Barns Of Cape Cod

Over 340 color photos display barns in the English and New England styles that dot the landscape of Cape Cod's fifteen townships, including many detail shots. Wooden and stone barns dating from the eighteenth through the twentieth centuries appear, including barns for sheltering animals, grain, cranberries, strawberries, turnips, and asparagus.

Each of the eighteen masterpiece horse barns featured here is an innovative, beautiful structure that embodies the owners’ love and appreciation for horses. Author Randy Leffingwell has selected barns that possess exceptional qualities—a clever response to site challenges; meticulous attention to detail, equine health, and safety; or significant historical context. The purposes of the barns range from havens for private owners to successful breeding and training facilities to historical landmarks. Ultimate Horse Barns captures the architectural beauty of these stunning structures, as well as the love and passion the owners have for their horses.

The twentieth anniversary edition of the classic architectural study of the development of the connected farm buildings made by 19th-century New Englanders, which offers insight into the people who made them.

Birdwatching is for everyone. No other outdoor pursuit yields so much knowledge of nature’s ways with so little effort—if one knows what to look for. Best Easy Bird Guide Cape Cod opens the world of birding to the novice and expert in this complete guide to getting the most out of birding in Cape Cod. Best Easy Bird Guide Cape Cod includes sections on birding technology, equipment, identification techniques, birding “by ear,” where to view birds, field guides, optics, and other essentials to get birders of all skill levels into the field to identify birds throughout Cape Cod. Especially valuable are descriptions of habitat, feeding, nesting, and migration—informing the reader not only about what kind of bird is on the other end of the binoculars, but what it is up to as well. Includes: GPS coordinates for each species of the top three to five locations where you’re likely to see the bird and what time of year is best for this Full-color photos

Putting the Barn Before the House features the voices and viewpoints of women born before World War I who lived on family farms in south-central New York. As she did in her previous book, Bonds of Community, for an earlier period in history, Grey Osterud explores the flexible and varied ways that families shared labor and highlights the strategies of mutuality that women adopted to ensure they had a say in family decision making. Sharing and exchanging work also linked neighboring households and knit the community together. Indeed, the culture of cooperation that women espoused laid the basis for the formation of cooperatives that enabled these dairy farmers to contest the power of agribusiness and obtain better returns for their labor. Osterud recounts this story through the words of the women and men who lived it and carefully explores their views about gender, labor, and power, which offered an alternative to the ideas that prevailed in American society. Most women saw "putting the barn before the house"—investing capital and labor in productive operations rather than spending money on consumer goods or devoting time to mere housework—as a necessary and rational course for families who were determined to make a living on the land and, if possible, to pass on viable farms to the next generation. Some women preferred working outdoors to what seemed to them the thankless tasks of urban housewives, while others worked off the farm to support the family. Husbands and wives, as well as parents and children, debated what was best and negotiated over how to allocate their limited labor and capital and plan for an uncertain future. Osterud tells the story of an agricultural community in transition amid an industrializing age with care and skill.

A handsome, richly illustrated look at 240 barns from throughout the United States. Here are huge barns and small barns, Pennsylvania Dutch barns and New England barns, horse barns and carriage houses, and countless others are presented with gorgeous pictures and detailed information and descriptions.

Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, and an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of his Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. In Edward Hopper in Vermont, Clause details the provenance of the Vermont paintings through the years, tracking the history of sales leading to the works' ultimate homes with private collectors and museums. Showcasing all the Vermont paintings in color, this volume will delight both fans of Hopper's work and those who are fascinated by the story of the creation, collection, and business of producing great art.