Back Dirt

Dirt, soil, call it what you want—it's everywhere we go. It is the root of our existence, supporting our feet, our farms, our cities. This fascinating yet disquieting book finds, however, that we are running out of dirt, and it's no laughing matter. An engaging natural and cultural history of soil that sweeps from ancient civilizations to modern times, Dirt: The Erosion of Civilizations explores the compelling idea that we are—and have long been—using up Earth's soil. Once bare of protective vegetation and exposed to wind and rain, cultivated soils erode bit by bit, slowly enough to be ignored in a single lifetime but fast enough over centuries to limit the lifespan of civilizations. A rich mix of history, archaeology and geology, Dirt traces the role of soil use and abuse in the history of Mesopotamia, Ancient Greece, the Roman Empire, China, European colonialism, Central America, and the American push westward. We see how soil has shaped us and we have shaped soil—as society after society has risen, prospered, and plowed through a natural endowment of fertile dirt. David R. Montgomery sees in the recent rise of organic and no-till farming the hope for a new agricultural revolution that might help us avoid the fate of previous civilizations.

Frank Bill is back with a gritty, wrenching novel from deep inside the traumas of a broken American heartland. Miles is a Vietnam veteran who’s worried he’s going to lose his job—and with it his tenuous grasp on a stable life—over a fight with a coworker. His PTSD and struggles to control his steroid-fueled violent tendencies also complicate his relationship with his girlfriend, Shelby, a stripper who only occasionally displays the proverbial heart of gold. She’s certainly kinder and more generous than her brother, Wylie, who has been implicated in the deaths of two local Oxy dealers and is currently on the run. When Wylie kidnaps Shelby and holes up in Miles’s country lair, it all threatens to become a bit too much for Miles. As Frank Bill peels back the layers of Miles’s history, going deep into his memories of the Vietnam War, Back to the Dirt gets to the root of the traumas that have caused Miles and his community so much adversity. In this blistering novel, Bill reaches for the core values—living close to the land, working with your hands—that have been obscured by generations of neglect, drug abuse, and desperation. This is a profound and important story of an America that is only beginning to get its due attention—and Frank Bill is its most visceral, essential chronicler.

Lambda Literary Award finalist A tattooed young man regains consciousness in the Don Jail, charged with his friend's murder. An anti-social office clerk falls for a handsome bike courier and abandons his former life. An Ojibwe teen hunts for her kidnapped girlfriend in an illegal sex trade ring and seeks revenge. This is the intense reality of The Dirt Chronicles, Kristyn Dunnion's stunning debut story collection. In these linked tales, urban outlaws in Toronto map out their plans to take over the world while living collectively in an abandoned chair factory, destined for demolition according to a real estate gentrification plan. Their community is infiltrated by the King, a dirty cop bent on obliterating the city's defiant underclass and exterminating the group's rogue members; in order to survive, they may have to betray what they value most: autonomy, friendship, and newly discovered concepts of freedom. Audacious and loud, The Dirt Chronicles is a thrashing three-chord rejection of mainstream culture and the powers-that-be, and a combustible homage to class rebellion.

This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance. Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene. This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities.

When Roan’s parents and the people of Longlight perish in a raid, Roan is filled with rage. Torn between his desire for revenge and the legacy of peace he has inherited, he is taken in by a sect of warriors. Here he learns he has exceptional talent as a fighter. But Roan is haunted by visions he can’t understand. When he commits his first act of violence, he flees in disgust into the most wasted lands of all, the Devastation. It is only when Roan meets the strange girl Alandra that he begins to understand his life’s purpose and why the village of Longlight was destroyed.

Booker Prize winner James Kelman's new novel, Dirt Road, tells the story of a teenage boy who travels with his father from Scotland to Alabama to visit with relatives after the death of his mother. In the American South, he becomes swept up into the world of zydeco and blues. ""A powerful meditation on loss, life, death, and the bond between father and son. . . . Kelman has created a fully–realized, relatable voice that reveals a young man’s urgent need for connection in a time of grief." —Publishers Weekly (starred review) After his mother’s recent death, sixteen–year–old Murdo and his father travel from their home in rural Scotland to Alabama to be with his émigré uncle and American aunt. Stopping at a small town on their way from the airport, Murdo happens upon a family playing zydeco music and joins them, leaving with a gift of two CDs of Southern American songs. On this first visit to the States, Murdo notices racial tension, religious fundamentalism, the threat of severe weather, guns, and aggressive behavior, all unfamiliar to him. Yet his connection to the place strengthens by way of its musical culture. Murdo may be young but he is already a musician. While at their relatives’ home, the grieving father and son experience kindness and kinship but share few words of comfort with each other, Murdo losing himself in music and his reticent and protective dad in books. The aunt, “the very very best,” Murdo calls her, provides whatever solace he receives, until his father comes around in a scene of great emotional release. As James Wood has written of this brilliant writer’s previous work in The New Yorker, “The pleasure, as always in Kelman, is being allowed to inhabit mental meandering and half–finished thoughts, digressions and wayward jokes, so that we are present” with his characters. Dirt Road is a powerful story about the strength of family ties, the consolation of music, and one unforgettable journey from darkness to light.