Back To Blighty

World War One had a devastating, cataclysmic impact on the world and the British people. As its reverberations were so long-lasting and significant, it is easy to assume that the social consequences were as profound. In this highly readable and moving survey of life back at home during the First World War, Gerard DeGroot challenges this assumption, finding pre-war social structures were surprisingly resilient. Despite economic and technological changes, the British peoplemanaged to cling onto their usual ways of life as much as possible in this new world. Back in Blighty has been fully revised to take into account new scholarship and historical perspectives, and is full of fascinating glimpses into everyday life during the war. The lives of ordinary people are illuminated and given historical significance in this powerful portrait of the British people and their culture.

Alexander Mullay tells the story of Britain's Railways during the First World War. From troop and hospital trains to carrying munitions and freight, the railways were vital.

As the hundredth anniversary approaches, it is timely to reflect not only upon the Great War itself and on the memorials which were erected to ensure it did not slip from national consciousness, but also to reflect upon its rich and substantial cultural legacy. This book examines the heritage of the Great War in contemporary Britain. It addresses how the war maintains a place and value within British society through the usage of phrases, references, metaphors and imagery within popular, media, heritage and political discourse. Whilst the representation of the war within historiography, literature, art, television and film has been examined by scholars seeking to understand the origins of the 'popular memory' of the conflict, these analyses have neglected how and why wider popular debate draws upon a war fought nearly a century ago to express ideas about identity, place and politics. By examining the history, usage and meanings of references to the Great War within local and national newspapers, historical societies, political publications and manifestos, the heritage sector, popular expressions, blogs and internet chat rooms, an analysis of the discourses which structure the remembrance of the war can be created. The book acknowledges the diversity within Britain as different regional and national identities draw upon the war as a means of expression. Whilst utilising the substantial field of heritage studies, this book puts forward a new methodology for assessing cultural heritage and creates an original perspective on the place of the Great War across contemporary British society.

Presents the complete lyrics of rock musician Ian Dury, along with handwritten notes, candid photographs, and an audio CD featuring previously unreleased material.

The A.E.F. by Heywood Broun is about the formation of the United States Armed Forces on the Western Front during World War I. The A. E. F. was established on July 5, 1917, in France under the command of then-Major General John J. Pershing. Excerpt: "VOILÀ UN SOUSMARIN," said a sailor, as he stuck his head through the doorway of the smoking room. The man with aces and eights dropped, but the player across the table had three sevens, and he waited for a translation. It came from the little gun on the afterdeck. The gun said "Bang!" and in a few seconds it repeated "Bang!" I heard the second shot from my stateroom, but before I had adjusted my lifebelt the gun fired at the submarine once more. A cheer followed this shot. No Yale eleven, or even Harvard for that matter, ever heard such a cheer. It was as if the shout for the first touchdown and for the last one and for all the field goals and long gains had been thrown into one. There was something in the cheer, too, of a long-drawn "ho-old 'em."