Aurum Polare I

A young man possessing oneiromancy skills is reading a strange book about the life of a well-known explorer of the North Pole. The book talks about an unknown gold deposit of vast proportions, located somewhere in the north of the planet...At the same time, the special research team of the mining company where the young man is employed, launches an exploration mission into the most controversial area of northern Greenland. It will be the beginning of an adventure that surpasses even their wildest imagination...Underground countries, hidden races of different human beings, advanced technologies of energy production, military experiments and guard-societies around the world sworn to preserving and safekeeping secret information, comprise this first part of a fast-action adventure, that treks across mythology, as well as historical and modern facts, riveting the reader on every page, transcending the conventional limits of planet Earth along the way...

This work consists of a systematic catalogue and primary bibliography of the living Bivalvia of the eastern Pacific Ocean from Bering Strait, Alaska (66 deg N) to Cape Horn, Tierra del Fuego (60 deg S). 1308 species from the high intertidal zone to deep waters extending approximately two thousand kilometers offshore are included, representing the total described fauna. Also presented are the thermal range and fossil occurrence in the region, abstracted from the literature and collections.

This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et ​​une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.