Bach For The Banjo

Bach for the Banjo is a collection of some of Bach's best-known pieces transcribed for the five-string banjo. Several pieces appear in tablature for banjo with a second part for guitar: Inventions 1, 8, 13, and 14; March; Minuet in G; Polonaise in G minor; Minuet in G minor; and Musette. Others appear in notation and tablature for solo banjo: Prelude from Partita No.III for Solo Violin; Bouree II from Suite IV for Solo Cello; Menuets I & II from Suite II for Solo Cello; Courante from Suite I for Solo Cello; Gavotte en Rondeau from Partita No.III for Solo Violin; and Prelude from Suite I for Solo Cello. Finally, Bauerntanz is offered as a banjo duet in tablature only. These transcriptions are taken from the recordings the Classical Banjo and Bach on the Banjo which take Bach's classic pieces to new heights.

(Banjo). The banjo shares many of the same sonic qualities as a harpsichord, so although it's so closely associated with more homespun genres, the instrument actually lends itself very well to classical music! The pieces in Bach for Banjo are in tablature only with chord symbols, arranged at the beginning to intermediate level for five-string banjo players. As in classical guitar arrangements, the melody and harmony are combined. Most pieces are on facing pages with no page turns required, and beginners can pick through the selections at a slow pace. The book features just the best-known parts of 20 beloved Bach pieces: Air on the G String * Arioso * Minuet in G * Sheep May Safely Graze * Sleepers, Awake * and more.

Bach's cello suites are among the most famous solo instrumental works of all time. The cello and the tenor banjo share the same tuning, and banjo players might be surprised at how well this great music fits on the fretboard. Rob MacKillop has provided tablature for the firstthree suites. Here is a chance for tenor banjo players to explore Bach on their instrument, which could be tuned to either regular, CGDA, or Irish tuning, GDAE.Accompanying audio is included, using three different tenor banjos: a regular tenor (Deeringr Eagle II), a gourd tenor (Jaybirdr Banjos), and a cello banjo (Gold Toner) which has the same low pitch as the cello.A `suite' is a collection of dances of varying speeds and time signatures, conceived to be performed as a whole, and preceded by a prelude. Bach's Prelude to the 1st Suite is magnificent and justlyfamous. The Bourree from the 3rd Suite is also very popular. Enjoy playing Bach on the Tenor Banjo!

If you’ve ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was “a virtuoso instrument capable of enriching any musical genre.” In the author’s words, “I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player’s musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven’s Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three- finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.

This book, written for those with no prior musical experience, is the definitive text for learning C-tuning concert, or classic-style 5-string banjo. Written by the late Frank Bradbury, Banjo Method provides a thorough grounding in music theory and note reading, along with a complete presentation of Mr. Bradbury's unique 5-string concert banjo technique and outstanding solo and duet arrangements by various artists. the technique described here is radically different from that found in other books about the 5-string banjo, and no tablature is used. No plastic or metal picks are used on the right-hand fingers, nor are the fingernails used, but rather the bare fingertips. the hand positions recommended by Mr. Bradbury are not unlike those of a classical guitarist. All in all, this is an uncommon, but valid approach to solo banjo technique. Online audio of select pieces and exercises featuring Rob MacKillop now available.

(Banjo). 14 Dylan classics arranged specifically for clawhammer banjo, including: All Along the Watchtower * Blowin' in the Wind * Don't Think Twice, It's All Right * Hurricane * It Ain't Me Babe * Knockin' on Heaven's Door * Lay Lady Lay * Like a Rolling Stone * Mr. Tambourine Man * Positively 4th Street * Shelter from the Storm * Tangled up in Blue * The Times They Are A-Changin' * You Ain't Goin' Nowhere.

This unique book of scales and arpeggios for banjo by John Bullard covers all of the major and minor keys. Written in tablature and standard notation, this book brings banjo players the same practical and time-proven system of study common to other classical instruments. Students will learn the scales and arpeggios and apply them in flowing, musical exercises.

Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th- century composer Giovanni Bottesini; the “Paganini of bass”, with contemporary studies by Gilbert Isbin; one of the leading European composers for guitar, lute and bass. These 33 studies will help build not just your technique, but reading abilities and overall musicianship. The material is intended for serious bass students and can be played on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre, Isbin's studies bring in elements of classical, jazz and world music. All the studies are written in standard bass clef notation as well as tablature. Includes access to online audio recorded by Rob MacKillop for each study.