At Terror Street And Agony Way

Corrected typescript. Some is the original copy, some photo-copy. With annotations in pencil.

“Genius could be the ability to say a profound thing in a simple way, or even to say a simple thing in a simpler way.”—Charles Bukowski In The Mathematics of the Breath and the Way, Charles Bukowski considers the art of writing, and the art of living as a writer. Bringing together a variety of previously uncollected stories, columns, reviews, introductions, and interviews, this book finds him approaching the dynamics of his chosen profession with cynical aplomb, deflating pretensions and tearing down idols armed with only a typewriter and a bottle of beer. Beginning with the title piece—a serious manifesto disguised as off-handed remarks en route to the racetrack—The Mathematics of the Breath and the Way runs through numerous tales following the author’s adventures at poetry readings, parties, film sets, and bars, and also features an unprecedented gathering of Bukowski’s singular literary criticism. From classic authors like Hemingway to underground legends like d.a. levy to his own stable of obscure favorites, Bukowski uses each occasion to expound on the larger issues around literary production. The book closes with a handful of interviews in which he discusses his writing practices and his influences, making this a perfect guide to the man behind the myth and the disciplined artist behind the boozing brawler. Born in Andernach, Germany, and raised in Los Angeles, Charles Bukowski (1920–1994) is the author of over forty-five books of poetry and prose. David Stephen Calonne has written several books and edited four previous volumes of uncollected Bukowski for City Lights.

'I wrote letters to many in those days ... it was rather my way of screaming from my cage.' The 1960's saw Charles Bukowski struggle for recognition and slowly emerge as a unique, talented and prolific poet and writer, whilst holding down a day job at the Post Office. In Selected Letters: Volume 2 we see Bukowski becoming accustomed to his career as a professional writer.These letters to various friends, lovers and literary contacts provide an intimate and fascinating look at Bukowski's mind, his emotions, his attitude towards his own creativity and the comings and goings of his daily life.

'Fear makes me a writer, fear and a lack of confidence' Charles Bukowski chronicled the seedy underside of the city in which he spent most of his life, Los Angeles. His heroes were the panhandlers and hustlers, the drunks and the hookers, his beat the racetracks and strip joints and his inspiration a series of dead-end jobs in warehouses, offices and factories. It was in the evenings that he would put on a classical record, open a beer and begin to type... Brought up by a violent father, Bukowski suffered childhood beatings before developing horrific acne and withdrawing into a moody adolescence. Much of his young life epitomised the style of the Beat generation - riding Greyhound buses, bumming around and drinking himself into a stupor. During his lifetime he published more than forty-five books of poetry and prose, including the novels Post Office, Factotum, Women and Pulp. His novels sold millions of copies worldwide in dozens of languages. In this definitive biography Barry Miles, celebrated author of Jack Kerouac: King of the Beats, turns his attention to the exploits of this hard-drinking, belligerent wild man of literature.

A favorite of students for his poetry of raw angst and rebellion, Bukowski revolutionized contemporary literature with his anti-establishment methodology.

This critical study of the literary magazines, underground newspapers, and small press publications that had an impact on Charles Bukowski's early career, draws on archives, privately held unpublished Bukowski work, and interviews to shed new light on the ways in which Bukowski became an icon in the alternative literary scene in the 1960s.

Meet the man behind the myth in the only full-fledged biography of the American novelist, poet, and legend by a close friend and collaborator. Neeli Cherkovski began a deep friendship with Bukowski in the 1960s while guzzling beer at wrestling matches or during quieter evenings discussing life and literature in Bukowski’s East Hollywood apartment. Over the decades, those hundreds of conversations took shape as this biography—now with a new preface, “This Thing Upon Me Is Not Death: Reflections on the Centennial of Charles Bukowski.” Bukowski, author of Ham on Rye, Post Office, and other bestselling novels, short stories, and poetry collections only ever wanted to be a writer. Maybe that’s why Bukowski’s voice is so real and immediate that readers felt included in a conversation. “In his written work, he’s a hero, a fall guy, a comic character, a womanizing lush, a wise old dog,” biographer Neeli Cherkovski writes. “His readers do more than glimpse his many-sidedness. For some, it’s a deep experience. They feel as if his writing opens places inside of themselves they might never have seen otherwise. Often a reader comes away feeling heroic, because the poet has shown them that their ordinary lives are imbued with drama.” Full of anecdotes, wisdom, humor, and insight, this is an essential companion to the work of a great American writer. Long-time Bukowski fans will come away with fresh insights while readers new to his work will find this an exhilarating introduction. “A treasure trove for Bukowski fans . . . Cherkovski’s access to his subject allows him an intimacy otherwise impossible.” —John Rechy, Los Angeles Times

The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.