Balkan Melodies For Classical Guitar

An exciting collection of Balkan music featuring songs from Bosnia, Croatia, Greece, Macedonia, Romania and Serbia. Enjoy captivating sounds and compelling rhythms on this exhilarating musical journey through the Balkan Peninsula. Fully fingered for an enjoyable sight-reading experience.

An exciting collection of Balkan music featuring songs from Bosnia, Croatia, Greece, Macedonia, Romania and Serbia. Enjoy captivating sounds and compelling rhythms on this exhilarating musical journey through the Balkan Peninsula. Fully fingered for an enjoyable sight-reading experience.

This collection offers 10 well-known Christmas carols and instrumental solos, idiomatically arranged to be technically accessible by the intermediate classic guitarist; at the same time, these 10 settings feature occasional flashes of virtuosic technique and are musically satisfying for players and audiences alike. With a little preparation, they are perfect for holiday concerts or while simply decorating the Christmas tree or wrapping presents. Written in standard notation only, this book includes access to online audio recordings of each piece, expertly played by the author.

I have taught classical guitar at the Conservatory of Oulu since 1972. the pieces in this book were composed during my working years in Finland and over holidays in Andalusia Spain. Originally these pieces were extra material for my pupils. Later I noticed, to my delight, that they had been performed in many concerts all over the country! Through these small pieces, I hoped to increase the motivation of my students and I think it has been a successful venture. I hope these pieces will bring joy and will benefit all players and listeners.

The result of decades of experience in teaching the classical guitar, this method introduces the student to the earliest stages of learning how to play the classical guitar, from learning how to read music to becoming an accomplished player. This gradually progressing approach covers scales, including scales in thirds, sixths and octaves in all major and minor keys, arpeggios, chords, slurs, harmonics, and more. The technical aspects in this book are supplemented with a vast number of exercises and solos, from easy to more advanced, including repertoire music to make the process of learning to play the guitar a most enjoyable experience. Written in standard notation only.

This book presents a collection of contemporary, tonal classical guitar works from Ireland's most prolific guitar composer; Dave Flynn has melded Celtic, minimalist and neo-baroque influences in this ground-breaking addition to the modern concert repertoire. Fans of the minimalism of Steve Reich, John Adams and Philip Glass will enjoy “Three Minimalist Pieces” and the “Six Etudes for Five Fingers”. The influence of Flynn's native Ireland can be heard in some of these etudes, as well as in the Satie-esque “Three Gymn O'Paddies” and “The Mahatma of the Glen” which utilizes an alternate tuning with roots in Celtic fiddling. The imposing “Passacaglia” is a challenging concert work suitable for competitions and recitals, while the “Homage Sonatina” pays tribute to three iconic guitarists: Heitor Villa-Lobos, Andy Summers and Leo Brouwer. With an insightful foreword from the late Charles Postlewate, Flynn's illuminating practice tips and program notes guide the reader through these atmospheric, accessible works. Flynn's own interpretations can be found on his albums 5to9 - Music for Solo Guitar (2020) and Contemporary Traditional Irish Guitar (2009), available online to stream or download. Recommended for intermediate to advanced classical guitarists, these pieces are written in standard notation only.

Transcriptions from Neshamah, Tim Sparks's ground-breaking recording for Tzadik Records of traditional Jewish melodies arranged for solo guitar. Neshamah is a Hebrew word meaning soul, and in these soulful pieces, Sparks explores the music of the Jewish Diaspora, from the Caucasus to the Carpathians, from the Black Sea to Bosnia, from Jerusalem, Istanbul, Sarajevo, to New York's Lower East Side. Using a unique blend of bluesy string bends, jazz harmony and middle-eastern scales, he sheds new light on these tunes through the prism of fingerstyle guitar. Neshamah received wide critical acclaim in many publications around the world, including Fingerstyle Guitar, Acoustic Guitar, Guitar Player, Akustik Gitarre, Acoustic Guitar Japan, Dirty Linen, the Wall Street Journal, CDNOW, All Music Guide and the Amazon.com Editor's Top 100 CDs of 1999. the entire recording has been transcribed here, including an appendix with the complete solos. Several of the arrangements are accessible to intermediate level players while some are better suited to the advanced player. Some of these transcriptions are slightly different than the CD recorded versions and reflect how the composition is currently played by Tim and are notated as such in the Performance Notes.