Art Energy

In Art & Energy, Barry Lord argues that human creativity is deeply linked to the resources available on earth for our survival. By analyzing art, artists, and museums across eras and continents, Lord demonstrates how our cultural values and artistic expression are formed by our efforts to access and control the energy sources that make these cultures possible.

First published in 1889, this vintage book constitutes an interesting an informative treatise on cycling, being an exploration of energy, locomotion, and the history and development thereof. Profusely illustrated and accessible, "Cycling Art" will appeal to modern cycling enthusiasts and would make for a worthy addition to collections of sporting literature. Contents include: "The Cycle Art", "Can we Improve upon the Creator's Methods?", "The Direct Application of Power", "The Connecting Link between the Legs of Nature and the Wheel of Mechanics", "Graphic Illustration of the Application of Power to Cycles-Kinematics", "Balancing, and Some Questions of Potential Energy-Hill-Climbing", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the History of the Bicycle.

The conviction that an arts school can be a pedagogical nexus dedicated to the transmission of knowledge, experimentation, and research. If you immerse yourself at Lake Zurich, a hedge-fund office, a botanical garden, or a land-art piece built on ruins, is it possible to discern an energy particular to art? Art as a form of energy capable of encompassing the whole of life, more powerful than finance and its algorithms? Art as science or speculative fiction? We dwell in castles with Schrödinger's cat until we give form to the formless: molecules and failed soldiers, art spaces previously owned by the mafia. We share tips about the tricks of the trade--only to intervene, emancipate, culminate, collapse, and (re)emerge. Let us look everywhere for ideas, and let us be gloriously out of touch: may we grow our capacity and courage to love. Catastrophism, miniskirt, particle. This book arises from the activities of the MA Fine Arts program at the Zurich University of the Arts in 2019. It reflects the conviction that an arts school can be a pedagogical nexus dedicated to the transmission of knowledge, experimentation, and research as much as a locus for civic and critical debate and exhibition, involved in its community, locally and globally.

It is rare that a book draws together the knowledge and experience of scientists, each a world leader in his or her discipline, to create a work that presents the state of the art in a field as rich and diverse as solar energy. In Solar Energy - the State of the Art this aim has been achieved. The book comprises twelve individual chapters, each dedicated to one of the major solar energy sub-disciplines and authored by an internationally recognised expert in the field. Areas covered range from solar radiation and meteorology, solar collectors and concentrators, solar energy and the built environment, to solar thermal electricity, photovoltaics, wind energy and the potential cost of ignoring solar energy resources. The papers examine the technology and field in question, discuss the rudiments and major applications, review the current science and technology and explore the remaining challenges for the future. Solar Energy - the State of the Art is an essential reference work for all solar energy practitioners, students, researchers and engineers wishing to gain a broad-based understanding of the theory, technology, applications and issues surrounding the broad, interdisciplinary field of solar energy. The book will form an important component of any library's solar energy holding and will be of particular benefit as an academic reference, as well as being of practical value to professionals who wish to gain a clear understanding of the concepts required to move forward in this field. Published with ISES.

Energetic people are easy to spot. They are magnetic. They have a higher level of intensity. They radiate happiness, passion, and drive while others seem overwhelmed, exhausted, and sometimes burnt out. That vibrancy isn't just luck or good genes. Energy is a skill that you can learn and master. Vanda Martin has employed the power of energy to launch herself into success time and time again. In The Art of High Energy, she uses inspirational examples and easy-to-follow steps to show you how you can increase your energy level, strengthen your mindset, create constructive habits, improve focus, and visualize and achieve your goals. With techniques ranging from removing mental blocks, to prioritizing your goals, to improving your physical being to making time for joy, Vanda can help you exercise your energy muscles to become a positive force in the world. With focus, discipline, and enthusiasm, as well as Vanda's easy and clear ideas in this book, you can take control of your energy and transform every area of your life.

Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to achieve kinesthetic goals. In fact, the formalist approach to art was galvanized by theories of bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, Veder contends that aesthetic modernism shared industrial modernity's objective of efficiently managing neuromuscular energy. In a series of finely grained and interconnected case studies, Veder demonstrates that diverse modernists associated with the Armory Show, the SociŽtŽ Anonyme, the Stieglitz circle (especially O'Keeffe), and the Barnes Foundation participated in these discourses and practices and that "kin-aesthetic modernism" greatly influenced the formation of modern art in America and beyond. This daring and completely original work will appeal to a broad audience of art historians, historians of the body, and American culture in general.

Energy Culture is a provocative book about oil's firm grip on our politics and everyday lives. It brings together essays and artwork produced in a collaborative environment to stimulate new ways of thinking and to achieve a more just and sustainable world. The original work collected in Energy Culture creatively engages energy as a social form through lively arguments and artistic research organized around three vectors of inquiry. The first maps how fossil fuels became, and continue to be, embedded in North American society, from the ideology of tar sands reclamation projects to dreams of fiber optic cables running through the Northwest Passage. The second comprises creative and artistic responses to the dominance of fossil fuels in everyday life and to the challenge of realizing new energy cultures. The final section addresses the conceptual and political challenges posed by energy transition and calls into question established views on energy. Its contributions caution against solar capitalism, explore the politics of sabotage, and imagine an energy efficient transportation system called "the switch." Imbued with a sense of urgency and hope, Energy Culture exposes the deep imbrications of energy and culture while pointing provocatively to ways of thinking and living otherwise.