Bargains With Fate

The enduring appeal of Shakespeare's works derives largely from the fact that they contain brilliantly drawn characters. Interpretations of these characters are products of changing modes of thought, and thus past explanations of their behavior, including Shakespeare's, no longer satisfy us. In this work, Bernard J. Paris, an eminent Shakespearean scholar, shows how Shakespeare endowed his tragic heroes with enduring human qualities that have made them relevant to people of later eras. Bargains with Fate employs a psychoanalytic approach inspired by the theories of Karen Horney to analyze Shakespeare's four major tragedies and the personality that can be inferred from all of his works. This compelling study first examines the tragedies as dramas about individuals with conflicts like our own who are in a state of crisis due to the breakdown of their bargains with fate, a belief that they can magically control their destinies by living up to the dictates of their defensive strategies. Filled with bold hypotheses supported by carefully detailed accounts, this innovative study is a resource for students and scholars of Shakespeare, and for those interested in literature as a source of psychological insight. The author's combination of literary and psychoanalytic perspectives guides us to a humane understanding of Shakespeare and his protagonists, and, in turn, to a more profound knowledge of ourselves and human behavior.

In Relating to God: Clinical Psychoanalysis, Spirituality, and Theism, Dan Merkur conceptualizes religious discourse within psychoanalysis. He proposes that God be treated as a transferential figure whose analysis leads to a reduction of the parental content that is projected onto God. Merkur notes that religious conversion experiences regularly involve theological intuitions that are either rational or, owing to morbid complications, have undergone displacement into irrational symbolism. Analysis renders the religiosity more wholesome. Traditionally, psychoanalytic thought has been dismissive of religion. Freud is on record, however, as having called psychoanalysis a neutral procedure. He argued that religion, with its dependency on a providential God who punishes disobedience, imagines spirituality on the model of human parents and fails to approach spirituality in an appropriately scientific manner. He wrote little of spiritual phenomena, but mentioned both the rationality of the universe and the parapsychological occurrence of thought transference. Occasionally, later psychoanalysts used different language in order to contrast wholesome and morbid forms of religion. Erich Fromm distinguished authoritarian and humanistic religions, while D. W. Winnicott condemned fetishistic behavior while approving of playful illusions that require “belief-in.” These formulations constructed a middle position for clinicians, neither categorically opposed to religion as classical psychoanalysis was, nor do they embrace cultural relativity as “spiritually oriented” psychotherapists are currently advocating. What sorts of spiritual practices does psychoanalysis find unobjectionable? As examples of humanistic religion, Fromm named Zen Buddhism, Buddhist mindfulness meditation, and the via negativa or “way of negating” that some Christian and Jewish mystics have followed. Because the Bible-based approaches are little known, Merkur discusses their histories, procedures, and psychoanalytic understanding.

Usurper. Lost Heir. Runaway bride. Land on the brink of civil war. All so familiar, until Tortoise -- the Divine Creature who ignores the rules of right and wrong -- challenges his fellow divinities to meddle. Suddenly, children targeted for murder are adopted, swordsmen turn into blacksmiths, and none are reliably who or what they seem. The four Divine Animals are afoot: Tortoise, Dragon, Unicorn, and Phoenix. Hold on tight.Book 2: Bargain With FateIn the second book of the SAGE trilogy, memories, people, and items of power are recovered. The mighty are helpless, the weak are strong, and a little girl clutches creatures of terror to her ragged heart.

One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.

The enduring appeal of Shakespeare's works derives largely from the fact that they contain brilliantly drawn characters. Interpretations of these characters are products of changing modes of thought, and thus past explanations of their behavior, including Shakespeare's, no longer satisfy us. In this work, Bernard J. Paris, an eminent Shakespearean scholar, shows how Shakespeare endowed his tragic heroes with enduring human qualities that have made them relevant to people of later eras.Bargains with Fate employs a psychoanalytic approach inspired by the theories of Karen Horney to analyze Shakespeare's four major tragedies and the personality that can be inferred from all of his works. This compelling study first examines the tragedies as dramas about individuals with conflicts like our own who are in a state of crisis due to the breakdown of their bargains with fate, a belief that they can magically control their destinies by living up to the dictates of their defensive strategies.Filled with bold hypotheses supported by carefully detailed accounts, this innovative study is a resource for students and scholars of Shakespeare, and for those interested in literature as a source of psychological insight. The author's combination of literary and psychoanalytic perspectives guides us to a humane understanding of Shakespeare and his protagonists, and, in turn, to a more profound knowledge of ourselves and human behavior.

"Psychology helps us to talk about what the novelist knows, but fiction helps us to know what the psychologist is talking about." So writes the author of this brilliant study. The chief impulse of realistic fiction is mimetic; novels of psychological realism call by their very nature for psychological analysis. This study uses psychology to analyze important characters and to explore the consciousness of the author and the work as a whole. What is needed for the interpretation of realistic fiction is a psychological theory congruent with the experience portrayed. Emerging from Paris' approach are wholly new and illuminating interpretations of Becky Sharp, William Dobbin, Amelia Sedley, Julien Sorel, Madame de Renal, Mathilde de la Mole, Maggie Tulliver, the underground man, Charley Marlow, and Lord Jim. The psychological approach employed by Paris helps the reader not only to grasp the intricacies of mimetic characterization, but also to make sense of thematic inconsistencies which occur in some of the books under consideration. For students of human behavior as well as students of literature, the great figures of realistic fiction provide a rich source of empathic understanding and psychological insight.