Bad Penny

A gripping crime novel inspired by the “Jack the Stripper” killings in 1960s London. Bad Penny Blues is the latest gripping crime fiction from Cathi Unsworth, London's undisputed queen of noir. Set in late 1950s and early 1960s London, it is loosely based on the West London “Jack the Stripper” killings that rocked the city. The narrative follows police officer Pete Bradley, who investigates the serial killings of a series of prostitutes, and, in a parallel story, Stella, part of the art and fashion worlds of 1960s “Swinging London,” who is haunted by visions of the murdered women.

Nothing good comes after the third date. Date three is the crucial point when things get real, which is exactly why I bounce out the door, twiddling my fingers at whatever poor boy I've left behind. Because if I stick around, one of three things will happen: he'll profess his undying love, he'll get weird and stalky, or I'll go crazy. Like, Sid and Nancy crazy. Like, chase-him-through-the-streets-begging-him-to-love-me crazy. Seriously, it's better for everyone this way. So when I meet Bodie, I figure it'll be the same as it ever was. It doesn't matter that he doesn't put a single string on me. Doesn't matter that he's funny and smart and jacked or that he can play my body like a grand piano. Because even though I'm built for love, love has only carved me up like a Christmas ham. Resistance is something I can only hang on to for so long, and he has persistence in spades. But my heart isn't as safe as I want to believe, and neither is his. And the second I ignore my cardinal rule is the second I stand to lose him forever. *Previously titled Bad Penny

Cat Dupree would love nothing more than to settle down and build a life with fellow bounty hunter Wilson McKay.

Joel Anderson doesn't take anything seriously. Not his relationships, which have been few and far between since his brutal divorce. Not the drama of working in a tattoo parlor, which seems to be around every corner. When things get him down, he smiles and cracks a joke. But he's not the kind of man you cross, or you'll find yourself at the wrong end of his fists. Annika Belousov takes everything seriously. Like her job as a reality television producer, given that she typically has something to prove. Or her love life, which is defined by a series of requirements - affluent, ambitious, accomplished, to name a few. Definitely her family, who worked their whole lives to afford her every opportunity, a sacrifice she doesn't take lightly. When she's tapped to produce a reality show at Joel's shop, she doesn't think twice, just goes in for the kill, as if there were any other way. The second Annika walks into Joel's shop, he makes it his mission to crack her open, but she's not having it. He's all wrong - too crass, too hairy, too un-serious. But it doesn't take her long to find out there's more to him than smirks and tattoos. And what she finds could put her career and his heart on the line. Not that Joel cares. Because for the first time in a long time, he's found his tonic. *** A standalone Romantic Comedy ***

p.B. J. Whiting savors proverbial expressions and has devoted much of his lifetime to studying and collecting them; no one knows more about British and American proverbs than he. The present volume, based upon writings in British North America from the earliest settlements to approximately 1820, complements his and Archer Taylor's Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. It differs from that work and from other standard collections, however, in that its sources are primarily not "literary" but instead workaday writings - letters, diaries, histories, travel books, political pamphlets, and the like. The authors represent a wide cross-section of the populace, from scholars and statesmen to farmers, shopkeepers, sailors, and hunters. Mr. Whiting has combed all the obvious sources and hundreds of out-of-the-way publications of local journals and historical societies. This body of material, "because it covers territory that has not been extracted and compiled in a scholarly way before, can justly be said to be the most valuable of all those that Whiting has brought together," according to Albert B. Friedman. "What makes the work important is Whiting's authority: a proverb or proverbial phrase is what BJW thinks is a proverb or proverbial phrase. There is no objective operative definition of any value, no divining rod; his tact, 'feel, ' experience, determine what's the real thing and what is spurious."

Covering over 10,000 idioms and collocations characterized by similarity in their wording or metaphorical idea which do not show corresponding similarity in their meanings, this dictionary presents a unique cross-section of the English language. Though it is designed specifically to assist readers in avoiding the use of inappropriate or erroneous phrases, the book can also be used as a regular phraseological dictionary providing definitions to individual idioms, cliches, and set expressions. Most phrases included in the dictionary are in active current use, making information about their meanings and usage essential to language learners at all levels of proficiency.