Autumn Laing

Autumn Laing has long outlived the legendary circle of artists she cultivated in the 1930s. Now old and skeleton gaunt, she reflects on her tumultuous relationship with the abundantly talented Pat Donlon and the effect it had on her husband, on Pat’s wife and on the body of work that launched Pat’s career. Autumn Laing seduces Pat Donlon with her pearly thighs and her lust for life and art. In doing so, she not only compromises the trusting love she has with her husband, Arthur, but she also steals the future from Pat’s young and beautiful wife, Edith, and their unborn child. Fifty-three years later, cantankerous, engaging, unrestrainable eighty-five-year-old Autumn is shocked to find within herself a powerful need for redemption. Written with compassion and intelligence, this energetic, funny and wise novel peels back the layers of storytelling and asks what truth has to do with it. Autumn Laing is an unflinchingly intimate portrait of a woman and her time.

Autumn Laing has long outlived the legendary circle of artists she cultivated in the 1930s. Now 'old and skeleton gaunt', she reflects on her tumultuous relationship with the abundantly talented Pat Donlon and the effect it had on her husband, on Pat's wife and the body of work which launched Pat's career. A brilliantly alive and insistently ene...

Alex Miller: The Ruin of Time is the first sole-authored critical survey of the respected Australian novelist's eleven novels. While these books are immediately accessible to the general reading public, they are manifestly works of high literary seriousness - substantial, technically masterful and assured, intricately interconnected, and of great imaginative, intellectual and ethical weight. Among his many prizes and awards, Alex Miller has twice won the Miles Franklin Literary Award, for The Ancestor Game in 1993, and Journey to the Stone Country in 2003; the Commonwealth Writers' prize, also for The Ancestor Game in 1993; and the New South Wales Premier's Literary Awards Christina Stead Prize, for Conditions of Faith in 2001 and Lovesong in 2011. He received a Centenary Medal in 2001 and the Melbourne Prize for Literature in 2012. In 2011 he was elected a Fellow of the Australian Academy of the Humanities. Having published his eleventh novel, Coal Creek, in 2013 - which won the Victorian Premier's Fiction Award in 2014 - Miller is currently writing an autobiographical memoir with the working title 'Horizons'.

A brilliant first novel of profound depth, startling originality and breathtaking talent. A child is imprisoned in a house by her reclusive religious parents. Hester has never seen the outside world; her companions are Cat, Spoon, Door, Handle, Broom, and they all speak to her. Her imagination is informed by one book, an illustrated child`s bible, and its imagery forms the sole basis for her capacity to make poetic connection. One day Hester takes a brave Alice in Wonderland trip into the forbidden outside (at the behest of Handle `turn me turn me`), and this overwhelming encounter with light and sky and sunshine is a marvel to her. From this moment on, Hester learns the concept of the secret, and not telling, and the world becomes something that fills her with feeling as if she is a vessel, empty and bottomless for need of it.

“One of the finest writers of the new nonfiction” (Harper’s Bazaar) explores the role of art in our tumultuous modern era. In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century. Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time. We’re often told that art can’t change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.

One of Australia's most respected novelists, Alex Miller's writing is both popular and critically well-received. He is twice winner of Australia's premier literary prize, the Miles Franklin Award. He has said that writing is his way of 'locating connections' and his work is known for its deeply empathic engagement with relationships and cultures. This collection explores his early and later works, including Miller's best-known novels, The Ancestor Game, Journey to the Stone Country, Lovesong and Autumn Laing. Contributors examine his intricately constructed plots, his interest in the nature of home and migration, the representation in his work of Australian history and culture, and key recurring themes including art and Aboriginal issues. Also included is a memoir, illustrated by photographs from his personal collection, in which Alex Miller reflects on his writing life. With contributions from leading critics including Raimond Gaita, Peter Pierce, Ronald A. Sharp, Brenda Walker, Elizabeth Webby and Geordie Williamson, this collection is the first substantial critical analysis of Alex Miller's work. It is an invaluable resource for anyone teaching and studying contemporary Australian literature.

‘Imagined Sound’ is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of ‘imagined sound’, a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space. Emphasising sound and listening, this approach draws out and re-examines the key narratives that shape and are shaped by Australian landscapes and histories, stories of first contact, frontier violence, the explorer journey, the convict experience, non-Indigenous belonging, Pacific identity and contemporary Indigenous Dreaming. ‘Imagined Sound’ offers a compelling analysis of how these narratives are reharmonised in key works of literature and music.

SHORTLISTED FOR THE 2017 MAN BOOKER PRIZE A NEW YORK TIMES AND GUARDIAN BEST BOOK OF 2017 Autumn. Season of mists and mellow fruitfulness. That’s what it felt like for Keats in 1819. How about Autumn 2016? Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. The United Kingdon is in pieces, divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. Ali Smith’s new novel is a meditation on a world growing ever more bordered and exclusive, on what richness and worth are, on what harvest means. It is the first installment of her Seasonal quartet—four stand-alone books, seperate yet interconnected and cyclical (as the seasons are)—and it casts an eye over our own time. Who are we? What are we made of? Shakespearean jeu d’esprit, Keatsian melancholy, the sheer bright energy of 1960s pop art: the centuries cast their eyes over our own history making. Here’s where we’re living. Here’s time at its more contemporaneous and its most cyclic. From the imagination of the peerless Ali Smith comes a shape-shifting series, wide-ranging in time-scale and light-footed through histories, a story about aging and time and love and stories themselves.