Awake With Asashoryu And Other Essays

"Humane, amusing, touching, and very satisfying."―Phillip Lopate, author of To Show and to Tell: The Craft of Literary Nonfiction “Captivating and evocative and original.”―Grace Dane Mazur, author of The Garden Party “In the wise and funny essays that make up Awake with Asashoryu, Elisabeth Sharp McKetta asks vital questions about what it means to forge an adult life of one’s own.”―Lynn C. Miller, author of The Unmasking and The Day After Death At the heart of every essay in Elisabeth Sharp McKetta’s lively collection is the same question: How does one grow up without losing oneself? McKetta braids deceptively simple stories of her own life with the rich undercurrent of familiar childhood tales to reveal things both personal and universal and as close to the truth as possible. Whether she is spending sleepless nights watching the sumo wrestler Asashoryu with her father, settling into a new life in a fishing hamlet in Cornwall, struggling with a beloved and ultimately untrainable corgi named Goblin, or emerging from a night in the woods rethinking who she might be, McKetta’s essays sparkle and twist round and about—funny and insightful and compelling.

Every person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies. Addressing this gap, the authors provide a guide to memoir writing that shows how an aspiring writer can use storytelling tools and tactics borrowed from fiction to weave personal experiences into the shape of a story.

A collective memoir written by sixty diverse women about what it means to survive and thrive in the 21st century.

"I’ve always admired the writing of Elisabeth Sharp McKetta, and her beautiful, ambitious first novel demonstrates why. She Never Told Me about the Ocean is a heroine’s journey through forgiveness, birth and rebirth, all the while treading the line between honoring the dead and feeling paralyzed by them. She has offered us a complicated portrait of mothers and daughters, cupped inside one another like nesting dolls."―Arthur Golden, author of Memoirs of a Geisha "She Never Told Me About the Ocean is a tidal and intimate book, brimming over with wonders and terrors and the watery echoes that bind generations of women. What a pleasure this book is from start to finish. McKetta maps the dark portals through which her women continuously reinvent themselves, newborn at every age."―Karen Russell, author of Swamplandia! and Orange World and Other Stories Told by four women whose stories nest together, She Never Told Me about the Ocean is an epic about a rite of passage that all humans undergo and none remember: birth. Eighteen-year-old Sage has been mothering her mother for as long as she can remember, and as she arrives on the shores of adulthood, she learns a secret: before she was born, she had an older brother who drowned. In her search to discover who he was and why nobody told her, Sage moves to tiny Dragon Island where her mother grew up. There, she embarks on a quest to learn the superstitions of the island, especially its myths involving her mother. Gathering stories from Ilya, a legendary midwife who hires Sage as her apprentice; Marella, Sage’s grieving mother who was named for the ocean yet has always been afraid of it; and Charon, the Underworld ferrywoman who delivers souls to the land of the dead, Sage learns to stop rescuing her mother and simply let go. But when her skill as Ilya’s apprentice enables her to rescue her mother one final time, in a way that means life or death, Sage must shed her inherited fears and become her own woman.

"Each chapter of this enrapturing novel is elegantly brief and charged with barely contained emotion." --New York Times Book Review A gripping debut set in modern-day Tokyo and inspired by a true crime, for readers of Everything I Never Told You and The Perfect Nanny, What's Left of Me Is Yours charts a young woman's search for the truth about her mother's life--and her murder. In Japan, a covert industry has grown up around the "wakaresaseya" (literally "breaker-upper"), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings. When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires and Kaitarō's job is to do exactly that--until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter's life. Told from alternating points of view and across the breathtaking landscapes of Japan, Stephanie Scott exquisitely renders the affair and its intricate repercussions. As Rina's daughter, Sumiko, fills in the gaps of her mother's story and her own memory, Scott probes the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

