Art Camouflage

From its origins to its use in combat today, 'The Little Book of Camouflage' tells the history of camouflage in conflict. Its conception, its uses and the colours are looked at, as well as the key patterns such as the German uniforms of World War II, the ever-recognisable American type worn during Vietnam and the British DPM forming a sort of recognition guide to the various patterns in use in the armies of history and present day. Illustrated throughout with the patterns themselves and images of camouflage in use, Tim Newark presents a quick and detailed look at the most prolific camouflage patterns.

Approaching this subject from the disciplines of art history and theory, art practice, biology, cultural theory, literature and philosophy, this volume greatly expands the reach of camouflage's cultural terrain. The result is a collection that provides a new perspective on the developing discourse of camouflage and contributes to debates about the roles that physical, artistic and social camouflage play in contemporary life.

A history and theory of the drive to hide in plain sight.

Second World War British Military Camouflage offers an original approach to the cultures and geographies of military conflict, through a study of the history of camouflage. Isla Forsyth narrates the scientific biography of Dr Hugh Cott (1900-1987), eminent zoologist and artist turned camoufleur, and entwines this with the lives of other camouflage practitioners, to trace the sites of camouflage's developments. Moving through the scientists' fieldsite, the committee boardroom, the military training site and the soldiers' battlefield, this book uncovers the history of this ambiguous military invention, and subverts a long-dominant narrative of camouflage as solely a protective technology. This study demonstrates that, as camouflage transformed battlefields into unsettling theatres of war, there were lasting consequences not only for military technology and knowledge, but also for the ethics of battle and the individuals enrolled in this process.

Elephants are gray. Pigs are pink. Only the chameleon has no color of his own. He is purple like the heather, yellow like a lemon, even black and orange striped like a tiger! Then one day a chameleon has an idea to remain one color forever by staying on the greenest leaf he can find. But in the autumn, the leaf changes from green to yellow to red . . . and so does the chameleon. When another chameleon suggests they travel together, he learns that companionship is more important than having a color of his own. No matter where he goes with his new friend, they will always be alike. Now available as an eBook.

Henrietta Goodden explores the development of the extraordinary ideas which were to play such an important part in defeating the enemy in the air, on land and at sea.