Banished Sons Of Poseidon

After escaping from a flood that buried the aboveground in seawater, a fractured group of boys from Atlantis squabble over the way ahead and their trust of an underground race of men who give them shelter. For sixteen-year-old Dam, whose world was toppling before the tragedy, it’s a strange, new second chance. There are wonders in the underworld and a foreign warrior Hanhau who is eager for friendship despite Dam’s dishonorable past. But a rift among his countrymen threatens to send their settlement into chaos. Peace between the evacuees and Hanhau’s tribe depends on the sharing of a precious relic that glows with arcane energy. When danger emerges from the shadowed backcountry, Dam must undertake a desperate mission. It’s the only hope for the Atlanteans to make it home to the surface. It’s the only way to save Hanhau and his people.

He became a god. Her story was forgotten.From the shore of a frozen steppe, an outcast hunter embarks for the otherworld to ask his ancestors how to bring the mammoth back to the fields of sedge.In a shining, island kingdom of wonders, the daughter of a high priest fights for her claim to wealth and power after her father is assassinated by the king.Together they will build an empire recalled as an ancient legend and a cautionary tale. But how did he become a god while she became a mere footnote in history?Poseidon & Cleito is the engrossing first book of a fantasy trilogy of myth and legend exploring the rise of the lost civilization of Atlantis. In the best traditions of an epic journey, one man’s struggle to discover his place in the world takes him across perilous seas into the epicenter of political strife in a foreign land. But a legend is not made of deeds alone... Fans of Guy Gavriel Kay’s historical fantasy and David Gemmell’s Troy series will enjoy this fantasy novel as it sets out to reimagine the inception of a Greek myth.

Werecat: The Sim Ru Prophecy is the final installment of The Romance Reviews Readers’ Choice favorite, the Werecat series A fugitive from two murder investigations in New York City and a bizarre, big cat attack at a bank in Barbados, Jacks Dowd flees to South America to find the ringleader of a shifter terrorist organization deep in the Amazon. The world is on the brink of all-out war between shifters and humans, and Jacks needs to somehow broker a deal for peace. But a special U.S. intelligence agency emerges as a new, possibly even more dangerous enemy. Both the terrorists and the U.S. government will stop at nothing to get an arcane codex that could unleash an unstoppable threat to mankind or exterminate werecats everywhere. While Jacks dodges danger from both sides and decodes the ancient book, he’s left with the impossible choice of how to use it. This action-packed gay shapeshifter romance brings Andrew J. Peters' Werecat series to its stunning conclusion. Peters tells fans that his original Werecat romance was an experiment. He asked himself: What would a gothic paranormal romance story look like with gay men in prominent roles? Now, this Romance Review Readers Choice finalist reaches its apex, as Jacks Dowd makes peace with his Werecat nature.

Discussions of gender and sexuality have become part of mainstream conversations and are being reflected in the work of more and more writers of fiction, particularly in literature aimed at young adult audiences. But young readers, regardless of their sexual orientation, don’t always know what books offer well-rounded portrayals of queer characters and situations. Fortunately, finding positive role models in fiction that features LGBTQ+ themes has become less problematic, though not without its challenges. In Representing the Rainbow in Young Adult Literature: LGBTQ+ Content since 1969, Christine Jenkins and Michael Cart provide an overview of the literary landscape. An expanded version of The Heart Has Its Reasons, this volume charts the evolution of YA literature that features characters and themes which resonate not only with LGBTQ+ readers but with their allies as well. In this resource, Jenkins and Cart identify titles that are notable either for their excellence—accurate, thoughtful, and tactful depictions—or deficiencies—books that are wrongheaded, stereotypical, or outdated. Each chapter has been significantly updated, and this edition also includes new chapters on bisexual, transgender, and intersex issues and characters, as well as chapters on comics, graphic novels, and works of nonfiction. This book also features an annotated bibliography and a number of author-title lists of books discussed in the text that will aid teachers, librarians, parents, and teen readers. Encompassing a wider array of sexual identities, Representing the Rainbow in Young Adult Literature is an invaluable resource for young people eager to read about books relevant to them and their lives.

Prom was supposed to be the biggest night of senior year, but for Jenny Lewis it was the night she almost died. The night someone drugged her, loaded her in a car, and dumped her body in the river. The next morning, her soaked prom dress was found on the riverbank. Her body was never found. People whispered that she’d killed herself or gotten drunk and stupid. People moved on, went to college, and stopped thinking about her. Months later, her ex-girlfriend and three other classmates received a text from an unknown number accusing them of her murder and claiming to have proof. The text? It came from Jenny, not dead and ready to figure out who tried to kill her. There’s going to be an impromptu reunion and no one is leaving until the would-be murderer steps forward.

When the confident, determined Alex Brody joins the successful band Be4, sparks fly between her and her bandmates, none more so than with Tally Mullins. But as their success continues and Tally learns more about Alex, her dislike turns to admiration. Soon Tally finds out that there’s far more to Alex than she first thought.

Alissa Reeves came out for Hannah Desarno. Hannah is smart, beautiful, and has just gone missing. Worse, she isn’t Alissa’s first girlfriend to disappear. Eighteen months ago, Alissa was caught kissing bad girl Lana Meyers. Too scared to admit her feelings for Lana, Alissa let her friends blame Lana. Weeks later when Lana disappeared, no one in their small town thought much of it until months later when her body was found. With Hannah gone, Alissa finds herself following clues that will help her discover what happened to both girls, and the truth will change everything.

This study examines the literary complexities of the poetry which Ovid wrote in Tomis, his place of exile on the coast of the Black Sea after he was banished from Rome by the emperor Augustus in A.D. 8 because of the alleged salaciousness of the Ars Amatoria and a mysterious misdemeanour which is nowhere explained. Exile transforms Ovid into a melancholic poet of despair who claims that his creative faculties are in terminal decline. But recent research has exposed the ironic disjunction between many of the poet's claims and the latent artistry which belies them. Through a series of close readings which offer a new analytical contribution to the scholarly evaluation of the exile poetry, Dr Williams examines the nature and the extent of Ovidian irony in Tomis and demonstrates the complex literary designs which are consistently disguised under a veil of dissimulation. Gareth Williams aims to counteract traditional scholarly antipathy to the exile poetry, which could be said to represent the last frontier in modern Ovidian studies. Scholars working in the field will welcome his insights.