Asian English Writers Of Chinese Origin

This is the first book to bring together nine Asian English writers of Chinese descent from Singapore, Malaysia and Hong Kong: Catherine Lim, Christine Lim, Ee Tiang Hong, Kee Thuan Chye, Lee Kok Liang, Shirley Lim, Timothy Mo, Xu Xi and Agnes Lam. It discusses how the withdrawal of colonial power and the implementation of nation-building policies impact race/ethnicity, class and language in these former British colonies. The last chapters take a special look at postcolonialism and gender politics, and explore how Chinese women, at home or abroad, defy the Orientalist gaze and the native patriarchy.

The first volume of its kind, focusing on the sociolinguistic and socio-political issues surrounding Asian Englishes The Handbook of Asian Englishes provides wide-ranging coverage of the historical and cultural context, contemporary dynamics, and linguistic features of English in use throughout the Asian region. This first-of-its-kind volume offers a wide-ranging exploration of the English language throughout nations in South Asia, Southeast Asia, and East Asia. Contributions by a team of internationally-recognized linguists and scholars of Asian Englishes and Asian languages survey existing works and review new and emerging areas of research in the field. Edited by internationally renowned scholars in the field and structured in four parts, this Handbook explores the status and functions of English in the educational institutions, legal systems, media, popular cultures, and religions of diverse Asian societies. In addition to examining nation-specific topics, this comprehensive volume presents articles exploring pan-Asian issues such as English in Asian schools and universities, English and language policies in the Asian region, and the statistics of English across Asia. Up-to-date research addresses the impact of English as an Asian lingua franca, globalization and Asian Englishes, the dynamics of multilingualism, and more. Examines linguistic history, contemporary linguistic issues, and English in the Outer and Expanding Circles of Asia Focuses on the rapidly-growing complexities of English throughout Asia Includes reviews of the new frontiers of research in Asian Englishes, including the impact of globalization and popular culture Presents an innovative survey of Asian Englishes in one comprehensive volume Serving as an important contribution to fields such as contact linguistics, World Englishes, sociolinguistics, and Asian language studies, The Handbook of Asian Englishes is an invaluable reference resource for undergraduate and graduate students, researchers, and instructors across these areas. Winner of the 2021 PROSE Humanities Category for Language & Linguistics

Published by the Canadian Center of Science and Education, Asian Culture and History (ACH) is an international, double-blind peer-reviewed, open-access journal with both print and online versions. ACH encourages high-quality submissions. In order to carry out our non-discrimination principles, we use a double-blind system of peer review. ACH covers the entire spectrum of research, including the following topics: culture, history, arts, anthropology, archaeology, religion, philosophy, politics, education, laws and linguistics.

An Anthology of Chinese American and Japanese American Literature When the first volume of this collection of Asian American literature appeared in 1974, it showed readers the roots and the richness of Chinese American and Japanese American writing. The authors called their anthology Aiiieeeee! because that was the shout, the scream, often the only sound coming from the yellow man or woman in American movies, television, or comic books. But as that work demonstrated, the Asian American writer, long ignored and excluded from participating in American culture, has an articulate and creative voice. The Big Aiiieeeee!--an entirely new and truly comprehensive collection--brings together the earliest writings to appear in America, such as the revealing An English-Chinese Phrase Book used by the first generation of Chinese immigrants, and recent stories and essays, such as "Come All Ye Asian American Writers" by Frank Chin, about the importance of Chinese and Japanese heroic tradition. Here we all can now learn of the pain, the dreams, the betrayals, and the indelible sense of "otherness" of Americans of Chinese and Japanese descent, in a seminal collection of poetry, prose, and drama--writings filled with rage and beauty, memory and vision. "Here is a Gold Mountain of voices. In the telling and retelling of our stories, we create a community of memory. This huge collection invites all of us to become listeners and to claim America."--Ronald Takai, author of Strangers from a Different Shore: A History of Asian Americans

Chinese American authors often find it necessary to represent Asian history in their literary works. Tracing the development of the literary production of Maxine Hong Kingston, Amy Tan, Lisa See, and Russell Leong, among others, this book captures the effects of international politics and globalization on Chinese American diasporic consciousness.

This book examines the recent American cultural and literary preoccupation with Asia, exploring the corresponding historical-political situations - including China's Cultural Revolution and Japanese geisha culture - that have both circumscribed and enabled greater cultural and political contact between Asia and America.

Asian American literature is one of the most recent forms of ethnic literature and is already becoming one of the most prominent, given the large number of writers, the growing ethnic population from the region, the general receptivity of this body of work, and the quality of the authors. In recent decades, there has been an exponential growth in their output and much Asian American literature has now achieved new levels of popular success and critical acclaim. Nurtured by rich and long literary traditions from the vast continent of Asia, this literature is poised between the ancient and the modern, between the East and West, and between the oral and the written. The Historical Dictionary of Asian American Literature and Theater covers the activities in this burgeoning field. First, its history is traced year by year from 1887 to the present, in a chronology, and the introduction provides a good overview. The most important section is the dictionary, with over 600 substantial and cross-referenced entries on authors, books, and genres as well as more general ones describing the historical background, cultural features, techniques and major theatres and clubs. More reading can be found through an extensive bibliography with general works and those on specific authors. The book is thus a good place to get started, or to expanded one's horizons, about a branch of American literature that can only grow in importance.