Art And Architecture Of The Late Middle Ages

Traces the growth and characteristics of medieval art and architecture, focusing attention on the individual Gothic styles that evolved throughout Europe.

"Dismantles the religious, political, and geographic walls that have separated medieval art and architecture and treats not only western Europe but also the Byzantine Empire and the Islamicate world from ca. 200 CE to ca. 1450 CE. Includes a wide variety of art forms, from large architectural complexes to small amulets printed on paper"--

Presents us with a comprehensive point of departure for the study of artistic developments in the Late Middle Ages, from the Norman Conquest at the turn of the twelfth century to the coming of the Knights in 1530. This book shows us that Late Medieval Malta was not an artistic desert, that patronage in Mdina was surprisingly well-informed, and that the Renaissance reached Malta before the coming of the Knights. Architecture, however, lagged behind, and the stylistic and technical innovations reflected the conservatism of an insular society. Through the art and architecture of that period, Professor Buhagiar outlines the Christianization and Latinization process that moved the islands away from a Muslim and North African bias, to a South European sphere of influence. The author's many years of meticulous research and academic activity have resulted in an excellently presented book that can be enjoyed by both the academic and the general reader. Mario Buhagiar is Professor of History of Art and Head of the History of Art Programme at the University of Malta, which he was responsible for establishing in 1988. The author is also responsible for the Late Roman and Byzantine Catacombs and Related Burial Places in the Maltese Islands, and The Iconography of the Maltese Islands 1400-1900: Painting, as well as numerous articles in various journals, both local and foreign.

This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to micro-history. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon's temple in Jerusalem from the fifteenth-century codex of Les Antiquites judaiques as a starting point, this study deals with architecture and technical knowledge of builders. This investigation unpacks and reveals many aspects of the technical and visual culture of late medieval craftsmen and artists. The virtuosic skills these artisans displayed are worthy of inclusion in the development of technical practices of Flamboyant Gothic architecture. They also reflect broader cultural and social configurations, which go far beyond the history of building. This micro-historical perspective on what can be called hyper-technical Gothic contributes to our appreciation of the role of technical mastery in establishing social hierarchies and artistic individuation processes during the Late Middle Ages and Early Modern period.

These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.

"Dismantles the religious, political, and geographic walls that have separated medieval art and architecture and treats not only western Europe but also the Byzantine Empire and the Islamicate world from ca. 200 CE to ca. 1450 CE. Includes a wide variety of art forms, from large architectural complexes to small amulets printed on paper"--