Australian Women S Historical Photography

Australian Women's Historical Photography: Other Times, Other Views focuses on the works of six Australian women who were working as photographers in the period 1850-1950. It critically examines their works against the historical backdrop of settler violence towards Indigenous Australians, the First Women's Movement, the Great War of 1914-1918, Australia's imperial occupation of New Guinea, the rise of anti-Western sentiment in China and debates about photography's status as an art form.

Australian Women’s Historical Photography: Other Times, Other Views examines the photographs produced by six talented women photographers against the historical backdrop of settler violence towards Indigenous Australians, the First Women’s Movement, the Great War of 1914–1918, Australia’s imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography’s status as an art form. Women’s works from the nineteenth and early twentieth centuries have been down-played or even ignored in existing accounts of Australia’s cultural history, and this study is aimed at rectifying this situation. At the same time, the book demonstrates why amateur works are just as important as commercial works to our understanding of the past. ● Methodologically, the book draws on scholarship from history, art history, anthropology, sociology, gender studies and cultural studies to create an interdisciplinary critical framework that will be of interest to a broad range of academic and archival researchers. It is also a framework that is critically sensible of its own groundings in the postcolonial and feminist present thereby reflecting what is meaningful at any given historical moment. ● Finally, this book responds to the pronounced lack of visibility of Australian realist, documentary and commercial women’s works. The few histories of Australian women’s photography that exist pay more attention to modernist and contemporary works, and when they do mention earlier women photographer’s works, they seldom go into much detail. They also ignore the works of the earliest Indigenous women photographers, women who traveled and made photographs abroad. By presenting a carefully contextualized and detailed study of works by six Australian women photographers who worked in the late colonial era and whose works in all sorts of small and surprising ways chronicled the impacts of some of the periods more disturbing as well as enlightened events, we will not only add to knowledge of Australian women’s photography, we will also broaden and enrich the frames of women’s photography and Australian history more generally.

An entertaining romp through Australian history that celebrates the badass sheroes we were never taught about in school and who deserve to be printed on our money, goddamn it! It's been said that 'well-behaved women seldom make history', but the handful of white boys who wrote our history books conveniently left most of them out. Whoops! To rectify this situation, Eliza Reilly is setting out to revive the forgotten stories of the badass Sheilas of Australian history. Chain yourself to pub counters with the determined Merle Thornton, fight for Indigenous rights alongside Faith Bandler, and lure forlorn sailors with swimmer-slash-mermaid Annette Kellerman. Deceive cranky soldiers with bushranger Mary Ann Bugg, infiltrate Nazi strongholds on the back of Nancy Wake's bike - and much, much more. Cracking with satirical wit and whole-hearted admiration, Sheilas is a cheeky, funny, inspirational celebration of the tough-titted ladies who hiked up their petticoats and fly-kicked down the doors of opportunity for modern Australia. This is a specially formatted fixed-layout ebook that retains the look and feel of the print book. Praise for Sheilas: 'A welcome and witty contribution towards redressing the balance - a must-read.' - Noni Hazlehurst 'If Kathy Lette and Monty Python had a love child, that freak would be Eliza Reilly. Lush, loose and liberated from academic orthodoxy, Reilly has the labia majoras to ask the simple but earth-quaking question: what were the women doing? As it happens: Plenty! Sheilas is a glorious romp through the Australian history you didn't learn at school. Funny and fearless, this is the book you'll want your daughters to read and your sons to worship.' - Clare Wright 'Eliza highlights an array of awesome, innovative, determined and defiant Australian women with meticulous research and a wicked sense of humour. This is the history book I've been hanging out for.' - Jane Kennedy

From 2011 to 2014, the Australian Generations Oral History Project recorded 300 interviews with Australians born between 1920 and 1989. The contributions to this book, a result of this project, reflect on the practice of oral history and how interviews can illuminate Australian social and cultural history. Three of the chapters consider oral history innovations: focusing on the potential for oral history in a digital age, the pioneering technologies that underpinned Australian Generations and the ethical issues posed by online digital oral history, and the challenges and opportunities for radio oral history. In addition, four chapters demonstrate how oral history interviews can be used as rich evidence for historical research: examining the interconnections between class, social equity, and higher education in post-war Australia; how life histories can transform understandings of mental ill-health; considering how oral history interviews with Australians of all ages confound stereotypical notions about generations; and investigating the ways in which family relationships mediate identities and how remembered places and objects provide points of anchor in a rapidly changing world. This book was originally published as a special issue of Australian Historical Studies.

This book provides a lively and accessible account of Australia’s most prominent crimes and criminals of the nineteenth and twentieth century and offers an informative background for those seeking to understand crimes committed today. A History of Crime in Australia examines the imposition of English law on this ancient continent, and how its operation affected both transported offenders from Great Britain and Ireland, and the Aboriginal and Torres Strait Islander peoples whose own systems of Law were overlaid. Drawing upon cutting-edge research in the field, original work by the author, and essays from leading crime history researchers, it addresses the question of whether there was an Australian underworld. In doing so, it provides background for well known offenders including bushranger Ned Kelly and the razor gangs of the 1920s and for sensational crimes like the Mount Rennie Outrage, the Pyjama Girl Mystery and the Shark Arm Murder and the miscarriage of justice following the disappearance of Azaria Chamberlain at Uluru in 1980. Through these case studies, the book draws out points of tension and cohesion within Australian society, exposing the enduring anxiety around those who were considered to be outsiders, and how the criminal justice system was used to manage these concerns. This book includes a guide to conducting research in the field of Australian crime history and sources for further study. Designed as an introductory text for students, this book will be of interest to those studying criminology and crime history, and anyone who would like to deepen their understanding of crime’s place in Australia’s social and cultural history.

The Victorian era heralded an age of transformation in which momentous changes in the field of natural history coincided with the rise of new visual technologies. Concurrently, different parts of the British Empire began to more actively claim their right to being acknowledged as indispensable contributors to knowledge and the progress of empire. This book addresses the complex relationship between natural history and photography from the 1850s to the 1880s in Britain and its colonies: Australia, New Zealand and, to a lesser extent, India. Coinciding with the rise of the modern museum, photography’s arrival was timely, and it rapidly became an essential technology for recording and publicising rare objects and valuable collections. Also during this period, the medium assumed a more significant role in the professional practices and reputations of naturalists than has been previously recognized, and it figured increasingly within the expanding specialized networks that were central to the production and dissemination of new knowledge. In an interrogation that ranges from the first forays into museum photography and early attempts to document collecting expeditions to the importance of traditional and photographic portraiture for the recognition of scientific discoveries, this book not only recasts the parameters of what we actually identify as natural history photography in the Victorian era but also how we understand the very structure of empire in relation to this genre at that time.

Annotation " ... It is highly recommended to anyone who thinks they have a serious interest in the book ... or would like to discover to discover something of the complexity of the well-springs of the Australian psyche." Biblionews Paper Empires explores Australian book production and consumption from 1946 to the present day, using wide-ranging research, oral history and memoir to explore the worlds of book publishing, selling and reading. After 1945, Australian publishing went from a handful of fledgling businesses to the billion dollar industry of today with thousands of new titles each year and a vast array of imported books. Publishing's postwar expansion began with the baby boom and the increased demand for school texts, with independent houses blossoming during the 1960s and 70s followed by the current era dominated by global conglomerates.