“In this wonderful collection of essays, Mark Jarman explores with wit and passion the practice of poetry―of making it, of reading it, of living it. In his vivid analyses of works by Brooks, Boisseau, Donne, Herbert, Rukeyser and Twichell, among others, he explores how the poems and their authors negotiate time and mortality, faith and devotion. He also offers an intimate examination of his own gorgeous work and how it comes onto the page. A delight for readers and writers of poetry.”―Margot Livesey, author of The Flight of Gemma Hardy and Mercury The essays in Dailiness are about how a poet makes a poem. For Mark Jarman a poem results from a deliberate and conscious act. He is especially interested in the way human consciousness connects devotional prayer to poetry. In these essays he considers poems written millennia apart―from Gilgamesh to George Herbert’s work, from the poems of Robert Frost to those of Seamus Heaney, to his own recently-written poems and those of his contemporaries. As the poems celebrate the work of daily creation, they possess a religious aspect. In Dailiness Jarman sheds light on how poems accomplish this work. "An uplifting way to think about writing daily."―Chapter 16 "In 'Days' Philip Larkin writes, 'Where can we live but days?' Mark Jarman might reply, 'Where can we write but days?' Dailiness conjures up the quotidian, the everyday, the workaday, but also an elevated awareness of the present as we are in it mid-stream, and poetry as (in Auden’s words) 'a way of happening.' In these thoughtful and thought-provoking essays on the art and craft of poetry, from pronoun to metaphor, Herbert to Heaney, repetition to translation, Jarman rings the changes on 'dailiness,' calling us back to attention, writing as devotion."―A. E. Stallings, author of Like "A deep and wide-ranging knowledge/appreciation of poetry and the tradition―how the values and craft of poetry apply practically―are the foundation of Dailiness. Yet this is not a handbook or an academic study; rather, it is a true, personal, and entirely accessible account detailing how care, attention, and thoughtfulness lead to meaning. From the Metaphysicals to the Moderns and contemporary poets, from plays to pop lyrics, this is a devotional book―in both the vocational and spiritual sense of that word―by a master of the art, illustrating the ways in which poetry celebrates and illuminates being as an act of consciousness, and, moreover, how the making and understanding of poems are relevant to our lives in the moment, and perhaps in a life to come."―Christopher Buckley, author of Star Journal and Cruising State "'Daily life is the native country where we feel at home,' writes Mark Jarman in this elegant book. If we think of elegance in its root sense as selection and choice, we can find beauty in deliberation, 'the hours in the practice room' or 'at the desk.' Jarman’s elegant essays strike out profoundly from subjects like Gilgamesh and The Aeneid to the best devotional poetry and contemporary practice. This is a book to live with as much as to read. It will keep you coming back."―David Mason, author of Ludlow and Voices, Places

“Socher is one of the sharpest observers of Jewish America in our times. These essays, tracing a journey from a yeshiva to Oberlin College and from Franz Kafka to Rabbi Kook, are a loving, cutting, whimsical, and wise look at a Jewish moment that he senses might be ending.”—Matti Friedman, author of Spies of No Country: Secret Lives at the Birth of Israel How did Humphrey Bogart end up telling Lauren Bacall a Talmudic story in the film Key Largo, and what does that have to do with Plato’s theory of recollection—or American Jewish assimilation? Precisely what poem of Robert Frost’s inspired Nabokov’s Pale Fire, and how did Walter Benjamin learn about the remarkable stones of Sinai? Abraham Socher wears his learning lightly. These witty and original essays embody the spirit of the liberal arts, but the highlight of this collection may be his devastating account of the illiberal arts at work in Oberlin College, where he taught for eighteen years.

"Gabriel Zaid's defense of books is genuinely exhilarating. It is not pious, it is wise; and its wisdom is delivered with extraordinary lucidity and charm. This is how Montaigne would have written about the dizzy and increasingly dolorous age of the Internet. May So Many Books fall into so many hands."—Leon Wieseltier "Reading liberates the reader and transports him from his book to a reading of himself and all of life. It leads him to participate in conversations, and in some cases to arrange them…It could even be said that to publish a book is to insert it into the middle of a conversation."—from So Many Books Join the conversation! In So Many Books, Gabriel Zaid offers his observations on the literary condition: a highly original analysis of the predicament that readers, authors, publishers, booksellers, librarians, and teachers find themselves in today—when there are simply more books than any of us can contemplate. "With cascades of books pouring down on him from every direction, how can the twenty-first-century reader keep his head above water? Gabriel Zaid answers that question in a variety of surprising ways, many of them witty, all of them provocative."—Anne Fadiman, Author of Ex-Libris "A truly original book about books. Destined to be a classic!"—Enrique Krauze, Author of Mexico: Biography of Power, Editor of Letras Libres "Gabriel Zaid's small gem of a book manages to be both delectable and useful, like chocolate fortified with vitamins. His rare blend of wisdom and savvy practical sense should make essential and heartening reading for anyone who cares about the future of books and the life of the mind."—Lynne Sharon Schwartz, Author of Ruined by Reading: A Life in Books "Gabriel Zaid is a marvelously elegant and playful writer—a cosmopolitan critic with sound judgment and a light touch. He is a jewel of Latin American letters, which is no small thing to be. Read him—you'll see."—Paul Berman "'So many books,' a phrase usually muttered with despair, is transformed into an expression of awe and joy by Gabriel Zaid. Arguing that books are the essential part of the great conversation we call culture and civilization, So Many Books reminds us that reading (and, by extension, writing and publishing) is a business, a vanity, a vocation, an avocation, a moral and political act, a hedonistic pursuit, all of the aforementioned, none of the aforementioned, and is often a miracle."—Doug Dutton "Zaid traces the preoccupation with reading back through Dr. Johnson, Seneca, and even the Bible ('Of making many books there is no end'). He emerges as a playful celebrant of literary proliferation, noting that there is a new book published every thirty seconds, and optimistically points out that publishers who moan about low sales 'see as a failure what is actually a blessing: The book business, unlike newspapers, films, or television, is viable on a small scale.' Zaid, who claims to own more than ten thousand books, says he has sometimes thought that 'a chastity glove for authors who can't contain themselves' would be a good idea. Nonetheless, he cheerfully opines that 'the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.'"—New Yorker