Arts Of The South Seas

Includes Australian rock art, painted shields, ornaments, bark painting, body decoration, ground drawing and boomerangs, with brief outline of culture.

From New Guinea to New Zealand, Easter Island to Hawaii, the Pacific region known as Oceania has long excited the Western imagination, but its traditional sculptures, pots and paintings have only recently been studied and appreciated as fine art. While much about these works and the cultures that produced them remains mysterious, we do know that most items were created for use in daily life rather than as products for the art market. Nonetheless, their beauty and craftsmanship elevate the best of them to objects of contemplation and wonder. This catalogue presents some 80 Oceanic works of art, each illustrated with its form and function described. Michael Gunn's introduction places the works in context; Christraud Geary discusses provenance; and contextual photographs throughout show many of the objects in situ, aiding in a growing understanding of these intriguing but still elusive works, and adding to the scholarship on, and interest in, Oceania.

Drawing on the famous collections of the Musee Barbier-Mueller this unusual and beautifully illustrated book brings together these cultures to demonstrate the astonishing aesthetic similarities between civilizations located far apart in both space and time. While the arts of the Easter Islands and Maori civilizations have been well known for some years the creativity of the inhabitants of Borneo, Sulawei, and Sumatra is less familiar, and is scarcely represented in the major public collections. On the basis of the linguistic consonance between the thousand or more modern languages spoken in Oceania, anthropologists and archaeologists have begun to trace the cultural links throughout this area, in particular through the rituals and beliefs which are often the inspiration for the forms and functions of the artifacts. Masks in human or animal form, made of tortoiseshell, wood, dried leaves or clay; drums, shields, and batons; multicolored clothing for war and peace; intricate jewelry; as well as a wide variety of everyday containers and implements -- all the treasures in this collection display a sophistication of ornament and technical expertise which rival the products of ancient European civilizations. Scholarly essays by over thirty international experts focus on each island or civilization and form a fascinating study which will certainly become the standard work in this field, of interest to both students and the general reader.

"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa

A comprehensive guide to the 16 territories of Polynesia and Melanesia, not just the popular spots. This is a guide for the budget traveller to the whole of the South Pacific.

"The traditional art forms of the Admiralty Islands occupy an important place in the art of the South Sea Islands. The originality of their oeuvre is manifested in monumental sculptures and magnificent wooden bowls and dishes as well as in small implements of virtuoso design. The works are decorated in a rich palette of red, black, brown and white tones that give severe, strongly contrasting visual effects. "[Featured here are] the artistically fashioned products of the archipelego's material culture. A centrally positions in occupied by representations of humans and animals and the adornment of ritual objects. Objects that played a role in religion and mythology, and above all, in the daily life of the inhabitants of the islands. " -- From the Preface by Lorenz Homberger