At The End Of The World Turn Left

HONORABLE MENTION CRIMEREADS' THE BEST DEBUT NOVELS OF 2022 NAMED ONE OF THE "40 NEW BOOKS FOR SUMMER READING 2021" BY THE MILWAUKEE JOURNAL SENTINEL A riveting debut novel from an unforgettable new voice that is literary, suspenseful, and a compelling story about identity and how you define “home”. Masha remembers her childhood in the former USSR, but found her life and heart in Israel. Anna was just an infant when her family fled, but yearns to find her roots. When Anna is contacted by a stranger from their homeland and then disappears, Masha is called home to Milwaukee to find her. In 2008, college student Anna feels stuck in Milwaukee, with no real connections and parents who stifle her artistic talents. She is eager to have a life beyond the heartland. When she’s contacted online by a stranger from their homeland—a girl claiming to be her long lost sister—Anna suspects a ruse or an attempt at extortion. But her desperate need to connect with her homeland convinces her to pursue the connection. At the same time, a handsome grifter comes into her life, luring her with the prospect of a nomadic lifestyle. Masha lives in Israel, where she went on Birthright and unexpectedly found home. When Anna disappears without a trace, Masha’s father calls her back to Milwaukee to help find Anna. In her former home, Masha immerses herself in her sister’s life—which forces her to recall the life she, too, had left behind, and to confront her own demons. What she finds in her search for Anna will change her life, and her family, forever.

A sharp and witty post-apocalyptic high school comedy drama Sarabeth Lewis knows that anyone who's anyone will be at Teena McAuley's party this weekend. As it turns out, anyone who isn't anyone will end up in Teena's basement. This will include Sarabeth. But come the morning after, they're actually pretty glad of that fact... You know it's going to be a bad day when you emerge from a party you're not supposed to have been invited to in the first place to find the house destroyed and almost everyone you know in bits. Quite literally, in Sarabeth's case. Whilst she and the rest of the school's outcasts have been locked in the basement, the world appears to have ended - Sarabeth, Leo, Evan and Teena (who accidentally locked herself in the basement too...) have unwittingly become survivors of an alien invasion. Now they'll have to put their differences aside for long enough to save their town, themselves and quite possibly the world - and use everything they've got (including glittery face-paint) to squish some serious alien butt.

What If It's Us meets Life as We Knew It in this postapocalyptic, queer YA adventure romance from debut author Erik J. Brown. Perfect for fans of Adam Silvera and Alex London. When Andrew stumbles upon Jamie’s house, he’s injured, starved, and has nothing left to lose. A deadly pathogen has killed off most of the world’s population, including everyone both boys have ever loved. And if this new world has taught them anything, it’s to be scared of what other desperate people will do . . . so why does it seem so easy for them to trust each other? After danger breaches their shelter, they flee south in search of civilization. But something isn’t adding up about Andrew’s story, and it could cost them everything. And Jamie has a secret, too. He’s starting to feel something more than friendship for Andrew, adding another layer of fear and confusion to an already tumultuous journey. The road ahead of them is long, and to survive, they’ll have to shed their secrets, face the consequences of their actions, and find the courage to fight for the future they desire, together. Only one thing feels certain: all that’s left in their world is the undeniable pull they have toward each other.

The hilarious account of a crazy alien family's stay on earth, as their extra - terrestrial powers and ignorance of earth customs get them into trouble, and adventures.

I guess I always felt even if the world came to an end, McDonald's still would be open. High school sophomore Miranda's disbelief turns to fear in a split second when an asteroid knocks the moon closer to Earth, like "one marble hits another." The result is catastrophic. How can her family prepare for the future when worldwide tsunamis are wiping out the coasts, earthquakes are rocking the continents, and volcanic ash is blocking out the sun? As August turns dark and wintery in northeastern Pennsylvania, Miranda, her two brothers, and their mother retreat to the unexpected safe haven of their sunroom, where they subsist on stockpiled food and limited water in the warmth of a wood-burning stove. Told in a year's worth of journal entries, this heart-pounding story chronicles Miranda's struggle to hold on to the most important resource of all--hope--in an increasingly desperate and unfamiliar world. An extraordinary series debut Susan Beth Pfeffer has written several companion novels to Life As We Knew It, including The Dead and the Gone, This World We Live In, and The Shade of the Moon.

INSTANT NEW YORK TIMES BESTSELLER “A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On “This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology. When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

NOW A MAJOR GLOBAL NETFLIX ADAPTATION STARRING JULIA ROBERTS, KEVIN BACON, ETHAN HAWKE AND MAHERSHALA ALI*A THE TIMES #1 BESTSELLER**THE NEW YORK TIMES BESTSELLER**A BARACK OBAMA SUMMER READING PICK 2021*'Easily the best thing I have read all year' KILEY REID, AUTHOR OF SUCH A FUN AGE'Intense, incisive, I loved this and have still not quite shaken off the unease' DAVID NICHOLLS'I was hooked from the opening pages' CLARE MACKINTOSH'Simply breathtaking . . . An extraordinary book, at once smart, gripping and hallucinatory' OBSERVER_______A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrongAmanda and Clay head to a remote corner of Long Island expecting a holiday: a quiet reprieve from life in New York City, quality time with their teenage son and daughter and a taste of the good life in the luxurious home they've rented for the week. But with a late-night knock on the door, the spell is broken. Ruth and G. H., an older couple who claim to own the home, have arrived there in a panic. These strangers say that a sudden power outage has swept the city, and - with nowhere else to turn - they have come to the country in search of shelter.But with the TV and internet down, and no phone service, the facts are unknowable. Should Amanda and Clay trust this couple - and vice versa? What has happened back in New York? Is the holiday home, isolated from civilisation, a truly safe place for their families? And are they safe from one another?_______FINALIST FOR THE NATIONAL BOOK AWARD 2020FINALIST FOR THE ORWELL PRIZE 2021A DAILY TELEGRAPH, GUARDIAN, OBSERVER, IRISH TIMES AND TIME BOOK OF THE YEAREveryone is talking about LEAVE THE WORLD BEHIND'You will probably need to read it in as close to one sitting as possible' Sunday Times'A page-turner taking in themes of isolation, race and class' Guardian'A book that could have been tailor-made for our times' The Times'A literary page-turner that will keep you awake even after it ends'Mail on Sunday'An exceptional examination of race and class and what the world looks like when it's ending' Roxane Gay'A thrilling book - one that will speak to readers who have felt the terror of isolation in these recent months and one that will simultaneously, as great books do, lift them out of it' Vogue'Explores complex ideas about privilege and fate with miraculous wit and grace' Jenny Offill'For the reader, the invisible terror outside in Leave the World Behind echoes the sense of disquiet today in a world convulsed by the pandemic' Financial Times'Alam's achievement is to see that his genre's traditional arc, which relies on the idea of aftermath, no longer makes sense. Today, disaster novels call for something different' New Yorker'Read it with the lights on' Jenna Bush Hager, October Book Club pick

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?