Arthur Machen

The Great God Pan is a horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the magazine The Whirlwind in 1890. Machen later extended The Great God Pan and it was published as a book alongside another story, "The Inmost Light", in 1894. The novella begins with an experiment to allow a woman named Mary to see the supernatural world. This is followed by an account of a series of mysterious happenings and deaths over many years surrounding a woman named Helen Vaughan. At the end, the heroes confront Helen and force her to kill herself. She undergoes a series of supernatural transformations before dying and she is revealed to be the child of Mary and the god Pan.

Arthur Machen (1863-1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His book The Great God Pan has garnered a reputation as a classic of horror (Stephen King has called it "Maybe the best horror story in the English language")

From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Machen loved the medieval world view because he felt it combined deep spirituality alongside a rambunctious earthiness.

Reproduction of the original: The House of Souls by Arthur Machen

A Fragment of Life is a fantasy novella by Arthur Machen. Machen was an author and mystic known for his prominent paranormal, fantasy, and horror fiction. Excerpt: "So, day after day, he lived in the grey phantasmal world, akin to death, that has, somehow, with most of us, made good its claim to be called life. To Darnell the true life would have seemed madness, and when, now and again, the shadows and vague images reflected from its splendour fell across his path, he was afraid, and took refuge in what he would have called the sane 'reality' of common and usual incidents and interests. His absurdity was, perhaps, the more evident, inasmuch as 'reality' for him was a matter of kitchen ranges, of saving a few shillings; but in truth the folly would have been greater if it had been concerned with racing stables, steam yachts, and the spending of many thousand pounds."

Machen’s occult investigator Dyson is back to the job with another murder mystery. 'The Inmost Light' presents Dyson’s first-hand account of a story he witnessed - the wife of a famous London doctor is found dead. However, the factors that came into play to cause her death can only be described as supernatural. A horrific transformation and a tinkering with the soul that resulted in her inevitable demise. 'The Inmost Light' presents implicit horrors rather than the overt horrors commonplace in for example H. P. Lovecraft’s fiction. Fans of the supernatural horror genre will love this story. Jorge Luis Borges cited Machen as a great writer and an inspiration for the magical realism movement in literature. Notorious occultist Aleister Crowley also greatly admired Machen for effortlessly crossing over the threshold that separates reality and the magical realm. Strongly recommended for fans of the 'Good Omens' series inspired by Terry Pratchett's fiction and starring Michael Sheen and David Tennant. Fans of the HBO show 'Lovecraft Country' may also find a true Lovecraft-ian treasure trove hidden between these pages Arthur Machen (1863-1947) was a Welsh writer of supernatural, fantasy, and horror novels. Before his literary career skyrocketed he also worked as a journalist and an actor. His major belief was that the ordinary and external world surreptitiously conceals something far more mysterious and bizarre. In turn, we are deeply interested in trying to lift the veil enshrouding the threshold separating the two. His most acclaimed works include the classic horror novella 'The Great God Pan' and the semi-autobiographical 'The Hill of Dreams'.

The Three Imposters is a strange little book, a narrative about a secret society's efforts to retrieve a Roman coin ("The Gold Tiberius"), but this "novel" appears to be little more than a convenient device for telling a series of marvelous, horrific tales. Two of these tales--"The Novel of the Black Seal" and "The Novel of the White Powder"--are first-class works of imaginative fiction, and the entire book itself is entrancing, reminiscent of Stevenson's New Arabian Nights in its descriptions of London--conveyed in musical, Swinburneian prose--make of this nineteenth century metropolis something as exotic and fantastic as the Baghdad of Haroun al-Rashid. In addition, this collection contains not only two short stories but also the novella "The Great God Pan," one of the acknowledged classics of the weird tale. Its Chinese box structure--the horror revealed in fragments, in various voices, with lacunae which must be supplied by the reader--makes the narrative all the more compelling and terrifying in its obliqueness. (Lovecraft used this structure as his model for "The Call of Cthulhu.") "The Great God Pan" has an interesting plot as well, in that it is an inversion of the Ripper murders which occurred only a few years before. Instead of lower-class women murdered in the slums by an unknown male slasher, we have wealthy young men committing suicide in the most fashionable sections of London--and this time a mysterious woman seems to be involved.