At The Altar Of Speed

He was The Intimidator. A nightmare in the rear-view mirror. A unique winner in the boardroom. A seven-time Winston Cup champion. A driver whose personal success story and dedication inspired the adoration of millions of fans. Then on February 18, 2001, just seconds from the Daytona 500 finish line, the world of stock-car racing suffered a devastating loss as Dale Earnhardt fatally careened into a track wall. The tragic shock waves, and an unprecedented outpouring of respect and love, have not stopped since. At the Altar of Speed takes readers behind the scenes of Earnhardt's celebrated life, tracing his rags-to-riches journey to the top of America's fastest-growing sport. Beginning with Earnhardt's early days growing up in small-town North Carolina, veteran sports writer Leigh Montville examines how a ninth-grade dropout started on the dusty dirt tracks of the South, went through two marriages and a string of no-future jobs before turning twenty-five, then took about a million left turns to glory. Through the pitfalls and triumphs, Earnhardt would ultimately become a celebrated champion, whose lifetime earnings would top forty-one million dollars. The son of a legendary racer, the father of a NASCAR star, he lived a total auto-racing life filled with triumph and sadness, great joy and great pain. Transporting readers to the colorful, noisy world of stock-car racing, where powerful engines allow drivers to reach speeds of 200 m.p.h., At the Altar of Speed vividly captures the man who drove the black No. 3 car, a man whose determination and inner strength left behind a legacy of greatness that has redefined his sport. Illustrated with a section of full-color photographs, At the Altar of Speed is a tribute to both the man and his unbeatable spirit.

Between Philosophy and Poetry examines the complex and controversial relation that has informed literary theory since ancient times: the difference between philosophy and poetry. The book explores three specific areas: the practice of writing with respect to orality; the interpretive modes of poetic and philosophical discourse as self-narration and historical understanding; how rhythm marks the differential spaces in poetry and philosophy. The book brings together some of the most prominent international scholars in the fields of philosophy and literature to examine the differences between orality and writing, the signs and traces of gender in writing, the historical dimension of the tension between philosophical and poetic language, and the future possibility of a musical thinking that would go beyond the opposition between philosophy and poetry. In the final instance, rhythm is the force to be reckoned with and is the essential element in an understanding of philosophy and poetry. Rhythm in effect provides a musical ethics of philosophy, for musical thinking goes beyond the metaphysical opposition between philosophy and poetry and sets the frame for post-philosophical practice. Contributors: Amittari F. Aviram, Babette Babich , Eve Taylor Bannet, Stephen Barker, Alexandro Carrera, Richard Detsch, Karen Feldman, David Halliburton, Richard Kearney, Carlo Sini, P. Christopher Smith, Forrest Williams

Ye Fantian was dressed in black and was in tatters. In his right hand, he held a sword full of blood, and his determined face was full of disdain. He looked at the leaders of various factions around him

His father was killed, his family was annihilated, endless humiliation struck his soul, heaven and earth were unable to accept this hatred. The iron-blooded youth went against the will of the heavens, his status was poor, and he descended to the underworld, where he roamed the world of the undead, where he turned into the god of slaughter and massacred the heavens.