Attack Of The Copula Spiders

A GLOBE & MAIL BEST BOOK OF THE YEAR FOR 2012 “Glover is a master of narrative structure.” —Wall Street Journal In the tradition of E.M. Forster, John Gardner, and James Wood, Douglas Glover has produced a book on writing at once erudite, anecdotal, instructive, and amusing. Attack of the Copula Spiders represents the accumulated wisdom of a remarkable literary career: novelist, short story writer, essayist, teacher and mentor, Glover has for decades been asking the vital questions. How does the way we read influence the way we write? What do craft books fail to teach aspiring writers about theme, about plot and subplot, about constructing point of view? How can we maintain drama on the level of the sentence—and explain drama in the sentences of others? What is the relationship of form and art? How do you make words live? Whether his subject is Alice Munro, Cervantes, or the creative writing classroom, Glover’s take is frank and fresh, demonstrating again and again that graceful writers must first be strong readers. This collection is a call-to-arms for all lovers of English, and Attack of the Copula Spiders our best defense against the assaults of a post-literate age. Douglas Glover is the award-winning author of five story collections, four novels, and two works of non-fiction. He is currently on the faculty of the Vermont College of Fine Arts MFA in Writing program. Praise for Douglas Glover "So sharp, so evocative, that the reader sees well beyond the tissue of words into ... the author's poetic grace." - The New Yorker "Glover invents his own assembly of critical approaches and theories that is eclectic, personal, scholarly, and smart ... a direction for future literary criticism to take." - The Denver Quarterly "A ribald, raunchy wit with a talent for searing self-investigation." - The Globe and Mail "Knotty, intelligent, often raucously funny." - Maclean's "Passionately intricate." - The Chicago Tribune "Darkly humorous, simultaneously restless and relentless." - Kirkus Reviews

In the tradition of E.M. Forster, John Gardner, and James Wood, Douglas Glover has produced a book on writing at once erudite, anecdotal, instructive, and amusing. Attack of the Copula Spiders represents the accumulated wisdom of a remarkable literary career: novelist, short story writer, essayist, teacher and mentor, Glover has for decades been asking the vital questions. How does the way we read influence the way we write? What do craft books fail to teach aspiring writers about theme, about plot and subplot, about constructing point of view? How can we maintain drama on the level of the sentence'and explain drama in the sentences of others? What is the relationship of form and art? How do you make words live? Whether his subject is Alice Munro, Cervantes, or the creative writing classroom, Glover's take is frank and fresh, demonstrating again and again that graceful writers must first be strong readers. This collection is a call-to-arms for all lovers of English, and Attack of the Copula Spiders our best defense against the assaults of a post-literate age.

Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover’s new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator’s manual for readers and writers, The Erotics of Restraint extends Glover’s long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.

The Globe and Mail Top 100 Quill & Quire Book of the Year Amazon.ca Editors' Pick, Top 100 Now magazine, Top 10 Books Chatelaine, Favourite Books of 2013 "This was, hands down, the best book I read in 2013." -- Steven W. Beattie, The National Post The return of Douglas Glover, one of Canada's most lauded and brilliant authors. "Douglas Glover, the mad genius of Can Lit." -- Caroline Adderson, The Globe and Mail Savage Love shatters then transforms every conventional notion we've ever held about that cultural-emotional institution we call love. "The most stylish, adventurous fiction this country has ever seen." -- Quill & Quire Absurd, comic, dream-like and deeply affecting, Glover's stories are of our time yet timeless, spectacular fables that stand in any era, any civilization. "Eclectic and obsessive, abrasive and majestic." -- Los Angeles Review of Books Savage Love exposes the humanity lurking behind our masks, the perversities that underlie our actions. This is Douglas Glover country, and we are all willing visitors.

Winner, Governor General's Award for Fiction Shortlisted, IMPAC Dublin Literary Award and Commonwealth Writers' Prize A 16th-century belle turned Robinson Crusoe, a female Don Quixote with an Inuit Sancho Panza -- this is the heroine of the novel that won the 2003 Governor General's Award. Elle is a lusty, subversive riff on the discovery of the New World, the moment of first contact. Based on what might be a true story, the novel chronicles the ordeals and adventures of a young French woman marooned on the desolate Isle of Demons during Jacques Cartier's ill-fated third and last attempt to colonize Canada. In this new readers' guide edition, Douglas Glover's carnal whirlwind of myth and story, of beauty and hilarity brings the past violently and unexpectedly into the present. His well-known scatological realism, exuberant violence, and dark, unsettling humour give his unique version of history a thoroughly modern chill.

AMERICAN LIBRARY ASSOCIATION NOTABLE BOOK OF 2012 IRISH TIMES BOOK-TO-READ FOR 2012 ATLANTIC BOOK AWARD WINNER FINALIST FOR THE GILLER PRIZE AND THE FRANK O'CONNOR AWARD A GLOBE & MAIL, QUILL & QUIRE, AND AMAZON.CA BEST BOOK OF THE YEAR "Engrossing, thrilling and ultimately satisfying: each story has the weight of a novel." —The Economist This was the day after Mike Tyson bit off Evander Holyfield’s ear. You remember that. It was a moment in history – not like Kennedy or the planes flying into the World Trade Center – not up at that level. This was something much lower, more like Ben Johnson, back when his eyes were that thick, yellow color and he tested positive in Seoul after breaking the world-record in the hundred. You might not know exactly where you were standing or exactly what you were doing when you first heard about Tyson or about Ben, but when the news came down, I bet it stuck with you. When Tyson bit off Holyfield’s ear, that cut right through the everyday clutter. —from "Miracle Mile" Two runners race a cargo train through the darkness of a rat-infested tunnel beneath the Detroit River. A drugstore bicycle courier crosses a forbidden threshold in an attempt to save a life and a young swimmer conquers her fear of water only to discover she's caught in far more dangerous currents. An auto-worker who loses his family in a car accident is forced to reconsider his relationship with the internal combustion engine. Alexander MacLeod is a writer of "ferocious intelligence" and "ferocious physicality" (CTV). Light Lifting, his celebrated first collection, offers us a suite of darkly urban and unflinching elegies that explore the depths of the psyche and channel the subconscious hopes and terrors that motivate us all. These are elemental stories of work and its bonds, of tragedy and tragedy barely averted, but also of beauty, love and fragile understanding.

No other person has done more to celebrate and encourage the short story in Canada than John Metcalf. For more than five decades he has worked tirelessly as editor, anthologist, writer, critic, and teacher to help shape our understanding of the form and what it can do. The long-time editor of the yearly Best Canadian Stories anthology, as well as a fiction editor at some of the pre-eminent literary presses in the country for more than forty years, he has worked to support and champion several generations of our best writers. Literature in Canada would be far less without his efforts. Sifting through a lifetime of reading, writing, and thinking about the short story in this country, and where it fits within the larger currents of world literature, Metcalf’s magisterial The Canadian Short Story offers the most authoritative book on the subject to date. Most importantly, it includes an expanded and reconsidered Century List, Metcalf’s critical guide to the best Canadian short story collections of the last 100 years. But more than a critical book, The Canadian Short Story is a love-letter to the form, a passionate defense of the best of our literature, and a championing of those books and writers most often over-looked. It is a guide not only to what to read, but also one, its author’s most fervent desire, which aims to make better readers of us all.