Barbed Wire Empire

Introduction : Britain's empire of camps -- Concentrating the "dangerous classes" : the cultural and material foundations of British camps -- "Barbed wire deterrents" : detention and relief at Indian famine campus, 1876-1901 -- "A source of horror and dread" : plague camps in Indian and South Africa, 1896-1901 -- Concentrated humanity : the management and anatomy of colonial campus, c. 1900 -- Camps in a time of war : civilian concentration in southern Africa, 1900-1901 -- "Only matched in times of famine and plague" : life and death in the concentration camps -- "A system steadily perfected" : camp reform and the "new geniuses from India", 1901-1903 -- Epilogue : Camps go global : lessons, legacies, and forgotten solidarities

Camps are emblems of the modern world, but they first appeared under the imperial tutelage of Victorian Britain. Comparative and transnational in scope, Barbed-Wire Imperialism situates the concentration and refugee camps of the Anglo-Boer War (1899-1902) within longer traditions of controlling the urban poor in metropolitan Britain and managing "suspect" populations in the empire. Workhouses and prisons, along with criminal tribe settlements and enclosures for the millions of Indians displaced by famine and plague in the late nineteenth century, offered early prototypes for mass encampment. Venues of great human suffering, British camps were artifacts of liberal empire that inspired and legitimized the practices of future regimes.

This powerful debut thriller from "a major new talent" (Kirkus) set in a poor, rural community where loyalty is everything, "packs an emotional punch" (Lisa Gardner) as the daughter of a meth kingpin is forced to choose between family, or freedom. Never cut the drugs--leave them pure. Guns are meant to be shot--keep them loaded. Family is everything--betray them and die. Harley McKenna is the only child of North County's biggest criminal. Duke McKenna's run more guns, cooked more meth, and killed more men than anyone around. Harley's been working for him since she was sixteen, dreading the day he'd deem her ready to rule the rural drug empire he's built. Her time's run out. The Springfields, her family's biggest rivals, are moving in. And they're coming for Duke's only weak spot: his daughter. Duke's raised her to be deadly -- he never counted on her being disloyal. But if Harley wants to survive and protect the people she loves, she's got to take out both Duke's operation and the Springfields. Blowing up meth labs is dangerous business, and getting caught will be the end of her, but Harley has one advantage: She is her father's daughter. And McKennas always win.

A call to transform the way we think about property, this book examines how capitalism has from its origins sought to enclose or privatize the commons, or land and other forms of property that had been viewed as communally owned, and argues that neoliberal economic policies and the corporate takeovers of urban spaces, prisons, schools, the mass media, farms, and natural resources have failed to serve the public interest. A study of corporate globalization and the continuation of empire after the era of political decolonization, it begins with the fencing of the West starting in the 1870s, and moves to examine recent phenomena such as urbanization, mass incarceration, financialization, and the treatment of people as commodities in the context of the longue durée of land enclosures, empire, and capitalism. Highlighting the threatened elimination of the public domain as a result of corporate efforts to privatize public utilities, prisons, schools, forests, seeds, and just about everything else that can yield a profit, Barbed Wire: Capitalism and the Enclosure of the Commons asks what it would mean if, instead of either private or public property, our most fundamental conception of property were communal. Would a redefinition of property from a community perspective lead us beyond the military-industrial complex?

This was the climax; the end of a lifetime of bitterness and hate—Rusty Maxwell and Ben Sharp, both grown old, grizzled, and rich; one the owner of a barbed-wire empire, a sea of grass larger than some Eastern states; the other risen to great political power, ruthlessly scheming to break the man with whom he had clashed ever since both had driven their longhorn herds over the trail to Dodge. To cut that empire in two, to bring its over-lord to his knees, had long been Ben Sharp’s purpose. And in the South Western Pacific Railroad he found a weapon admirably forged to accomplish this end. But Rusty Maxwell, for all his years, had not forgotten how to fight; nor had Lance Kincaid, the fledgling eagle he had reared, if not sired. Here is the last-stand fight between the valiant Old West, bred to the plains and the saddle, fearless, a six-shooter the tool of its trade; and the raw, dollar-driven progress of the New. Lance Kincaid was certain of his position, the issues clear-cut in his mind, until proud, smiling Valerie Pickett reached the end-of-steel in her father’s construction car. In a novel that catches the soul of the windswept plains, Will Ermine has painted a canvas of historic action and drama which far exceeds the dimensions and depth of the usual cowboy story. Its tense, gripping reality strikes a singular note in Western fiction.

From the bestselling author of Above the Fold, Dragons in the Forest and The Last Double Sunrise. Like many young and idealistic Australian men, Stephen Conway rushed to enlist in the ‘the war to end all wars’ in 1914. After a hasty marriage, Stephen leaves his new wife with a baby on the way and is shipped to Gallipoli. Very soon, though, the promise of adventure and glory of battle vanish completely as the reality of war sets in. After four nightmarish years, Stephen is the lone survivor of his platoon fighting in the trenches of France’s bloody battlefields. Traumatised and exhausted he inexplicably disappears and the official record of his life comes to an abrupt end – that is until his grandson, Patrick, discovers his diary more than 80 years later. This personal account of the horrors of World War I propels Patrick on a journey to uncover the truth of his grandfather’s fate – which is more disturbing than he could have ever imagined. Set against true historical events, Barbed Wire and Roses deftly brings together past and present, ancestor and descendant, in a gripping tale of war and its aftermath.

During the First World War, Britain was the epicentre of global mass internment and deportation operations. Germans, Austro-Hungarians, Turks, and Bulgarians who had settled in Britain and its overseas territories were deemed to be a potential danger to the realm through their ties with the Central Powers and were classified as 'enemy aliens'. A complex set of wartime legislation imposed limitations on their freedom of movement, expression, and property possession. Approximately 50,000 men and some women experienced the most drastic step of enemy alien control, namely internment behind barbed wire, in many cases for the whole duration of the war and thousands of miles away from the place of arrest. Enemies in the Empire is the first study to analyse British internment operations against civilian 'enemies' during the First World War from an imperial perspective. The narrative takes a three-pronged approach. In addition to a global examination, the volume demonstrates how internment operated on a (proto-) national scale within the three selected case studies of the metropole (Britain), a white dominion (South Africa), and a colony under direct rule (India). Stefan Manz and Panikos Panayi then bring their study to the local level by concentrating on the three camps Knockaloe (Britain), Fort Napier (South Africa), and Ahmednagar (India), allowing for detailed analyses of personal experiences. Although conditions were generally humane, in some cases, suffering occurred. The study argues that the British Empire played a key role in developing civilian internment as a central element of warfare and national security on a global scale.