Bad Mexicans Race Empire And Revolution In The Borderlands

Winner of the Bancroft Prize • One of The New Yorker’s Best Books of 2022 • A Kirkus Best World History Book of 2022 One of Smithsonian's 10 Best History Books of 2022 • Longlisted for the 2022 National Book Award for Nonfiction • Shortlisted for the PEN/John Kenneth Galbraith Award for Nonfiction • Shortlisted for the National Book Critics Circle Award for Nonfiction • Shortlisted for the Mark Lynton History prize • Longlisted for the Cundill History Prize “Rebel historian” Kelly Lytle Hernández reframes our understanding of U.S. history in this groundbreaking narrative of revolution in the borderlands. Bad Mexicans tells the dramatic story of the magonistas, the migrant rebels who sparked the 1910 Mexican Revolution from the United States. Led by a brilliant but ill-tempered radical named Ricardo Flores Magón, the magonistas were a motley band of journalists, miners, migrant workers, and more, who organized thousands of Mexican workers—and American dissidents—to their cause. Determined to oust Mexico’s dictator, Porfirio Díaz, who encouraged the plunder of his country by U.S. imperialists such as Guggenheim and Rockefeller, the rebels had to outrun and outsmart the swarm of U. S. authorities vested in protecting the Diaz regime. The U.S. Departments of War, State, Treasury, and Justice as well as police, sheriffs, and spies, hunted the magonistas across the country. Capturing Ricardo Flores Magón was one of the FBI’s first cases. But the magonistas persevered. They lived in hiding, wrote in secret code, and launched armed raids into Mexico until they ignited the world’s first social revolution of the twentieth century. Taking readers to the frontlines of the magonista uprising and the counterinsurgency campaign that failed to stop them, Kelly Lytle Hernández puts the magonista revolt at the heart of U.S. history. Long ignored by textbooks, the magonistas threatened to undo the rise of Anglo-American power, on both sides of the border, and inspired a revolution that gave birth to the Mexican-American population, making the magonistas’ story integral to modern American life.

Turns the familiar story of trafficking across the US-Mexico border on its head, looking at firearms smuggled south from the United States to Mexico and their ricochet effects. American guns have entangled the lives of people on both sides of the US-Mexico border in a vicious circle of violence. After treating wounded migrants and refugees seeking safety in the United States, anthropologist Ieva Jusionyte boldly embarked on a journey in the opposite direction—following the guns from dealers in Arizona and Texas to crime scenes in Mexico. An expert work of narrative nonfiction, Exit Wounds provides a rare, intimate look into the world of firearms trafficking and urges us to understand the effects of lax US gun laws abroad. Jusionyte masterfully weaves together the gripping stories of people who live and work with guns north and south of the border: a Mexican businessman who smuggles guns for protection, a teenage girl turned trained assassin, two US federal agents trying to stop gun traffickers, and a journalist who risks his life to report on organized crime. Based on years of fieldwork, Exit Wounds expands current debates about guns in America, grappling with US complicity in violence on both sides of the border.

"In his introduction to this manuscript, John Weber describes how, throughout his years of research on his earlier book on South Texas, he kept coming across the figure of William Hanson (1866-1931). Hanson appeared in reports of efforts to eliminate Mexican American voting in South Texas, in accusations of wrongdoing by Texas Rangers, and elsewhere. It wasn't until Weber completed his first book that he was able to go back into the archives, start pulling on threads, and begin to piece together a fuller picture of Hanson's life and activities. This project contains the fruits of his investigation. This is not a full biography of Hanson (the existing records do not really allow that), but rather a study of his activities in the 1920s and how they help us better understand the history and politics of the Texas-Mexico border. As Weber explains, Hanson was a close witness to history during these years, as well as an active agent of it. He was a captain in the Texas Rangers, an associate of Albert Bacon Fall, and the top official in the Immigration Service at the time of the creation of the Border Patrol. From these various positions and with the help of his powerful patrons, Hanson helped shape the ways that U.S. policymakers understood the border, its residents, and the movement of goods and people across the international boundary"--

