Arthur Schopenhauer

This edition originally published by Berghahn Books. Schopenhauer's treatise on ethics is presented here in E. F. J. Payne’s definitive translation, based on the Hubscher edition (Wiesbaden, 1946-1950). This edition includes an Introduction by David Cartwright, a translator’s preface, biographical note, selected bibliography, and an index. For convenient reference to passages in Kant's work discussed by Schopenhauer, Academy edition numbers have been added.

"These essays are a valuable criticism of life by a man who had a wide experience of life, a man of the world, who possessed an almost inspired faculty of observation. Schopenhauer, of all men, unmistakably observed life at first hand. There is no academic echo in his utterances; he is not one of a school; his voice has no formal intonation; it is deep, full-chested, and rings out its words with all the poignancy of individual emphasis, without bluster, but with unfailing conviction. He was for his time, and for his country, an adept at literary form; but he used it only as a means. "

Volume 1 of the definitive English translation of one of the most important philosophical works of the 19th century, the basic statement in one important stream of post-Kantian thought.

The Anglo-Saxon reception of Schopenhauer has a long and valuable tradition. An early reaction to Schopenhauer's thought from outside the German-speaking world was the appearance in the Westminster Review for 1853of "Iconoclasm in German Philosophy", an insightful essay of apprecia tion written by John Oxenford. A gratified Schopenhauer was able to remark: "my philosophy has just set foot in England" (To Lindner, 27. 4. 1853). It remained there and spread throughout the English-speaking countries. In the following decades Schopenhauer's works were translated into English: carrying on the task of translation begun in the nineteenth century there stands out, particularly, the masterly achievement of Eric F. Payne. No less active, however, has been the philosophical discussion devoted to Schopen hauer in books and journal-articles. In 1890Wallace published the first biog raphy of Schopenhauer in English, and the monographs by Caldwell (1894) and Coppleston (1946) are cornerstones of a continuous, if not widespread, concern with Schopenhauer's philosophy in the English language. An in creased interest in Schopenhauer in the Anglo-Saxon countries has mani fested itself in the last twenty-five years (Gardener (1963), Hamlyn (1980), Fox (ed.) (1980), Magee (1983) inter alia). The present study carries on this tradition. Its distinctiveness consists in its explicit connecting of Schopenhauer's work to the philosophy ofKant. The author's intimate knowledge of both thinkers has already been estab lished in previous studies.

This is a new release of the original 1949 edition.

Philosopher Arthur Schopenhauer (1788–1860) is usually remembered for his pessimism. His most influential work, The World as Will and Representation, concluded that no human desires can ever be fully satisfied. But as Peter B. Lewis shows in this new critical biography, Schopenhauer in fact advocated ways—via artistic, moral, and ascetic forms of awareness—to overcome the frustration-filled and fundamentally painful human condition. Offering a concise introduction to the life and work of this German philosopher, Arthur Schopenhauer explores a man who devoted his life to articulating a philosophy that would benefit mankind by providing a solution to the riddle of human existence. Lewis situates Schopenhauer’s principal doctrines of his philosophy into the context of his life, explaining how major events like his father’s apparent suicide led to his ideas on the meaning of life and the nature of art, religion, and morality. He also relates Schopenhauer’s thoughts to the intellectual and cultural world of early nineteenth-century Germany, where his philosophy was ignored for most of his life. Illustrated with images of Schopenhauer, his family, and his contemporaries, this book will engage anyone interested in music, literature, and the arts, as well as those who ponder the eternal questions of life’s meaning.

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