Art Of This Century

Edited by Susan Davidson and Philip Rylands Essays by Dieter Bogner, Francis V. O'Connor, Don Quaintance, Jasper Sharp and Valentina Sonzogni.

Preface and Acknowledgments / Thomas Krens -- The Genesis of a Museum: A History of the Guggenheim / Thomas Krens -- Frank Lloyd Wright and the Solomon R. Guggenheim Museum / Bruce Brooks Pfeiffer -- Paintings of Modern Life and Modern Myths: Late-Nineteenth- and Early Twentieth-Century Representations of Gender, Class, and Race in the Thannhauser Collection / Andrea Feeser -- 1912 / Lisa Dennison -- Technology and the Spirit: The Invention of Non-Objective Art / Michael Govan -- Peggy's Surreal Playground / Jennifer Blessing -- Art of This Century and the New York School / Diane Waldman -- Against the Grain: A History of Contemporary Art at the Guggenheim / Nancy Spector -- The Institution as Frame: Installations at the Guggenheim / Clare Bell.

The 21st‐Century Art Book is an A‐to‐Z guide of contemporary artists featuring established art‐world figures – Maurizio Cattelan, Cindy Sherman, Jeff Wall – alongside rising stars of the next generations. Global in scope, the book features work from 50 countries across a variety of mediums, from painting, drawing, and sculpture to digital art, video installation, and performance. Each of the 280 artists included has a dedicated page pairing a significant artwork from his or her oeuvre with lively and informative text. An international directory of major art events along with a helpful glossary round out the package, making this both a must‐have resource and a beautifully illustrated celebration of contemporary art.

Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement, but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility, collaboration decentralizes creative strategies, enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions, communities and personal lifestyles. This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts, art history, sociology, political science, and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future.

In her captivating memoir, Out of This Century: The Informal Memoirs of Peggy Guggenheim, the renowned art collector and socialite takes readers on a fascinating journey through her extraordinary life. From her bohemian upbringing to her pivotal role in shaping the modern art world, Guggenheim's story is one of passion, resilience, and an unwavering commitment to the avant-garde. This intimate and candid account offers a rare glimpse into the mind of a visionary who left an indelible mark on the cultural landscape of the 20th century.

Joan Murray discusses social and political events in combination with the movements, ideas, attitudes, styles, and important groups in Canadian art of this century.

Known as 'the Mistress of modern art', Peggy Guggenheim was a passionate collector and major patron. She amassed one of the most important collections of early 20th century European and American art embracing cubism, surrealism and expressionism. A 'poor little rich girl', (her father, Benjamin, went down with the Titanic in 1912), she was magnetically drawn to the avant-garde artistic community of Paris. She bought works by, and befriended, such artists as Picasso, Duchamp, Man Ray and Dali. In 1938 she opened her first gallery of modern art in London, followed by the 'Art of this Century' gallery in New York. Then, after a 4-year marriage to Max Ernst, she returned to Europe, setting up her collection in Venice where she lived until her death in 1979. This is the fascinating autobiography of a society heiress who became the bohemian doyenne of the art world. Written in her own words it is the frank and outspoken story of her life and loves: her stormy relationships with such men as Max Ernst and Jackson Pollock, of artistic discoveries and the excitement of promoting great work. seminal period of art history, and the ultimate self-invented woman.