Art In Flanders

A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.

"In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish "Golden Age" paintings, this book portrays Spanish society grappling with a long tradition of importing its favorite paintings while struggling to reimagine its own visual idiom. In the process, the book historicizes questions of style, quality, immigration, mobility, identity, and cultural exchange to define what the evolving and amorphous visual concept of "Flemishness" meant to Spanish viewers in an era long before the emergence of nationalism"--

Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid traces how Flemish immigrant painters and imported Flemish paintings fundamentally transformed the development of Spanish taste, collecting, and art production in the Spanish “Golden Age.”

Excerpt from Art in Flanders Great indeed is the distinction conferred upon the author who is called on to write the art-history of his own country, to evoke the figures of the men who throughout the ages have gradually transformed rough and clumsy images into graceful and harmonious lines, creating groups instinct with beauty and amenity. His task is the more inviting if, as was the case in Flanders, compact and brilliant generations of artists succeed each other in a territory of limited extent. The productiveness of Flanders in this domain attracted attention at an early period, and many experts have undertaken to record all that was known of the lives of our painters. They found a valuable basis for their labours in the registers which the corporations of St. Luke kept of their apprentices and masters, and even in our own times these afford the most valuable evidences to art-historians. In the course of the nineteenth century emulation increased. The archives of states and cities, chronicles, and general literature were searched for the slightests details which threw light on the remoter periods. Facility of communication has multiplied the sources of information, and writers no longer consult only written or printed documents; they examine the works left by successive generations, they study pictures, sculpture, and architecture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

“A sleek, sophisticated, madly clever chamber mystery” from the international bestselling author—the basis for the film Uncovered starring Kate Beckinsale (The New York Times Book Review). A fifteenth-century painting by a Flemish master is about to be auctioned when Julia, a young art restorer, discovers a peculiar inscription hidden in a corner: Who killed the knight? In the painting, the Duke of Flanders and his knight are locked in a game of chess, and a dark lady lurks mysteriously in the background. Julia is determined to solve the five-hundred-year-old murder, but as she begins to look for clues, several of her friends in the art world are brutally murdered in quick succession. Messages left with the bodies suggest a crucial connection between the chess game in the painting, the knight’s murder, the sordid underside of the contemporary art world, and the latest deaths. Just when all of the players in the mystery seem to be pawns themselves, events race toward a shocking conclusion. A thriller like no other, The Flanders Panel presents a tantalizing puzzle for any connoisseur of mystery, chess, art, and history. “A beguiling puzzle—a game within a game within a game—solved in perplexing but entertaining fashion.”—The Philadelphia Inquirer “For mystery fans who yearn for literate, intelligent, sophisticated whodunits, Spanish author Pérez-Reverte’s highly acclaimed story fills the bill perfectly . . . An inventive plot, gripping suspense, fascinatingly complex characters, and innovative incorporation of art, literature, and music will enthrall readers looking for something a little different.”—Booklist “This intelligent mystery . . . comes up with a satisfying twist at the end.”—Library Journal

- With a focus on lace-making in Flanders, this sweeping history of lace documents an exhibition at MoMu, the Antwerp fashion museum - Explores lace-making techniques from the 16th century to the present, from meticulous handicraft to laser-cut 3D design - Includes historical pieces from world-renowned institutions, such as the Metropolitan Museum of Art in New York, the V&A Museum in London and the Rijksmuseum in Amsterdam Lace has been a luxury item, sought after by royalty and the aristocracy, since the early 1600s. Fashion has traditionally driven lace production, and in the 17th and 18th centuries the lace trade was a significant contributor to the economies of many European countries. This exhibition catalog for a show at MoMu, the Antwerp fashion museum, focuses on the venerable tradition of lace-making in Flanders, but places it within the larger context of the history of lace from the 16th century to the present. Historic pieces from international museums, including the Met (New York), the V&A (London) and the Rijksmuseum (Amsterdam) are complemented by contemporary fashion (Van Herpen, Dior, Alaia, Prada, Loewe, Givenchy). These pieces, and their cutting edge production techniques, bring the history of Flemish-made lace up to the 21st century.