Ba Ku

Within the city of Vancouver, and amongst the deep wilderness of B.C. dwells the Barrier Kult. They're an assembly of incognito professional skateboarders that ritualize their skill on concrete barriers. The team was created ten years ago by Deer Man of Dark Woods and Depth Leviathan Dweller, who decided to adorn a mask of anonymity after growing tired of the repetition of the professional skate world. One would argue that the Barrier Kult's entire way of skating is repetitive, but the team takes this as a challenge to land big tricks... on stone cold concrete. BA. KU.resembles a religious cult and is likewise intricate and timeless. The skaters' ages range from early twenties, to mid-forties, with members spread around the world and meet up in Vancouver, (or wherever there is a proper barrier) when it comes time to collect footage for a video/film. Though alchemy and other ritual practices interest the Barrier Kult, their true roots lie in music and nature. The team is promoted by and has worked with countless bands in the black metal/noise community and feels that the genre has been able to loan the group its face and image. By connecting with these heavy musical influences,BA. KU.has been able to grow a loyal fan base that is not concerned with who may be behind the balaclava mask. While watching the team perform, the vast nature of B.C. creates the atmosphere, and war metal amplifies the experience. Most of skateboarding culture has been linked to punk, rap, metal and other similar genres, so the rookie members ofBA. KU.are all proud to sport the musical inspirations of the organization.

This book collects and discusses the Old Iranian divine names, personal names, geographical names (toponyms, hydronyms and oronyms) and loanwords, which are attested in texts written in Aramaic, Babylonian, Egyptian, Elamite, Lycian, Lydian and Phrygian. The texts, both royal inscriptions and documentary texts, are discovered in the entire territory of the Achaemenid Empire (from Egypt to Bactria), which controlled the Ancient Near East from ca. 550 to 331 B.C. The Iranica discussed in this book are divided into four categories: (1) directly transmitted Iranica, (2) semi-directly transmitted Iranica, (3) foreign Iranica and (4) indirectly transmitted Iranica (the so-called "Altiranische Nebenuberlieferung"). All expressions, which do not belong to one of these categories, are brought together in a section called "Incerta". The etymology and linguistic setting of each Iranian expression is studied and a list of occurrences is added to this analysis.

Project: Tradicional music The characteristics of sound The characteristics of sound: pitch The characteristics of sound: duration The characteristics of sound: intensity The characteristics of sound: timbre Sounf organization: beat, melody, texture Music structure: the music form Music content and function: the music form