Art In Roman Britain

With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia--particularly in the golden age of Late Antiquity--rivals that of other provinces and deserves comparison with the art of metropolitan Rome. The originality and breadth of Henig's study is shown by its systematic coverage, embracing both the major arts--stone and bronze statuary, wall-painting and mosaics--and such applied arts as jewelery-making, silversmithing, furniture design, figure pottery, figurines and appliques. The author explains how the various workshops were organized, the part played by patronage and the changes that occurred in the fourth century.

An outline of Romano-British art making clear the close relationship between the political and economic history of the province and its art and arguing that Roman art responded rapidly to diverse influences. Laing also considers the development of Romano-British studies, the patrons and craftsmen themselves, and the diverse examples of art.

With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia rivals that of other provinces of the Roman Empire and deserves comparison with the art of metropolitan Rome.

“Romano-Celtic Art in Northumbria” is an essay by R. G. Collingwood on the subject of early British art, focusing on examples found in northern England. Romano-Celtic culture arose in Britain under the Roman Empire after the AD 43 Roman conquest. It began as a combination of Roman culture and that of the indigenous Britons, and lasted until the 5th century and the Roman departure from Britain. This volume is highly recommended for those with an interest in British history and culture, as well as the Roman influence thereon. Robin George Collingwood, FBA (1889 – 1943) was an English historian, philosopher, and archaeologist most famous for his philosophical works including “The Principles of Art” (1938) and ”The Idea of History” (1946). Other notable works by this author include: “Religion and Philosophy” (1916), “Roman Britain” (1923), and “Speculum Mentis” (1924). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.