Back To Mississippi

Mary Winstead grew up in Minneapolis, captivated by her fathers tales of his boyhood in rural Mississippi. As a child, she visited her relatives down South, and her nostalgia for that world and its people would compel her to collect her fathers stories for her own children. But Winsteads research into her family history led her to a series of horrifying revelations: about her relatives ingrained racism, their involvement with the Klan, and their connection to the infamous 1964 murders of three civil rights workers, Andrew Goodman, Michael Schwerner, and James Chaney.Writing with dignity, humility, and a profound sense of time and place, Winstead chronicles her awakening to painful truths about people she loved and thought she knew. She profiles her father, a man of remarkable charm and secretiveness. She traces her familys roots through post-Civil War poverty, Southern pride, and Jim Crow laws, exploring racism on both sides of the Mason-Dixon line. Most movingly, she details her own inner war, a battle between her love for her family and their untenable beliefs and practices.

Mississippi Got the Message! Imagine being one of nine students out of five hundred, chosen to change history. Imagine having such great impact on the Sovereignty Commission and the white citizens of Mississippi that the state eventually made a 180 degree turn in its attitude towards its black citizens. Imagine what kind of person could be involved in such a thing. Or just read the book!

Postcards and prose that recapture outstanding locales and events from bygone days

"Ranging from Reconstruction to the Black Power period, this thoroughly and creatively researched book effectively challenges long-held beliefs about the Black Freedom Struggle. It should make it abundantly clear that the violence/nonviolence dichotomy is too simple to capture the thinking of Black Southerners about the forms of effective resistance."—Charles M. Payne, University of Chicago The notion that the civil rights movement in the southern United States was a nonviolent movement remains a dominant theme of civil rights memory and representation in popular culture. Yet in dozens of southern communities, Black people picked up arms to defend their leaders, communities, and lives. In particular, Black people relied on armed self-defense in communities where federal government officials failed to safeguard activists and supporters from the violence of racists and segregationists, who were often supported by local law enforcement. In We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement, Akinyele Omowale Umoja argues that armed resistance was critical to the efficacy of the southern freedom struggle and the dismantling of segregation and Black disenfranchisement. Intimidation and fear were central to the system of oppression in Mississippi and most of the Deep South. To overcome the system of segregation, Black people had to overcome fear to present a significant challenge to White domination. Armed self-defense was a major tool of survival in allowing some Black southern communities to maintain their integrity and existence in the face of White supremacist terror. By 1965, armed resistance, particularly self-defense, was a significant factor in the challenge of the descendants of enslaved Africans to overturning fear and intimidation and developing different political and social relationships between Black and White Mississippians. This riveting historical narrative relies upon oral history, archival material, and scholarly literature to reconstruct the use of armed resistance by Black activists and supporters in Mississippi to challenge racist terrorism, segregation, and fight for human rights and political empowerment from the early 1950s through the late 1970s. Akinyele Omowale Umoja is Associate Professor and Chair of the Department of African-American Studies at Georgia State University, where he teaches courses on the history of the Civil Rights, Black Power, and other social movements.

In this collection, essayists examine their lives, their memories of Mississippi, the reasons they left the state, and what drew them back. They talk about how life differs and wears on you in the far-flung parts of our nation, and the qualities that make Mississippi unique. The writers from all corners of the state are as diverse as the regions from which they come. They are of different races, different life experiences, different talents, and different temperaments. Yet in acceding to the magical lure of Mississippi they are in many ways alike. Their roots are deep in the rich soil of this state, and they come from strong families that valued education and promoted an indomitable optimism. Successes stem from a passion, usually emerging early in life, that burns within them. But that passion is tempered, disciplined, encouraged, and influenced by the people around them, as well as the landscape and the history of their times. These essays give us a glimpse of the people and places that nurtured the young lives of the essayists and offered the values that directed them as they sought their dreams elsewhere. Often they found that opportunity was within their grasp in their home state and came back to realize their full potential. They came back, in some cases, to retire to a familiar place of pleasant memories, to family and to friends. They all have a love and respect for Mississippi and continue, back home, to use their talents to help make the state an even better place to live.

Summoning the full expanse of its rich and tragic history--from the subjugation of the Natchez empire to the Civil War, from the Ku Klux Klan to Civil Rights--and a huge roster of martyrs, bigots, writers, bluesmen, planters, and sharecroppers, black and white alike, Walton reveals both the Mississippi that was and the complex racial realities of the present day.

For the past three decades, historian and archivist Forrest Lamar Cooper has written a regular column for Mississippi Magazine about unusual, fascinating aspects of the state's history, culture, products, and people. Whether describing the Jubilee Beverage Company of Jackson, the origins of the Mississippi State Fair, a Mississippi veteran who fought at Iwo Jima, or Biloxi's Riviera Hotel, Cooper's “Looking Back” columns are thoroughly researched and written with verve and clarity. Looking Back Mississippi: Towns and Places collects thirty-nine of Cooper's best essays on the various cities, towns, dwellings, parks, and institutions of historical resonance. Covering all corners of the state, from the mid-1800s to the 1930s, the volume offers an engaging, convivial alternative history of Mississippi, one that emphasizes the obscure and small-scale over the big picture. Each short essay is accompanied by photographic and illustrative postcards from Cooper's private collection. These postcards and other memorabilia give delightful visual clarity to Cooper's historical accounts of towns as far north as Hernando and as coastal as Pass Christian, from the Delta to the Pine Belt. Cooper focuses on Mississippi places, and the people and events that made them famous. Much of the architecture and even the terrain—as with the Gulf Coast's once legendary orange groves—has disappeared, making Cooper's postcards invaluable resources for understanding and visualizing what no longer exists. Looking Back Mississippi provides a treasure trove of history and insight into long-vanished corners of the state.

From an acclaimed short-story writer, a blazingly intelligent and humorous debut novel that is set in New Orleans and tells the story of two strangers whose paths first cross on the remarkable banks of the Mississippi. Cleo, a Canadian on holiday in New Orleans, is sitting alone in the French Quarter late one night, dreamily watching the river’s lazy progress. Suddenly, a woman clad in full evening dress, from rhinestone tiara to high heels, takes a running leap off the wharf into the Mississippi. Cleo watches, astonished, then turns and runs, mistakenly assuming the jumper is dead — a suicide. But Madeline, it turns out, is not bent on suicide. She is irresistibly drawn to water, as is Cleo, who was conceived during the great flood in Florence in 1966. Perhaps it is this shared obsession with the murky depths that fuels Cleo’s determination to find Madeline. She pounds the quaint streets of New Orleans, city of cheap bourbon, rich turtle soup, the scent of magnolias and A Streetcar Named Desire. Spelling Mississippi is filled with all the bristling energy of Fall on Your Knees. Told with great humour and affection, it is a seductive, liberating story about ties that bind and those that simply restrain, and a lesson not in spelling but forgiveness.