Backing Into The Spotlight

'Backing into the Spotlight is a hilarious and an unashamedly non-PC memoir . . . Now in his eighth decade, Whitehall is a fine raconteur, gloriously unreconstructed and still deeply suspicious of modernity' Daily Mail Standing in front of a full-length mirror in my dressing room at ITV studios, waiting to go on to the set of Backchat, I had a brief conversation with my reflection. 'Michael, what the f*** do you think you're doing?' Theatrical agent Michael Whitehall spent a career pushing others into the spotlight. He had been involved behind the scenes with the careers of many prominent actors, including Colin Firth, Richard Griffiths, Daniel Day-Lewis, Tom Courtenay, Ian Ogilvy, Judi Dench, Edward Fox, Michael Fassbender, Angela Thorne and Nigel Havers. But then, much to his surprise, his son Jack becomes a successful comedian and actor and decides that his new comedy partner should be his father. Whitehall Snr. finds himself reluctantly appearing on stage and then television, cast as the archetypal grumpy old man and thrust, in his early seventies, into a whole new career in front of the camera. Minor fame comes at a sedate pace: one of the highlights being a record £300,000 win for charity with Jack on Channel 4's The Million Pound Drop. In this enchanting memoir Whitehall looks back on his life, from growing up in suburban London in the 1940s and '50s with his saintly father and social climbing-mother, who coined the phrase 'à la carte' to describe people who were posher than she was and whose company she craved, to falling into a career as a successful theatrical agent and producer. As he says, 'Actors can be egotistical, greedy and vain, but they're not half as bad as agents and producers.' Charming, gossipy and above all very funny, Backing Into The Spotlight is no ordinary show business memoir.

Inspired by the much-loved classic Ballet Shoes by Noel Streatfeild, Into the Spotlight is a magical new story from bestselling author and acclaimed performer Carrie Hope Fletcher. Brilliant Aunt Maude visits seasides the world over and has become quite the pebble collector. Pebbles of all shapes, sizes and colours and even one that looked a bit like Elvis Presley if you squinted a bit. Her favourite pebbles, however, are Marigold, Mabel and Morris. One by one, and by strange and unusual ways, each child arrives at the stage door of Brilliant Aunt Maude's theatre in the heart of London, home to an extraordinary cast of performers. There's Dante the miraculous magician, Petunia the storyteller and seventy-year-old contortionists - the Fortune Sisters! But ticket sales are dwindling and the curtains might have to close - for the final time. Until one day, as the Pebbles are exploring the many nooks and crannies of the theatre, they stumble upon something they were never meant to find . . . something that just might save the theatre after all . . .

Female Celebrity and Ageing: Back in the Spotlight interrogates the myriad ways in which celebrity culture constructs highly visible ideologies of femininity and ageing, and how ageing female celebrities have negotiated the media in a variety of industrial, historical and national contexts. In the era when the ‘baby boomers’ have started drawing their pensions, the boundaries of what constitutes ‘old age’ have never seemed more fluid, and ageing has never been presented by advertisers and marketers in a more dynamic fashion. However, the fact remains that ageing is still widely feared, and growing old is an inherently gendered process, in which ageing women are paradoxically both rendered invisible and subjected to damning scrutiny. Nowhere is this conflicting state of affairs more evident than in celebrity culture, where ageing female stars are praised for ‘growing old gracefully’ one moment, and condemned for ‘letting themselves go’ the next, when they fail to age ‘appropriately’. Examining a variety of themes and ageing women in the spotlight, from Barbara Stanwyck to Madonna to Charlotte Rampling, the essays collected here forge new critical and conceptual insights into how women grow older in the media, and the implications of this for what Susan Sontag memorably called "the double standard of ageing". This book is based on a special issue of Celebrity Studies.

'Backing into the Spotlight is a hilarious and an unashamedly non-PC memoir . . . Now in his eighth decade, Whitehall is a fine raconteur, gloriously unreconstructed and still deeply suspicious of modernity' Daily Mail Standing in front of a full-length mirror in my dressing room at ITV studios, waiting to go on to the set of Backchat, I had a brief conversation with my reflection. 'Michael, what the f*** do you think you're doing?' Theatrical agent Michael Whitehall spent a career pushing others into the spotlight. He had been involved behind the scenes with the careers of many prominent actors, including Colin Firth, Richard Griffiths, Daniel Day-Lewis, Tom Courtenay, Ian Ogilvy, Judi Dench, Edward Fox, Michael Fassbender, Angela Thorne and Nigel Havers. But then, much to his surprise, his son Jack becomes a successful comedian and actor and decides that his new comedy partner should be his father. Whitehall Snr. finds himself reluctantly appearing on stage and then television, cast as the archetypal grumpy old man and thrust, in his early seventies, into a whole new career in front of the camera. Minor fame comes at a sedate pace: one of the highlights being a record £300,000 win for charity with Jack on Channel 4's The Million Pound Drop. In this enchanting memoir Whitehall looks back on his life, from growing up in suburban London in the 1940s and '50s with his saintly father and social climbing-mother, who coined the phrase 'à la carte' to describe people who were posher than she was and whose company she craved, to falling into a career as a successful theatrical agent and producer. As he says, 'Actors can be egotistical, greedy and vain, but they're not half as bad as agents and producers.' Charming, gossipy and above all very funny, Backing Into The Spotlight is no ordinary show business memoir.

The circus is going to Hollywood! This series is part of Scholastic's early chapter book line called Branches, which is aimed at newly independent readers. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow!The Stardust Girls -- Marlo, Bella, Carly, and Allie -- are all abuzz! A film crew from Hollywood is doing a piece on the circus. Allie loves being in the circus, but she'd love to be a Hollywood star, too! She tries to impress the film crew by becoming the star of the show. But in the circus, everyone works together as a team. And Marlo, Bella, and Carly don't like how Allie is hogging the spotlight. Will Allie get her big Hollywood break?

'In The Spotlight is a dynamic workbook for the anxious presenter or performer! Short, easy-to-understand chapters with succinct summaries and powerful action steps, make this book a must-read!' Anthony Robbins, author of Awaken the Giant Within and Unlimited Power. Are you tired of suffering from stage fright? Have you had enough of feeling terrified of speaking or performing in front of others, and trying to avoid it at all costs? If so, In The SpotLight is perfect for you! It reveals the principles, methods and strategies that can help you get beyond stage fright and create a whole new possibility for comfortable and confident speaking and performing. It will also help you if you are self-conscious and uncomfortable in any social situation.

The major challenge facing a business is standing out from the crowd, getting noticed in a noisy overcrowded marketplace. This book offers a fresh approach to attracting the spotlight. It covers branding, positioning, public speaking, publicity & writing & performing from the perspective that all business is show business.

Summoning all the colors of a Chopin prelude, Dawson has painted a vivid picture of his mother (Mona Golabeck) as a young girl whose musical genius enables her to survive the Holocaust.