Art Brut 1

Presenting here the first major work from the creative minds behind ICE CREAM MAN-re-lettered, remastered, and under its original intended name! The world of fine art is falling apart, and only ART BRUT knows how to fix it. Alongside the Bureau of Artistic Integrity, Arthur Brut the Mad Dreampainter (and his trusty sidekick, Manny the Mannequin) must dive back into the very paintings that made him insane...or reality itself might just crumble to pieces. A colorful, gonzo romp through art and art history, ART BRUT is equal parts police procedural, hyper-fantasy, and psychological thriller-a veritable Pollock-splatter of comics genres tossed onto one giant pulpy canvas! Each issue features new covers, new design, and a new Silver Age-style backup story featuring the art hero that no one's ever heard of-until now! Originally published under the title The Electric Sublime, this special edition presents the NPR-lauded, critically acclaimed material in its intended form.

“A fantastically imaginative take on 60s adventure comics, but with their own special twist set in the weird world of art galleries.” —Monkeys Fighting Robots Presenting here the first major work from the creative minds behind ICE CREAM MAN—re-lettered, remastered, and under its original intended name! The world of fine art is falling apart, and only ART BRUT knows how to fix it. Alongside the Bureau of Artistic Integrity, Arthur Brut the Mad Dreampainter (and his trusty sidekick, Manny the Mannequin) must dive back into the very paintings that made him insane…or reality itself might just crumble to pieces. A colorful, gonzo romp through art and art history, ART BRUT is equal parts police procedural, hyper-fantasy, and psychological thriller—a veritable Pollock-splatter of comics genres tossed onto one giant pulpy canvas! Each chapter features new cover art, new design, and a new Silver Age-style backup story featuring the art hero that no one’s ever heard of—until now! Originally published under the title The Electric Sublime, this special hardcover edition presents the NPR-lauded, critically acclaimed material in its intended form. Collects ART BRUT #1-4

Money management may very well be the most important piece of the trading puzzle. In A Trader's Money Management System, expert Bennett McDowell provides time-tested techniques that can turn a losing trader into a winning one'and take the winning trader to an entirely new level. In revealing his personal approach to staying out of trouble in the financial markets and maximizing profits, he offers comprehensive insights into: The psychology of risk control as well as the finer aspects of setting stop-loss exits The value of managing trade size and consistent record keeping The process of putting together your own personal money management system Unlike other books that focus on the complex mathematical theories behind money management, this book presents its system in straightforward, easy-to-understand terms that will allow you to quickly see how these concepts work and immediately benefit from the value of effectively managing risk.

In the early 20th-century, European avant-garde artists began to look beyond the accepted canons of Western art in a search for new sources of inspiration. "Primitive" art, drawings by children, the art of the insane, and graffiti all opened up new avenues for experimentation and artistic creation. At the end of World War II, leading French artist Jean Dubuffet became interested in the works being produced by psychiatric patients and by other social outcasts. In 1948 he founded the Compagnie de l'Art Brut to document the collections he had begun, and in 1976 the collection moved to its permanent home in Lausanne. This critically acclaimed book traces the history of the concept of Art Brut, a movement which has had a profound effect on artistic and social history. The account is completed by biographical notes on the featured artists and an extensive bibliography. This revised edition contains up-to-date information about modern exponents of Art Brut and the collection itself, including two new images of artist Judith Scott's work. All the works reproduced, most from the collection created by Dubuffet, have retained their subversive freedom, which continues to fascinate and inspire artists and collectors today.

For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.

Art Brut, also termed Outsider Art, has long been suppressed from most art historical writing. Why this rejection? The hyperbolic expressions of Romanticism and Symbolism nourished a desire for derangement and dissociation that inspired both Expressionism and Surrealism. Simulated delirium became the object of the new art — experimental, avant-garde, modernist — which arose from the fragmented codes, the shattered forms of everyday communication. But what of those artists whose works, and often whose deliria, are the manifestations of sheer eccentricity, of social isolation and marginalization, or of madness? In this book Weiss investigates the origins of the unrestricted contemporary artistic field, seeking its sources in those works hitherto absent from the official histories of art — works that constitute art's dark interior, its disturbing netherworld. Secluded, occluded, excluded, Art Brut nevertheless extends the limits of artistic creativity and aesthetic discourse, regardless of whatever anxieties such works may produce. Shattered Forms explores the relations between Art Brut, the psychopathology of expression, and avant-garde Modernism, attempting to show how the consideration of Art Brut should lead to a revision of our theoretical and museological paradigms.