Aspects Of The Design Production And Use Of Textiles And Clothing From The Bronze Age To The Early Modern Era

The North European Symposium for Archaeological Textiles (NESAT) was founded in 1981 as a discussion forum between various disciplines: textile archaeologists, historians, art historians, natural scientists, conservators and craftspeople. The NESAT XII symposium was organized by the Natural History Museum Vienna from 21st to 24th May 2014 in Hallstatt, Austria. The venue of the 12th Symposium was chosen on account of the archaeological heritage of Hallstatt as well as the flora and fauna of the whole region, which is designated in the UNESCO World Heritage list. The conference volume contains 35 scientific papers grouped into seven chapters. The first chapters introduce Austrian textile research and prehistoric textile finds from Europe, such as recent analysis of the earliest wool finds and early Scandinavian textile design. The main corpus of articles deals with textiles and clothing covering a time span from early medieval to the early modern period, their archaeological research, experiments and art historical context. Five papers focus on tools and textile production, object-based research as well as experimental archaeology and investigation of written sources. The chapter "Specific analyses" embraces interdisciplinary research including dyestuff analysis, isotopic tracing and a drawing system for archaeological textile finds from graves. The book, therefore, provides a wealth of information on recent research being undertaken into archaeological textiles from sites in northern Europe.

Discusses both the revolutionary cultural, social, and economic impact of Bronze Age textile production in Europe and innovative methodologies for future studies.

The papers in this volume view Bronze Age objects through the lens of creativity in order to offer fresh insights into the interaction between people and the world, as well as the individual and cultural processes that lie behind creative expression.

The diverse developments in textile research of the last decade, along with the increased recognition of the importance of textile studies in adjacent fields, now merit a dedicated, full-length publication entitled “Ancient Textile Production from an Interdisciplinary Perspective: Humanities and Natural Sciences Interwoven for our Understanding of Textiles”. With this volume, the authors and the editors wish to illustrate to the current impact of textile archaeology on the scholarly perception of the past (not limited to archaeology alone). The volume presents new insights into the consumption, meaning, use and re-use of textiles and dyes, all of which are topics of growing importance in textile research. As indicated by the title, we demonstrate the continued importance of interdisciplinarity by showcasing several ‘interwoven’ approaches to environmental and archaeological remains, textual and iconographic sources, archaeological experiments and ethnographic data, from a large area covering Europe and the Mediterranean, Near East, Africa and Asia. The chronological span is deliberately wide, including materials dating from c. 6th millennium BCE to c. mid-14th century CE. The volume is organised in four parts that aim to reflect the main areas of the textile research in 2020. After the two introductory chapters (Part I: About this Volume and Textile Research in 2020), follow two chapters referring to dyes and dyeing technology in which analytical and material-based studies are linked to contextual sources (Part II: Interdisciplinarity of Colour: Dye Analyses and Dyeing Technologies). The six chapters of Part III: Interdisciplinary Approaches to Textile Tools discuss textiles and textile production starting from the analyses of tools, whether functional or as representative of technological developments or user identity. Archaeological and cultural contexts as well as textile traditions are the main topics of the six chapters in Part IV: Traditions and Contexts: Fibres, Fabrics, Techniques, Uses and Meanings. The two final chapters in Part V: Digital Tools refer to the use of digital tools in textile research, presenting two different case studies.

This book explores the nature of creativity in the European Bronze Age through developments in pottery, textiles, and metalwork.

The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoesers groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.

An updated edition of this indispensable reference, surveying the history of textiles from 25,000 years ago to the present. The history of textiles, more than that of any other artifact, is a history of human ingenuity. From the very earliest needles of 25,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized, and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America—the appeal of different weaves, colors, and patterns was long a motivation for trade, the exchange of ideas, and sometimes even war. Mary Schoeser’s groundbreaking book, now revised and updated to incorporate new research with color illustrations, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society, and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors, and students alike.

Excavation of a Scheduled burial mound on Whitehorse Hill, Dartmoor revealed an unexpected, intact burial deposit of Early Bronze Age date associated with an unparalleled range of artefacts. The cremated remains of a young person had been placed within a bearskin pelt and provided with a basketry container, from which a braided band with tin studs had spilled out. Within the container were beads of shale, amber, clay and tin; two pairs of turned wooden studs and a worked flint flake. A unique item, possibly a sash or band, made from textile and animal skin was found beneath the container. Beneath this, the basal stone of the cist had been covered by a layer purple moor grass which had been collected in summer. Analysis of environmental material from the site has revealed important insights into the pyre material used to burn the body, as well as providing important information about the environment in which the cist was constructed. The unparalleled assemblage of organic objects has yielded insights into a range of materials which have not survived from the earlier Bronze Age elsewhere in southern Britain.