Bad Boys Of The Black Hills

The lively romp details some of the Wild West's most engaging stories, specifically in the Black Hills and Deadwood, home to prostitutes and poets, desperados and dancehall girls, fortune tellers and fugitives. Readers will meet a host of rowdies ranging from madams to stagecoach robbers, from tall-tale tellers to killers.

Welcome to the Black Hills of the 1880s, where you will meet a host of rowdies ranging from madams to stagecoach robbers, from tall-tale tellers to killers.

The Black Hills region is a land of superlatives-iconic monuments, wilderness forests, vast prairie grasslands, stunning badlands, remarkable caverns, beautiful lakes, and unparalleled opportunities to hike, camp, boat, bike, fish, see wildlife, and discover this landscape's remarkable natural and cultural diversity. Make the most of your visit with The Best of the Black Hills, your inside guide to the best of America's premier vacation destination. Enjoy the best trails and scenic drives, see the best vistas, stay at the best historic and cultural sites, and discover the best activities for adults and children. Where are the best places to see bison, elk, and mountain goats? Where are the best places to see eagles and wild turkeys? Where are the best wildflower displays, the best picnic spots, and the best places to watch sunsets? What are the best things to do on a rainy day and what are the best winter activities? This handy guidebook has all the answers in clear, concise descriptions written by a former national park ranger, with 176 photographs and 13 locator maps

In the 1870s, Deadwood was a thriving—and largely lawless—boomtown. And as any fan of western history and films knows, stagecoach robberies were a regular feature of life in this fabled region of Dakota Territory. Now, for the first time, Robert K. DeArment tells the story of the "good guys and bad guys" behind these violent crimes: the road agents who wreaked havoc on Deadwood's roadways and the shotgun messengers who battled to protect stagecoach passengers and their valuable cargo. DeArment shows in dramatic detail how for two years gangs of robbers ruled the road, perpetrating holdups and killings, until lawmen and stage-company and railroad agents finally brought an end to the mayhem. The characters populating this violent tale include such legendary figures as Wild Bill Hickok and the famous railroad detective James L. "Whispering" Smith, a formidable opponent of bandits. We also get to know the men who operated the stages, the lawmen and company men who ran and defended the coaches, and the outlaws who fought against them. DeArment tells where these men came from and what became of them after the outlawry ended. He ends his account in the 1880s with Buffalo Bill's Wild West show and its spectacular rendition of a shotgun robbery, featuring an actual Deadwood stagecoach. After nearly a century and a half, the Deadwood stage continues to command our attention.

You’ve followed his wicked misdeeds and cuss-filled rants on the HBO series Deadwood (as played by Ian McShane), now go inside the life—and death—of the real Al Swearingen with Farcountry Press’ newest release, Deadwood’s Al Swearingen: Manifest Evil in the Gem Theatre. Meticulous research and lively writing by Deadwood historian and HBO consultant Jerry L. Bryant and co-author Barbara Fifer shed new light on Al’s scandalized childhood in Oskaloosa, Iowa, his nefarious dealings at his saloon and brothel in gold-rush-era Deadwood, and his brutal death (was he murdered?) in a Denver rail yard.

Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.

A refreshing new perspective on some of the most infamous reprobates of the Midwest.

From the time of the gold rush to the election of the first woman to the U.S. Congress, Wanton West brings to life the women of the West's wildest region: Montana, famous for its lawlessness, boomtowns, and America's largest red-light districts. Prostitutes and entrepreneurs--like Chicago Joe, Madame Mustache, and Highkicker—flocked to Montana to make their own money, gamble, drink, and raise hell just like men. Moralists wrote them off as “soiled doves,” yet a surprising number prospered, flaunting their freedom and banking ten times more than their “respectable” sisters. A lively read providing new insights into women's struggle for equality, Wanton West is a refreshingly objective exploration of a freewheeling society and a re-creation of an unforgettable era in history.