Asheville S Historic Architecture

Asheville, known for its architectural diversity and intriguing Art Deco style, has been fortunate in attracting brilliant architects who, with imaginative foresight and design expertise, have created lasting testaments in brick and stone. Local architectural enthusiast Richard Hansley recounts the history behind dozens of Asheville’s most prominent buildings and historical neighborhoods in Asheville’s Historic Architecture. Discover how Douglas Ellington, Richard Sharp Smith, James Vester Miller and Tony Lord influenced this busy metropolis, as landmarks like the Jackson Building, the Grove Park Inn and the Art Deco City Building were constructed along the city’s thriving streets. These buildings have stood the test of time and remain as breathtaking in concept and appearance today as when first completed.

Guide to the Historic Architecture of Western North Carolina

The Ravenscroft School, an Episcopal boarding school in Asheville, North Carolina, 1856 to 1901, had three distinct phases. It was first a "Classical and Theological School" (1856-1864) and then, following the Civil War, a Theological Training School and Associate Mission (1868-1900); in 1887 it split into two departments, a Theological Training School/Associate Mission and Ravenscroft High School for Boys (1887-1901). The purview of this book is from the early days of Asheville (1820s) to the building of Joseph Osborne's mansion in the 1840s (which would eventually house the school), through the years of the school's operation, and thence to the mid-20th century when the campus buildings were sold and repurposed. The book concludes with the efforts by historic preservationists in the late 1970s to save the few remaining buildings. The book includes biographical notes on notable alumni and histories of the churches established by the Ravenscroft Associate Mission and Training School.

Lists buildings, structures, sites, objects, and districts that possess historical significance as defined by the National Register Criteria for Evaluation, in every state.

Mystery writer, Tom Collins, departs from his usual genre to explore Asheville–the city they call the Weirdest, Happiest, Quirkiest, and Most Haunted Place in America. It’s a book that tells visitors everything they need to be Asheville Smart–things to do and see, but also the city’s secrets and mysteries along with its ghosts, if you believe in such things. If you don’t, you still might want to take care. Strange things happen in these quartz laden mountains. Oh, I also threw in a hardy dose of Appalachian Mountain tall tales, folklore, and legends, some alleged, some exaggerated and some hard to believe at all! Award Winning Book for Getting The Most Out of Visits to Asheville and the Western North Carolina: Asheville History—important monuments and people in the city’s history Attractions—things to do and to see in Asheville and neighboring areas Mysteries and Ghosts—stories at the heart of vortexes and hauntings Tall Tales—in the Appalachian Mountain tradition The book’s cover depicts the view down Patton Avenue toward City Hall painted by Asheville River Arts District’s artist Jeff Pittman. 2022 winner of Independent Press Award for its literary category.

A documentary history of a settlement adopted by Lowcountry gentry escaping the heat of weather and war The intoxicating "champagne air" of Flat Rock, North Carolina, captivated residents of lowcountry South Carolina in the nineteenth century because it offered them respite from the sickly, semitropical coastal climate. In Flat Rock of the Old Time, editor Robert B. Cuthbert has mined the collections of the South Carolina Historical Society to publish a documentary history of the place and its people. While many visitors came and went, others chose to become permanent residents. Among the Flat Rock settlers were some of the most distinguished South Carolina gentry: Blakes, Rutledges, Hugers, and Middletons. They established the Episcopal parish church of St. John in the Wilderness Church, where many of them are buried. They also supported a local economy that helped provide livelihoods to native residents who supplied them with goods and services. Visiting each other daily, they swapped news and gossip, sharing their joys and burdens. Lowcountry families refugeed to Flat Rock during the Civil War, thereby escaping the devastation of the coast but not the revolutionary consequences of the war, such as emancipation, occupation, and economic collapse. And through it all they wrote letters. Some refugee-residents sent off missives every day, describing the delicious weather, the activities of their neighbors, and the entwining relationships of family, faith, business, and recreation that sustained Flat Rock. The century chronicled in Flat Rock of the Old Times is viewed with a combination of nostalgia and clear-sightedness, not only by Cuthbert but also by his correspondents. Guided by the editor's copious introduction, annotations, and textual apparatus, readers experience the conjunction of people and place that was Flat Rock.