Avant Garde The Experimental Theater In France
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Avant Garde
Author | : Leonard C. Pronko |
Publsiher | : Univ of California Press |
Total Pages | : 246 |
Release | : 2023-04-28 |
Genre | : Drama |
ISBN | : 9780520313798 |
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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.
Avant garde the Experimental Theater in France
![Avant garde the Experimental Theater in France](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Leonard Cabell Pronko |
Publsiher | : Unknown |
Total Pages | : 225 |
Release | : 1966 |
Genre | : Avant-garde (Aesthetics) |
ISBN | : OCLC:19213519 |
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Avant garde the Experimental Theater in France
Author | : Leonard Cabell Pronko |
Publsiher | : Univ of California Press |
Total Pages | : 252 |
Release | : 1962 |
Genre | : Avant-garde (Aesthetics) |
ISBN | : 9182736450XXX |
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Discusses playwrights such as Samuel Beckett, Eugene Ionesco, Arthur Adamov, Jean Genet, Jean Tardieu, Jean Vauthier, Henri Pichette, Michel de Ghelderode, Jacques Audiberti, and Georges Schehade.
The First Avant garde 1887 1894
Author | : John A. Henderson |
Publsiher | : London : G. G. Harrap |
Total Pages | : 184 |
Release | : 1971 |
Genre | : Experimental theater |
ISBN | : UOM:39015001597684 |
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Avant Garde Theatre
![Avant Garde Theatre](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 1993 |
Genre | : Electronic Book |
ISBN | : OCLC:901477055 |
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The Ghosts of the Avant Garde s
Author | : James M. Harding |
Publsiher | : University of Michigan Press |
Total Pages | : 247 |
Release | : 2015-10-22 |
Genre | : Art |
ISBN | : 9780472036103 |
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Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.
Avant Garde Theatre 1892 1992
![Avant Garde Theatre 1892 1992](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Christopher Innes |
Publsiher | : Unknown |
Total Pages | : 266 |
Release | : 1993 |
Genre | : Drama |
ISBN | : 0203371933 |
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Theater of the Avant Garde 1890 1950
Author | : Robert Knopf |
Publsiher | : Yale University Press |
Total Pages | : 512 |
Release | : 2015-01-01 |
Genre | : Drama |
ISBN | : 9780300206739 |
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An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.