Arshile Gorky

From the Author of Frida, the Moving and Heroic Story of One of the Central Painters of the Twentieth Century Born in Turkey around 1900, Vosdanik Adoian escaped the massacres of Armenians in 1915 only to watch his mother die of starvation and his family scatter in their flight from the Turks. Arriving in America in 1920, Adoian invented the pseudonym Arshile Gorky-and obliterated his past. Claiming to be a distant cousin of the novelist Maxim Gorky, he found work as an art teacher and undertook a program of rigorous study, schooling himself in the modern painters he most admired, especially Cézanne and Picasso. By the early forties, Gorky had entered his most fruitful period and developed the style that is seen as the link between European modernism and American abstract expressionism. His masterpieces influenced the great generation of American painters in the late forties, even as Gorky faced a series of personal catastrophes: a studio fire, cancer, and a car accident that temporarily paralyzed his painting arm. Further demoralized by the dissolution of his seven-year marriage, Gorky hanged himself in 1948. A sympathetic, sensitive account of artistic and personal triumph as well as tragedy, Hayden Herrera's biography is the first to interpret Gorky's work in depth. The result of more than three decades of scholarship-and a lifelong engagement with Gorky's paintings-Arshile Gorky traces the progress from apprentice to master of the man André Breton called "the most important painter in American history."

A reexamination of the art of Arshile Gorky (1904-1948), and an exploration of his role in the development of modern abstraction in America.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

In 1946, the painter Arshile Gorky spent the summer at Crooked Run Farm, a country estate in Lincoln, Virginia. In this time, he drew feverishly, producing almost 300 drawings. These drawings included a study for what is now considered one of his most remarkable paintings, 'The Limit' (1947), a work that he described as the outcome of being ""so lonely, exasperated, and how to paint such empty space?so empty it's the limit."" Also among Gorky's artistic yield from the summer of 1946 were a group of related pieces that came to be referred to as the Virginia Summer drawings. During a 2020 conservation treatment on 'The Limit,' conservators discovered that nested behind it was another workman expressively painted canvas immediately recognizable by its relationship to the Virginia Summer drawings. 'Beyond The Limit' reveals this newly discovered painting, referred to as 'Untitled (Virginia Summer),' and its place in Gorky's oeuvre. Essays by Parker Field, Managing Director of the Arshile Gorky Foundation, and Pepe Karmel, Associate Professor Of Art History at New York University, are complemented by an illustrated chronology that piece together the hidden story of 'Untitled (Virginia Summer)' and what it signified for Gorky during this time of incredible creative output. The book's design encourages readers to unwrap 'The Limit' to discover 'Untitled (Virginia Summer),' and a series of brushstroke details positions readers close to the canvases of both works. Together with a plate section that presents both paintings, select drawings from the Virginia Summer series, and reference works, readers will have their own experience of discovering Arshile Gorky. Exhibition: Hauser & Wirth Gallery, Zurich, Switzerland (03.02. - 19.03.2022).

Published on the occasion of the exhibition Ardent Nature: Arshile Gorky Landscapes, 1943-47, presented at Hauser & Wirth New York, November 2-December 23, 2017.

Published to accompany the exhibition held at Tate Modern, London, 3 Feb.-3 May 2010.

The show will be comprised of 17 paintings and 23 works on paper from this very influential period in Gorky's brief but potent career. It covers a decade where Gorky's inspirations synthesize to forge a radically new development in American art. Influences ranging from the Renaissance painter Paolo Uccello to Picasso, Miro and the surrealists can be seen in the work. As Michael Auping has asserted, it is during this time that Gorky establishes a complex formal vocabulary that acts as an important link between European surrealism and the development of Abstract Expressionism. The exhibition contains pieces from some of Gorky's key serial works. Included are drawings and a painting from the group entitled Nighttime, Enigma and Nostalgia. This somber, dreamlike series combines bio-morphic abstraction with surrealism. Also included are two paintings and related drawings entitled Khorkom, named after Gorky's birthplace, a town in the Armenian province of Van. In three paintings from the well-known Garden in Sochi series of the early 1940s, Gorky invokes his father's garden in Armenia. His need to reconnect himself with his ancient homeland and with his idealized childhood provides the beguiling imagery that gives Gorky's work its unique quality.

Arshile Gorky emigrated from Armenia to the United States in 1920 where he established himself as one of the greatest painters of that period. Although his life was cut short by his suicide in 1948, the body of work he left behind secured his reputation as one of the greatest surrealist painters. This book tells his story.