Backward Hourglass

This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets. An authoritative reference guide and extended introduction to Shakespeare’s sonnets. Contains more than 20 newly-commissioned essays by both established and younger scholars. Considers the form, sequence, content, literary context, editing and printing of the sonnets. Shows how the sonnets provide a mirror in which cultures can read their own critical biases. Informed by the latest theoretical, cultural and archival work.

Packed with conditioning and training workouts for every position, Complete Conditioning for Football is a comprehensive guide designed for dedicated football players, coaches, and strength and conditioning professionals. The accompanying DVD offers step-by-step visual demonstrations of the top exercises and drills found throughout the book.

Over a million copies of Ian Irvine’s fantasy novels sold. After every defeat, Lord Shambles comes back stronger than before, and more determined to punish humanity. Having crushed all resistance on magical Iltior, he moves the war to Earth, and so much power has been drained that the world is on the verge of collapse. Unfortunately, Earth’s weapons are useless against this enemy. Only Runcible Jones can stop him, though it’s an impossible battle – a fourteen-year-old boy against the most terrible sorcerer on two worlds.Runcible will need every bit of his courage and cunning to save Earth. But this time, someone close to him is going to die. Praise for the Series “A great book for rainy days and lazy afternoons.” John Cohen, Reading Time “A well written and exciting series.” Northern Daily Leader “A great read.” Book Bites

Like On a Pale Horse, this second, complete-in-itself novel of the Incarnations of Immortality is a richly imagined and always fascinating story. And again, Piers Anthony adds to his gripping plot a serious, though-provoking study of good and evil. When life seemed pointless to Norton, he accepted the position as the Incarnation of Time, even though it meant living backward from present to past. The other seemily all-powerful Incarnates of Immortality—Death, Fate, War, and Nature—made him welcome. Even Satan greeted him with gifts. But he soon discovered that the gifts were cunning traps. While he had been distracted, he had become enmeshed in a complex scheme of the Evil One to destroy all that was good. In the end, armed with only the Hourglass, Norton was forced to confront the immense power of Satan directly. And though Satan banished him to Hell, he was resolved to fight on.

California’s history is rich and diverse, with numerous fascinating stories hidden in its past. Before the discovery of gold in the Sierras, San Francisco (Yerba Buena) and its surroundings comprised a sparsely populated frontier on the edge of the old Spanish realm. After 1848, the area rapidly transformed into a settled urban system as a tremendous influx of prospectors and settlers came to seek their fortune in California. A wave of gold miners, merchants, farmers, politicians, carpenters, and many others from various backgrounds and corners of the world migrated to the area at that time. Interrelated social, geographic, and economic processes led to a very quick metamorphosis from frontier settlement to a firmly established system with ingrained economic patterns. The development of San Francisco’s outlying region from a wilderness into a prosperous village and farming mecca shows how quickly in-migration coupled with economic diversification can establish a stable settlement structure upon the landscape. Otterstrom describes an intricately woven tapestry of interrelated people who were contributing creators of a wide variety of prosperous northern California environs. He uncovers the processes that converted this sleepy post-Mexican outpost into a focal point of nearly hyperactive youthful growth. The narrative follows this crucial story of settlement development until the dawn of the twentieth century, through the interconnected framework of individual and family ingenuity, migration trajectories, and diverse geographical scales. Multiplying individualistic experiences from across far-flung appendages of the Northern California system into larger and larger scales, Otterstrom has achieved a matchless historical and sociological study that will form the basis for any future studies of the area.

This book constitutes the thoroughly refereed post-proceedings of the First International Workshop on Complex Motion, IWCM 2004, held in Schloss Reisensburg, Günzburg, Germany, in October 2004. The 17 full papers presented are fully revised to incorporate reviewers' comments and discussions at the workshop.

In a book that draws attention to some of our most familiar and unquestioned habits of thought—from "framing" to "perspective" to "reflection"—Rayna Kalas suggests that metaphors of the poetic imagination were once distinctly material and technical in character. Kalas explores the visual culture of the English Renaissance by way of the poetic image, showing that English writers avoided charges of idolatry and fancy through conceits that were visual, but not pictorial. Frames, mirrors, and windows have been pervasive and enduring metaphors for texts from classical antiquity to modernity; as a result, those metaphors seem universally to emphasize the mimetic function of language, dividing reality from the text that represents it. This book dissociates those metaphors from their earlier and later formulations in order to demonstrate that figurative language was material in translating signs and images out of a sacred and iconic context and into an aesthetic and representational one. Reading specific poetic images—in works by Spenser, Shakespeare, Gascoigne, Bacon, and Nashe—together with material innovations in frames and glass, Kalas reveals both the immanence and the agency of figurative language in the early modern period. Frame, Glass, Verse shows, finally, how this earlier understanding of poetic language has been obscured by a modern idea of framing that has structured our apprehension of works of art, concepts, and even historical periods. Kalas presents archival research in the history of frames, mirrors, windows, lenses, and reliquaries that will be of interest to art historians, cultural theorists, historians of science, and literary critics alike. Throughout Frame, Glass, Verse, she challenges readers to rethink the relationship of poetry to technology.