Asian Sound Cultures

This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia. Including a series of wide-ranging and interdisciplinary case studies, the book reveals sound as central to the experience of modernity in Asia and as essential to the understanding of the historical processes of cultural, social, political, and economic transformation throughout the long twentieth century. Presenting a broad range of topics – from the changing sounds of the Kyoto kimono making industry to radio in late colonial India – the book explores how the study of Asian sound cultures offers greater insight into historical accounts of local and global transformation. Challenging us to rethink and reassemble important categories in sound studies, this book will be a vital resource for students and scholars of sound studies, Asian studies, history, postcolonial studies, and media studies.

From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.

This book examines four contemporary sites of visual culture in East Asia through the poetic prism of the “ruinous garden.” Framing destroyed, discarded, and displaced material objects within a rhetoric of development and relating this to the experience of ethnic/national culture, the book presents succinct analyses of visual works, as well as cultural criticisms, centered on space in metropolitan Japan and Hong Kong, China. These analyses are placed in dialog with approaches from postcolonial texts, addressing development and fractures in representation. Additionally, the book suggests graphic design as a form of retrospective cultural thinking, encompassing visual and invisible modernity, as well as an attachment to disappearing space. Offering a unique and thorough analysis of Japanese visual culture, combining discussion on photography, installation art, and graphic design, as well as integrating material from Hong Kong visual culture in discussions of identity, this book will appeal to students and scholars of visual culture in East Asia, environmental art, and environmental humanities.

Park investigates the unexpected success of early Korean creationists, who were mostly scientists, and argues that creationism is not a product of the lack of intelligence or proper scientific education but a consequence of more profound social developments in the twentieth and twenty-first centuries. Known as the religious belief rejecting evolutionary theory, creationism has become a global issue. Although it was often known as a problem unique among fundamentalist Protestants in the United States, it has been appropriated by people with diverse religions around the world, including Asia, Africa, Europe, and South America. Many scientists and educators perceive this dissemination as a threat to modern pedagogy and scholarship, although few of them are aware of its historical and cultural contexts. Through an intensive study of the birth and growth of the anti-evolutionary movement in South Korea during the twentieth and early twenty-first centuries, this book traces an important part of this worldwide movement against evolution. The author argues that South Korean creationism started from the country's past as a developmental state during the Cold War but proliferated further amid subsequent democratization and globalization. Creationism reflected the new identifications of some Korean scientists and engineers with evangelical faith, who actively formed their own domain outside of the state hegemony and authority. This book is a valuable reference for scholars interested in the dynamic interaction between science and religion in East Asia.

'Sonic intimacy' is a key concept through which sound, human and technological relations can be assessed in relation to racial capitalism. What is sonic intimacy, how is it changing and what is at stake in its transformation, are questions that should concern us all. Through an analysis of alternative music cultures of the Black Atlantic (reggae sound systems, jungle pirate radio and grime YouTube music videos), Malcolm James critically shows how sonic intimacy pertains to modernity's social, psychic, spatial and temporal movements. This book explores what is urgently at stake in the development of sonic intimacy for human relations and alternative black and anti-capitalist public politics.

This almanac of sound words important to artists and scholars highlights words that expand the way we speak (and write) about sonic experiences. Why write about sound, and how? If sonic philosophy is the attempt "to think about sound by philosophical means," then a metaphilosophical debate appears almost immediately on the horizon: What is called for is an understanding about sound and language, but also about the preconditions of musical understanding. What is at stake is the question of language and sound, as well as expanding how we speak about sonic experience. This almanac tackles these questions from artistic, experimental and personal perspectives. An assemblage of nearly 70 practitioners and theoreticians, artists and scholars offer their favorite 'sound word.' These sound words are onomatopoetical, mythological, practical; words of personal importance to the artists and their craft; words from their memory, related to sound. Many entries are not in English – some are untranslatable – and all are accompanied by a personal, explanatory, poetic entry. These are words that have the potential to change our perspective on listening-musicking-thinking.

This book explores the Asianization of contemporary Asia, a trend that through neoliberal economic globalism has diluted the political effect of the EuroAmerican-dictated segmentation of Asia and instead facilitated and accelerated socioeconomic exchanges and collaborations among Asian nations themselves. It comprehensively analyzes and interprets Asia’s Asianization in terms of intensification of intra-Asian interactions and flows in industrial, educational, sociopolitical and ecological spheres. Through such explorations, the book successfully reveals that Asia’s Asianization is particularly reflected in the major dimensions of regional industrial integration, transnational class relations, labor market regionalization, international educational mobility, regionalization of media and pop culture, transnational social movements and activisms, regionalized social governance for development cooperation and developmental mobilization of diasporic socioeconomic resources. In particular, as an interdisciplinary study of Asia's industrial, social and cultural integration within and across Asian societies in both outbound and inbound directions, this book will be of huge interest to students and scholars of Asian politics, development and sociology.

Hyungkee Kim analyses the model of East Asian development as it existed during periods of high growth and how it was transformed by pressures from both the Washington consensus and its own internal contradictions. Many have discussed the successes and failures of the East Asian model, but Kim is concerned rather with the story of its transformation, and its long-term sustainability. He uses a Five Sector Model, which focuses on the, state, corporate, financial, labour, and foreign sectors to identify the core of East Asian model and examine the variants in Korea, Japan and China. He also outlines the distinctions between the East Asian model and Western development models including the Anglo-American, Rhine, and Nordic models. He analyses in detail the institutional changes such as marketization, privatization, liberalization, and flexibilization that have transformed the East Asian model. Highlighting the major problems that emerged from the transformation of the East Asian model, Kim assesses its prospects for economic, social and ecological sustainability and proposes an agenda for institutional reforms. An essential reading for scholars of East Asian political economy.