B C Before Computers

The idea that the digital age has revolutionized our day-to-day experience of the world is nothing new, and has been amply recognized by cultural historians. In contrast, Stephen Robertson's BC: Before Computers is a work which questions the idea that the mid-twentieth century saw a single moment of rupture. It is about all the things that we had to learn, invent, and understand - all the ways we had to evolve our thinking - before we could enter the information technology revolution of the second half of the twentieth century. Its focus ranges from the beginnings of data processing, right bac.

I found it a delight to read. The author is not trying to write yet another book on the history of computer developments but rather to show that those developments rely on a long history of humans creating solutions to problems that arose as they became more and more sophisticated in their treatment of concepts of information and its manipulation. In many ways it resembles a work of philosophy more than a technical history, but relies on explaining that technical history to make his points. Michael R. Williams, Department of Computer Sciences, University of Calgary The idea that the digital age has revolutionized our day-to-day experience of the world is nothing new, and has been amply recognized by cultural historians. In contrast, Stephen Robertson’s BC: Before Computers is a work which questions the idea that the mid-twentieth century saw a single moment of rupture. It is about all the things that we had to learn, invent, and understand – all the ways we had to evolve our thinking – before we could enter the information technology revolution of the second half of the twentieth century. Its focus ranges from the beginnings of data processing, right back to such originary forms of human technology as the development of writing systems, gathering a whole history of revolutionary moments in the development of information technologies into a single, although not linear narrative. Treading the line between philosophy and technical history, Robertson draws on his extensive technical knowledge to produce a text which is both thought-provoking and accessible to a wide range of readers. The book is wide in scope, exploring the development of technologies in such diverse areas as cryptography, visual art and music, and the postal system. Through all this, it does not simply aim to tell the story of computer developments but to show that those developments rely on a long history of humans creating technologies for increasingly sophisticated methods of manipulating information. Through a clear structure and engaging style, it brings together a wealth of informative and conceptual explorations into the history of human technologies, and avoids assumptions about any prior knowledge on the part of the reader. As such the expert and the general reader alike will find it of interest.

The idea that the digital age has revolutionized our day-to-day experience of the world is nothing new, and has been amply recognized by cultural historians. In contrast, Stephen Robertson's BC: Before Computers is a work which questions the idea that the mid-twentieth century saw a single moment of rupture. It is about all the things that we had to learn, invent, and understand - all the ways we had to evolve our thinking - before we could enter the information technology revolution of the second half of the twentieth century. Its focus ranges from the beginnings of data processing, right bac.

Information Technology Serving Society focuses on the potential roles of information technology in shaping society, including advances in the capabilities of computers, progress of processes in information transfer, and implementation of information technology control measures. The selection first discusses information transfer, as well as the benefits and risks of the relationship of computers and human, the need for information policy, and challenges in information technology. The book then takes a look at information policy and technology in transition. Topics include developments in information policy and technology, applications of computers to social functions, and use of data bases in time-sharing services. The publication examines the combination of computing power and human ingenuity, including the value of communications, role of automation, and voice command recognition. The text also underscores how the use of computers has improved the processes of information gathering, sharing, and retrieval in the congress and senate. The need for the government to impose regulations on information technology is emphasized. The selection is a must for readers interested in the developments and applications of information technology.

In this work, the author provides a compact but comprehensive research-oriented treatment of attitudes and related psychosocial constructs - values, opinions, beliefs, and personal orientations.

This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.

Visit the realms of The Twilight Zone, journey to The Outer Limits and boldly go on a Star Trek! Read how motion picture and TV special effects were created before computers! From Lon Chaney to Ray Harryhausen, from Georges Melies to George Lucas, meet the multi-talented magicians-many of whom never received screen recognition-who invented ways to conjure up ferocious dinosaurs battling a giant ape in King Kong or the catastrophic natural disasters in Earthquake. They brought people uncomfortably close to Boris Karloff's Frankenstein and the fanciful, beloved Wizard of Oz. During WWII they gave home audiences a taste of distant warfare without risking any actors and in the 1950s they introduced us to destructive invaders from other worlds - without a real national landmark being destroyed. Dozens of rare, unpublished behind-the-scenes photos from classic films and obscure productions reveal the best kept secret tricks of the trade: miniatures, matte paintings, makeup effects, special props, mechanicals, animatronics, stop-motion and more.