Bad Actors

Mick Herron, “the le Carré of the future” (BBC), expands his world of bad spies with an even shadier cast of characters: the politicians, lobbyists, and misinformation agents pulling the levers of government policy. “Confirms Mick Herron as the best spy novelist now working.”—NPR's Fresh Air Now an Apple TV+ series starring Gary Oldman and Kristin Scott Thomas. In London's MI5 headquarters a scandal is brewing that could disgrace the entire intelligence community. The Downing Street superforecaster—a specialist who advises the Prime Minister's office on how policy is likely to be received by the electorate—has disappeared without a trace. Claude Whelan, who was once head of MI5, has been tasked with tracking her down. But the trail leads him straight back to Regent's Park itself, with First Desk Diana Taverner as chief suspect. Has Taverner overplayed her hand at last? Meanwhile, her Russian counterpart, Moscow intelligence's First Desk, has cheekily showed up in London and shaken off his escort. Are the two unfortunate events connected? Over at Slough House, where Jackson Lamb presides over some of MI5's most embittered demoted agents, the slow horses are doing what they do best, and adding a little bit of chaos to an already unstable situation . . . There are bad actors everywhere, and they usually get their comeuppance before the credits roll. But politics is a dirty business, and in a world where lying, cheating and backstabbing are the norm, sometimes the good guys can find themselves outgunned.

A simple one-act production of The Wizard of Oz gets derailed by missed cues, forgotten lines, and a renegade sound board op who refuses to play anything but dinosaur noises. A comedy that proves, when it comes to live theatre, everything that can go wrong, will go wrong, and it will be hilarious. Comedy One-act. 25-30 minutes 10-30 actors, gender flexible

Mick Herron, “the le Carré of the future” (BBC), expands his world of bad spies with an even shadier cast of characters: the politicians, lobbyists, and misinformation agents pulling the levers of government policy. “Confirms Mick Herron as the best spy novelist now working.”—NPR's Fresh Air Now an Apple TV+ series starring Gary Oldman and Kristin Scott Thomas. In London's MI5 headquarters a scandal is brewing that could disgrace the entire intelligence community. The Downing Street superforecaster—a specialist who advises the Prime Minister's office on how policy is likely to be received by the electorate—has disappeared without a trace. Claude Whelan, who was once head of MI5, has been tasked with tracking her down. But the trail leads him straight back to Regent's Park itself, with First Desk Diana Taverner as chief suspect. Has Taverner overplayed her hand at last? Meanwhile, her Russian counterpart, Moscow intelligence's First Desk, has cheekily showed up in London and shaken off his escort. Are the two unfortunate events connected? Over at Slough House, where Jackson Lamb presides over some of MI5's most embittered demoted agents, the slow horses are doing what they do best, and adding a little bit of chaos to an already unstable situation . . . There are bad actors everywhere, and they usually get their comeuppance before the credits roll. But politics is a dirty business, and in a world where lying, cheating and backstabbing are the norm, sometimes the good guys can find themselves outgunned.

Two years after the discovery that Earth Prime 4-6-4-0-8-9 dash Omega is in imminent danger of collapse, the Transdimensional Authority has helped hundreds of millions… well, millions… okay, a lot of aliens immigrate to Earth Prime. How’s that working out? Rodney Pendleton, the first alien to make the move, is now a tech millionaire (hover technology is wildly popular – who knew?). Wainwright Walsh, lead singer for The Occidental Tourists (ask your parents… or, maybe your grandparents), puts together an all-star band to raise funds for a foundation to help the aliens adjust to their new home. But all is not beat yas and scream on Earth Prime. An investigation into the first murder of an alien being leads to an anti-alien protest group, revealing a dark, speciesist strain of human emotion. And a different investigation into the disappearance of aliens in Latin America reveals a dark, greedy strain of human emotion. It turns out, some problems cannot be solved by the swift, unexpected application of pie! Cover artwork by Hugh Spencer

"Today the committee continues its oversight of the Federal Government's use of suspension and debarment ... Suspension and debarment can be an effective tool for Federal agencies to ensure contractor performance. Unfortunately, as we will hear today, the suspension and debarment tool often goes unused ... In February of last year, we held a hearing on the operation and use of the Excluded Parties List System. We found that some Government agencies were ignoring Federal regulations by awarding funds to businesses that had been suspended or debarred. We also found that Federal agencies took far too long to suspend or debar, if they did it at all. Now, a year later, it seems little has changed."--P. 1-2.

Recounts the events of a day when everything goes wrong for Alexander. Suggested level: junior, primary.

The stories of seven popes who ruled at seven different critical periods in the 600 years leading into the Reformation.

The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. Some of the characters from the film noir era are extremely violent, such as Neville Brand’s Chester in D.O.A. (1950), whose sole pleasure in life seems to come from inflicting pain on others. Other noirs feature flawed authority figures, such as Kirk Douglas’s Jim McLeod in Detective Story (1951), controlled by a rigid moral code that costs him his marriage and ultimately his life. Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. The private and public lives of more than ninety actors who starred in the films noirs of the 1940s and 1950s are presented here. Some of the actors, such as Humphrey Bogart, Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and Mickey Rooney, enjoyed great renown, while others, like Gene Lockhart, Moroni Olsen and Harold Vermilyea, were less familiar, particularly to modern audiences. An appendix focuses on the actors who were least known but frequently seen in minor roles.