At Last There Is Nothing Left To Say

This is the landscape of At Last There Is Nothing Left To Say, Matthew Good's debut book of stories. Taking the form of an artist's journal, Good's tales grind through dark, often violent places animated by voices warped by hallucination and flesh chafed by reality. From the ramblings of an opium-riddled adventurer to treatises on life from a mind rattled by the world; from the tragic end of a teen queen to a day in the life of a rock star; from the execution of the Self by the Other to the pull between rules and freedom, this is a landscape located halfway between imagination and reality, a world that rocks between imagination and reality, a world that rocks between sleep and wakefulness, sanity and insanity, sobriety and inebriation.

The autumn morning after sixteen-year-old Audrey Harper loses her virginity, she wakes to a loud, persistent knocking at her front door. Waiting for her are two firemen, there to let her know that the moment she's been dreading has arrived: the enormous wildfire sweeping through Orange County, California, is now dangerously close to her idyllic gated community of Coto de Caza, and it's time to evacuate. Over the course of the next twenty-four hours, as Audrey wrestles with the possibility of losing her family home, she also recalls her early, easy summer days with Brooks, the charming, passionate, but troubled volunteer firefighter who enchants Audrey--and who is just as enthralled by her. But as secrets from Brooks's dark past come to light, Audrey can't help but wonder if there's danger in the pull she feels--both toward this boy, and toward the fire burning in the distance.

With Ashton at her side, Anna begins to feel more like her old self again. Together, they're rebuilding her life and attempting to heal old wounds. The more time they spend together, the closer they become, but unfortunately this only serves to complicate matters further. The undercover pretence of being boyfriend and girlfriend slowly ceases to be a game as both find themselves increasingly blurring the lines between the act and the reality.With her father now President-Elect, Anna and Ashton are finding it increasingly difficult to maintain some semblance of privacy. With the world's press obsessing over the future First Daughter, Ashton's job of protecting her has just become a whole lot harder.All the while the trial grows ever closer, looming over them both, taunting them, reminding them that it isn't over yet. After all, Carter Thomas will stop at nothing to be reunited with his 'Princess'.

Nothing Left to Burn is a remarkable memoir that looks into the life of a family that has spent years harboring secrets, both dark and volatile. It eloquently tells the story of a son’s relationship with his father, the fire chief and a local hero, and his grandfather, a serial arsonist. When Jay Varner, fresh out of college, returns home to work for the local newspaper, he knows that he will have to deal with the memories of a childhood haunted by a grandfather who was both menacing and comical and by a father who died too young and who never managed to be the father Jay so desperately needed him to be. In digging into the past, he uncovers layers of secrets, lies, and half-truths. It is only when he finally has the truth in hand that he comes to an understanding of the forces that drove his father, and of the fires that for all his efforts his father could never extinguish.

A celebrated foreign policy expert and key impeachment witness reveals how declining opportunity has set America on the grim path of modern Russia--and draws on her personal journey out of poverty, and her unique perspectives as an historian and policy maker, to show how we can return hope to our forgotten places.

A brilliant meditation on how to move through the day with elegant economy and grace. Reprint edition with new Afterword.

We’re losing our culture... our heritage... our traditions... everything is being swept away. Such sentiments get echoed around the world, from aging Trump supporters in West Virginia to young villagers in West Africa. But what is triggering this sense of cultural loss, and to what ends does this rhetoric get deployed? To answer these questions, anthropologist David Berliner travels around the world, from Guinea-Conakry, where globalization affects the traditional patriarchal structure of cultural transmission, to Laos, where foreign UNESCO experts have become self-appointed saviors of the nation’s cultural heritage. He also embarks on a voyage of critical self-exploration, reflecting on how anthropologists handle their own sense of cultural alienation while becoming deeply embedded in other cultures. This leads into a larger examination of how and why we experience exonostalgia, a longing for vanished cultural heydays we never directly experienced. Losing Culture provides a nuanced analysis of these phenomena, addressing why intergenerational cultural transmission is vital to humans, yet also considering how efforts to preserve disappearing cultures are sometimes misguided or even reactionary. Blending anthropological theory with vivid case studies, this book teaches us how to appreciate the multitudes of different ways we might understand loss, memory, transmission, and heritage.

NEW YORK TIMES BESTSELLER • From the critically acclaimed author of One of Us Is Lying comes a page-turning mystery about a group of old friends and the secrets that they keep. Four years ago, Brynn left Saint Ambrose School following the shocking murder of her favorite teacher—a story that made headlines after the teacher’s body was found by three Saint Ambrose students in the woods behind their school. The case was never solved. Now that Brynn is moving home and starting her dream internship at a true-crime show, she’s determined to find out what really happened. The kids who found Mr. Larkin are her way in, and her ex–best friend, Tripp Talbot, was one of them. Without his account of events, the other two kids might have gone down for Mr. Larkin’s murder—but instead, thanks to Tripp, they're now at the top of the Saint Ambrose social pyramid. Tripp’s friends have never forgotten what Tripp did for them that day, and neither has he. Just like he hasn’t forgotten that everything he told the police was a lie. Digging into the past is bound to shake up the present, and when Brynn begins to investigate what happened in the woods that day, she uncovers secrets that might change everything—about Saint Ambrose, about Mr. Larkin, and about her ex-best friend, Tripp Talbot. Four years ago someone got away with murder. More terrifying is that they might be closer than anyone thinks.