Art And Merchandise In Keith Haring S Pop Shop

As one of the first academic monographs on Keith Haring, this book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising as tools to reconsider the significance and legacy of Haring’s career as a whole. Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass-produced objects can be used strategically to form a community and create social change. Furthermore, looking beyond the 1980s, into the 1990s and 2000s, Haring and his shop prefigured artists’ emerging, self-aware involvement with the mass media, and the art world’s growing dependence on marketing and commercialism. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity about Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising.

This book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising to reconsider the significance and legacy of Haring's career as a whole, especially his career long pursuit of populism. Keith Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass produced objects can be used as a strategy to form a community and create social change. Furthermore, looking beyond the eighties into the 1990s and 2000s, Haring and his shop prefigured artists' emerging, self-aware involvement with the mass media, and the art world's growing dependence on marketing and commercialism. The book will be of interest to scholars working in art history, consumer culture, cultural studies, media studies, and market studies. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity of Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising.

"Good business is the best art" -- Andy Warhol Provocative and entertaining, Pop Life examines how artists since the 1980s have cultivated their public persona as a product, and conjured a dazzling mix of media, commerce, and glamour to build their own "brands." Beginning with the grandfather of Pop, Andy Warhol, who manufactured mass-produced wares in The Factory in the 1960s, the book explores Jeff Koons' infamous Made in Heaven series--showcasing his marriage and sexual relations with Italian porn-star and latter-day politician Illona Staller (aka La Cicciolina)--and his stainless steel Rabbit sculpture; an iconic array of golden spot and butterfly paintings from Damien Hirst's recordbreaking 2008 auction; and a reconstruction of Keith Haring's Pop Shop in New York. Takashi Murakami's designs for Louis Vuitton are also included, along with works by Richard Prince, Martin Kippenberger, Tracey Emin, and many more. Published to accompany an exhibition at Tate Modern, London, and the National Gallery of Canada, Ottawa, this fascinating and extensively illustrated book looks at artists who have not only created but also marketed, promoted, and sold their own work.

A catalog of an exhibition that surveys the history of international graffiti and street art.

Examines Haring's artistic relationship with youth culture, from Disney and Smurfs to his own Radiant Baby, graffiti, hip-hop and the East Village club scene.

Covering an exhaustive range of information about the five boroughs, the first edition of The Encyclopedia of New York City was a success by every measure, earning worldwide acclaim and several awards for reference excellence, and selling out its first printing before it was officially published. But much has changed since the volume first appeared in 1995: the World Trade Center no longer dominates the skyline, a billionaire businessman has become an unlikely three-term mayor, and urban regeneration—Chelsea Piers, the High Line, DUMBO, Williamsburg, the South Bronx, the Lower East Side—has become commonplace. To reflect such innovation and change, this definitive, one-volume resource on the city has been completely revised and expanded. The revised edition includes 800 new entries that help complete the story of New York: from Air Train to E-ZPass, from September 11 to public order. The new material includes broader coverage of subject areas previously underserved as well as new maps and illustrations. Virtually all existing entries—spanning architecture, politics, business, sports, the arts, and more—have been updated to reflect the impact of the past two decades. The more than 5,000 alphabetical entries and 700 illustrations of the second edition of The Encyclopedia of New York City convey the richness and diversity of its subject in great breadth and detail, and will continue to serve as an indispensable tool for everyone who has even a passing interest in the American metropolis.