Aviva Vs The Dybbuk

A long ago "accident." An isolated girl named Aviva. A community that wants to help, but doesn't know how. And a ghostly dybbuk, that no one but Aviva can see, causing mayhem and mischief that everyone blames on her. That is the setting for this suspenseful novel of a girl who seems to have lost everything, including her best friend Kayla, and a mother who was once vibrant and popular, but who now can’t always get out of bed in the morning. As tensions escalate in the Jewish community of Beacon with incidents of vandalism and a swastika carved into new concrete poured near the synagogue...so does the tension grow between Aviva and Kayla and the girls at their school, and so do the actions of the dybbuk grow worse. Could real harm be coming Aviva's way? And is it somehow related to the "accident" that took her father years ago? Aviva vs. the Dybbuk is a compelling, tender story about friendship and community, grief and healing, and one indomitable girl who somehow manages to connect them all.

Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught. Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.

Two brothers bound together by affection and responsibility. Jadran is five years older than Josh and huge enough to be nicknamed Giant. Josh is younger, and smaller; but his sweet and stubborn brother thinks in a way that would be more typical of a small child. They are both dealing with changes to their newly blended, Muslim family. So Josh looks after Jadran and they both adjust. When the brothers find an injured young crane, Jadran wants to bring it back to their small apartment and teach it to fly at any cost. And it turns out the cost is high. Intensely moving without ever slipping into sentimentality, The Blue Wings is a warm, love-filled story about fragility, strength, and brotherhood, in all its complications.

A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE "A modern masterpiece." —The New York Times Book Review "Supple, sparkling and original." —The Wall Street Journal "Mesmerizing." —TODAY.com "This book could change the world." —BookPage "Like nothing else you've read or ever will read." —Linda Sue Park "It hooks you right from the opening line." —NPR SEVEN STARRED REVIEWS ★ "A modern epic." —Kirkus Reviews, starred review ★ "A rare treasure of a book." —Publishers Weekly, starred review ★ "A story that soars." —The Bulletin, starred review ★ "At once beautiful and painful." —School Library Journal, starred review ★ "Raises the literary bar in children's lit." —Booklist, starred review ★ "Poignant and powerful." —Foreword Reviews, starred review ★ "One of the most extraordinary books of the year." —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.

SHAINDY is a twelve-year-old Orthodox Jewish girl who struggles in school and has no good friends. She watches with envy as her next-door neighbor, GAYIL, excels socially and academically. They have little to do with each other, and it comes as a surprise when Shaindy looks out her window one September evening and sees Gayil staring out at her from her own window with a sign reading want to know a secret? The secret (at first) is that Gayil has a key fob that will allow them to break into their school after hours. Together, they set up a harmless prank in their classroom. But under Gayil's instigation the mischief becomes malice, and Shaindy sees that the pranks and humiliations are targeted only at certain girls. But what could they have in common? With the fear of Gayil's fury and her own reluctance growing, Shaindy comes to the terrifying conclusion that if she can't figure out how to stop it, the next target could be her. One of our editors commented: "This was like an eleven year old version of Mean Girls with the psychological thrill of Jennifer's Body. Think Heathers, but Veronica and JD are in the sixth grade (and no one dies, because this is middle grade). Yom Kippur functions both as the countdown that looms on the horizon of the story, and also a potential moment of healing for the girls at the end."

The eighth edition continues to be an invaluable resource for creative strategies and proven techniques to teach social studies. Pamela Farris's popular, reasonably priced book aids classroom teachers in inspiring students to be engaged learners and to build on their prior knowledge. The book is comprehensive and easy to understand—providing instruction sensitive to the needs of all elementary and middle school learners. • Creative concepts for teaching diverse learners • Strategies for incorporating the C3 Framework to enrich K–8 curriculum • Integration of inquiry skills with literacy and language arts skills • Multifaceted, meaningful activities emphasize problem-solving, decision making, and critical thinking • Myriad ideas for incorporating primary sources as well as technology • Annotated lists of children’s literature at the end of each chapter • Multicultural focus throughout the broad coverage of history, geography, civics, and economics • NCSS Standards-Linked Lesson Plans; C3 Framework Plans, and Interdisciplinary/Thematic Units Social studies explores the variety and complexity of human experience. The book emphasizes the value of social studies in preparing students to become valuable community members and to participate respectfully in a diverse society.

Drama / 2f, 1m It is 1994 and Naomi Goldman, recently widowed, is living in an apartment in upper Manhattan. Her son Tony, separated from his wife, lives with her. When Tony's old college girlfriend Aviva contacts him with the ulterior motive of interviewing and videotaping his mother for a Holocaust memorial project, Tony is appalled. Naomi, reluctant at first, eventually agrees to the interview. Though appearing to be forthright in her story Naomi clearly is hiding a devastating secret. When Aviva pushes her to admit the truth the consequences are life-changing. The Goldman Project is a play about family relations, the lingering legacy of the Holocaust and the catharsis of self-renewal. "Introducing Naomi, a Romanian-born widow, as a lovably comic, more than a little stereotypical character...a smart decision on the part of Staci Swedeen" - Anita Gates, The New York Times "Swedeen has an ear for dialogue, even the passages in Yiddish fit the moment nicely. (Don't worry: The Yiddish is instantly translated in the course of the conversation.)" - Peter D. Kramer, The Journal News "This fine play is less about the past than about living with honesty in the present." - James F.Cotter, Times Herald-Record

“A comedy of errors [and] bedroom farce” from an award-winning author critically acclaimed for his satiric stories of love and Jewish experience (Kirkus Reviews). Reunited at their Jewish day school reunion, Guido and Charlie find themselves attracted to the same woman, a beautiful cellist named Aviva. Guido, a photographer, makes his move by going to Aviva for music lessons and soon enough, they become lovers. What Guido doesn’t know is that his friend Charlie, a psychologist, has taken Aviva as a client and is a party to the relationship through Aviva’s weekly confessions. Written from the point of view of all three characters, with a swirl of delightful supporting characters and even a directory of footnotes that adds expansions, humor and surprises to the narrative, Diary of an Adulterous Woman is a highly entertaining look at desire, jealousy, the power of secrets and the all-too-human complications both longing and love can bring.