply satisfying. For days on end, I woke with this story on my mind.” —David Wroblewski A powerful and resonant novel from the critically acclaimed author of Smonk and Hell at the Breech, Crooked Letter, Crooked Letter tells the riveting story of two boyhood friends, torn apart by circumstance, who are brought together again by a terrible crime in a small Mississippi town. An extraordinary novel that seamlessly blends elements of crime and Southern literary fiction, Crooked Letter, Crooked Letter is a must for readers of Larry Brown, Pete Dexter, Ron Rash, and Dennis Lehane. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county—and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town. More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times, “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” –The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” –The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” –Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” –Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle