Artistic License

The art scene today is one of appropriation—of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting—which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral. Engaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.

Romance takes center stage as West End theatre’s Richard Troy steps out with none other than castmate Lainie Graham “Lucy Parker’s books are all fabulous. Her writing voice never fails to make me giggle, while the chemistry between her characters makes me swoon.”—Frolic Richard Troy used to be the hottest actor in London, but the only thing firing up lately is his temper. We all love to love a bad boy, but Richard’s antics have made him Enemy Number One, breaking the hearts of fans across the city. Have the tides turned? Has English rose Lainie Graham made him into a new man? Sources say the mismatched pair has been spotted at multiple events, arm in arm and hip to hip. From fits of jealousy to longing looks and heated whispers, onlookers are stunned by this blooming romance. Could the rumors be right? Could this unlikely romance be the real thing? Or are these gifted stage actors playing us all? London Celebrities Book 1: Act Like It Book 2: Pretty Face Book 3: Making Up Book 4: The Austen Playbook Book 5: Headliners

There's an art to choosing men, but Thea's just discovering it. A wonderfully romantic novel from the No. 1 Sunday Times bestselling author of A Wedding in Provence. 'The queen of uplifting, feel good romance' AJ PEARCE 'Effortlessly lovable, warm and fun' CLOSER 'Katie Fforde is on sparkling form' INDEPENDENT 'Top-drawer romantic escapism' DAILY MAIL ________________ Leaving behind a house full of students she looks after, Thea throws caution to the wind and takes off to Ireland with Rory, a charming artist. But Thea's old life isn't so easily cut off. The arrival of Molly, her bossy friend, demanding to see Rory's stunning paintings (and to find out what Thea is up to) is bad enough, but why did she have to bring Petal, Thea's most annoying lodger, along for the ride? And worst of all, Petal is accompanied by her uncle, the enigmatic Ben, a man Thea has sworn never to like. The timing is terrible and even more alarming is that the more Rory pursues Thea, the more maddeningly attractive she finds Ben... _______________________________ The whole world loves Katie Fforde's work: "Modern-day Austen. Great fun" Red "Top-drawer romantic escapism" Daily Mail "Warm, brilliant and full of love" Heat "Delicious - gorgeous humour and the lightest of touches" Sunday Times "Effortlessly lovable, warm and fun" Closer "Curl up on the sofa with this book and dream... delightful" The Lady "Deliciously enjoyable" Woman and Home "Uplifting and delightful" Hot Brands Cool Places

Artist Amanda Trent, accompanied by her beloved golden retriever Laddie and her persnickety calico cat Mona Lisa, is determined to start a new life after her husband divorces her to marry a younger woman, but it isn't easy. After a disastrous interview at the prestigious Roadrunner Gallery in Lonesome Valley, Arizona, far away from her previous home in Kansas City, Amanda's afraid that she'll fail at her new career. But her prospects begin to improve when she's accepted as the newest member of the cooperative gallery. Then, on her very first day, she discovers Janice, the stern director, has been murdered right in the art gallery, and the Roadrunner's members, including Amanda herself, become suspects. Which gallery member murdered the unpopular director? Or was the killer an outsider with an ax to grind?

"Ms. Allen goes on to show how the incendiaries of the eighteenth and nineteenth centuries were, in real terms, far more daring and more disturbing to the moral and ideological systems of their time than is the modern mutineer, who stages his rebellion within a social framework that condones - or at least pretends to condone - rebellion. In incisive essays, she considers such liberators as Pepys, Sterne, Boswell, Sheridan, Jane Austen, Hans Christian Andersen, Byron, Hawthorne, Thackeray, Wilkie Collins, Bram Stoker, L. Frank Baum, Sinclair Lewis, and William Saroyan. She finds it surprising that so many writers held on to artistic rectitude in the face of all-but-insuperable personal failings."--Jacket.

"'Creative License' describes what happened next and the continuum leading up to this moment. In this ground-breaking study, James Charnley reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as an unprecedented inventive powerhouse on the national scene. Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where all that was forbidden was to be dull. With Jeff Nuttall, Robin Page, George Brecht, Patrick Hughes and John Fox on the staff, students pushed the freedom and facilities offered further than anything before or since. 'Creative License' captures the rebellious trajectory of the 1960s, the emergence of the counter-culture, dissent and later disillusionment. This is a case study of an era when art colleges were well funded and well free and, at Leeds, had a mission to progress the avant-garde project to the next level. Perhaps only now can the consequences of this experiment be assessed and its achievements recognised, and James Charnley sets out to do just that."

Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industrys approach to digital sampling.

Danny Gregory and his wife Patti were in love. Their baby, Jack, was ten months old; life was pretty swell. And then Patti fell under a subway train and was paralyzed from the waist down. In a world where nothing seemed to have much meaning, Danny decided to teach himself to draw, and what he learned stunned him. Suddenly things had color again, and value. The result is Everyday Matters, his journal of discovery, recovery, and daily life in New York City. It is as funny, insightful, and surprising as life itself.