Ash Glazes

This guide first sketches the history of ash glazes. It then discusses the practicalities of collecting and testing wood ashes, how to make them into glazes and then use them to glaze your pots. It also looks at a group of international artists who use ash glazes on their work.

Ash Glazes is the definitive reference for potters who want to achieve success with these highly variable glazes. Author Robert Tichane takes the guesswork out of ash glazes, sharing the results of his exhaustive research and experimentation.

"With recipes for mixing, testing, applying, and firing hundreds of high-fire glazes, this fully illustrated reference will help all ceramists gain a better understanding of glazes and the factors that make them work."--Book Jacket.

Ash Glazes has been designed as an introduction and practical handbook to this glazing technique, covering the history of ash glazes and the practicalities of collecting and testing wood ashes and transforming them into glazes. It will provide inspiration for working potters and delight all those interested in contemporary ceramics.

Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.

This is a new, revised, and updated edition of Brian Sutherland's classic book on making glazes from natural sources, such as trees, plants, and stones.

This book shows how best to achieve oriental glazes by discussing materials, glaze analysis and recipes, kilns and fuel, and reduction firing techniques.

Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.