"Even in the earliest "Wild West" subjects, the lens of settler colonialism reveals major tropes that will become characteristic of westerns in their depiction of "our country"'s expansion across the North American continent. Single and split-reel fiction films initially may not have captured the vistas of plains and mountains depicted in the large historical paintings and murals described in the Introduction. After all, up to 1904, those companies producing motion pictures for sale or rental chiefly were located in or around New York (Edison, AM&B), Philadelphia (Lubin), and Chicago (Selig Polyscope). Moreover, their cameras, especially the bulky Biograph camera (using 68mm filmstock until 1903), kept them from venturing beyond their spartan studios, except for shooting travel films. The stories and characters that had long circulated in popular dime novels, however, proved a welcome source of inspiration. One figure was particularly notable. Kit Carson (1809-1868) was known as a trail-blazing hunter, trapper, scout, and Indian fighter whose frontier adventures led him frequently across the plains and into the western mountains in the mid-19th century. He had guided John Charles Frémont on no fewer than three expeditions (1842, 1843, 1845) through the Rocky Mountains into California on the Oregon and Santa Fe trails. Together they mounted an uprising against Mexico and prepared the way for California to become a state. Later the frontiersman led several campaigns against the Apaches, Navajos, and Kiowas in what became New Mexico. Carson's legendary stature as an American pioneer came largely from dime novels such as Kit Carson, the Prince of the Gold Hunters (1849) and The Prairie Flower, or the Adventures of the Far West (1849) as well as his "memoir," The Life and Adventures of Kit Carson, the Nestor of the Rocky Mountains (1858). Scores of novels featuring his fictional exploits were published and republished through the turn of the century. Even in its book cover design, The Fighting Trapper, Kit Carson to the Rescue (1874), for instance, graphically depicts his skill at hand-to-hand combat. Perhaps it is no wonder that AM&B made him the hero of its early story films, Kit Carson and The Pioneers (both 1903), shot with a more standardized camera (using 35mm filmstock) in the Adirondack Mountains, "amid scenery of the wildest natural beauty and enacted with the greatest fidelity to the original.""--

Uncover the suppressed testimony of the Lone Star State's uncomfortable past. Tinseltown almost always gets Texas wrong. The "Searchers" never did that much searching, the "Giants" were hardly ever big in terms of character and The Last Picture Show was just the beginning of a disturbing reveal. As acclaimed writer Stephen Harrigan suggests, the Lone Star State was not exactly a Big, Wonderful Thing, and for too many Texans, nothing was ever "Awright, Awright, Awright." A Black civil rights champion was assassinated in 1976, and the incident was buried. A "Cowtown Catcher in the Rye" was published in 1940, and the country club set made it disappear. And the war machines of Hitler and Mussolini were perfected with Texas oil during the Spanish Civil War. Author E.R. Bills challenges his proud neighbors, earnestly asking them to take a hard look at their past and examine their own historical amnesia, cultural fragility and fierce denial.

Uneven Roads helps students grasp how, when, and why race and ethnicity matter in U.S. politics. Using the metaphor of a road, with twists, turns, and dead ends, this incisive text takes students on a journey to understanding political racialization and the roots of modern interpretations of race and ethnicity. The book’s structure and narrative are designed to encourage comparison and reflection. Students critically analyze the history and context of U.S. racial and ethnic politics to build the skills needed to draw their own conclusions. In the Third Edition of this groundbreaking text, authors Shaw, DeSipio, Pinderhughes, Frasure, and Travis bring the historical narrative to life by addressing the most contemporary debates and challenges affecting U.S. racial and ethnic politics. Students will explore important issues regarding voting rights, political representation, education and criminal justice policies, and the immigrant experience.

The concept of ethnicity, once in vogue, has largely gone out of fashion among twenty-first-century social scientists, now replaced by models of assimilation defined in terms of the construction of whiteness and white supremacy. Beyond Whiteness: Revisiting Jews in Ethnic America explores the benefits of reconfiguring the ethnic concept as a tool to analyze the experiences of twentieth-century American Jews—not only in relation to other “white” groups of European descent, but also African Americans and Asian Americans, among others. The essays presented here, ranging from comparative studies of Jews and Asians as “model minorities” to the examination of postethnic “Jews of color,” demonstrate that expanding ethnicity beyond the traditional Eurocentric frame can yield fresh insights into the character of Jewish life in the modern United States.