Barragan

CD-ROM contains: files for all of the plans, sections and elevations included in the book.

Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943–2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback’s substantial archive, Edward A. Vazquez demonstrates that the artist’s work—with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s—creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback’s site-determined practice draws viewers’ focus to their connection to space and others sharing it. As Vazquez shows, Sandback’s art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.

Many books cover the sublime forms and colors of Luis Barragan's architecture - its visual aspect - yet are silent on his education and development as an architect, his methods and his theories. Luis Barragan: Mexico's Modern Master, 1902-1988 is the first in-depth study of the architect and his work. It also includes a great number of exquisite visual representations, thereby presenting a complete treatment of Barragan that enhances an understanding of the equally poetic and architectonic nature of his work and places him within the historical and political context of Mexico. The author portrays the myriad influence on the young Barragan: early trips to the United States and Europe, where he became acquainted with some of his most important and lasting models, Le Corbusier, Frederick Kiesler, Jose Clemente Orozco, and above all, Ferdinand Bac; the strong sense of identity of the tapatios, natives of his home city of Guadalajara; and his circle of contemporaries, all in the arts, all committed to discussing and publicizing new social and artistic ideas. Barragan's early works synthesized many of these elements, and a quality of "Mediterraneanism" was their strongest characteristic. This monograph also features the most extensive documentation available on Barragan. In addition to photographs and architectural drawings of his best-known projects, it features a myriad of previously unpublished photographs, an extensive illustrated list of over sixty built and unbuilt works, and a complete register of projects.

Mexican architect Luis Barragan (1902-88) was one of the twentieth centurys most creative designers and one of its best-known architects. Self-taught, he achieved international renown for his remarkable personal artistic vision. Using vegetation, water, primary geometric forms, and vivid colors, Barragan created a poetic and painterly yet elegantly simple architectural style that transformed the Mexican building tradition into an abstract architectural language. This revised edition of our best-selling monograph the first comprehensive compilation of Barragans work (102 buildings and 12 additional projects) contains new photographs and an updated bibliography. Its intelligent analyses and superb illustrations demonstrate the complexity and scope of this genius, as both an architect and a landscape designer. Barragan The Complete Works collects over 300 illustrations including Barragans drawings; photographs of his work; re-drawn plans, elevations, and scale models of important projects; texts by Alvaro Siza, Antonio Toca, and J. M. Buendia, as well as an essay by Barragan himself; and an unabridged transcription of his Pritzker Prize acceptance speech. this book is the essential compendium on the work of this great master architect.

Collage and Architecture is the first book to cover collage as a tool for design in architecture, making it a valuable resource for students and practitioners. Author Jennifer Shields uses the artworks and built projects of leading artists and architects, such as Le Corbusier, Daniel Libeskind, and Teddy Cruz to illustrate the diversity of collage techniques. The six case study projects from Mexico, Argentina, Sweden, Norway, the United States, and Spain give you a global perspective of architecture as collage. Collage is an important instrument for analysis and design, and Shields’s presentation of this versatile medium draws on decades of relevance in art and architecture, to be adapted and transformed in your own work.

In this monograph, Danièle Pauly provides an overview of Barragán's life and his architectural œuvre, his Mexican roots, the Mediterranean influences, his Functionalist period, and finally the steps to maturity as a consummate architect.

Luis Barragan was one of the most extraordinary figures in international architecture between the 1930s and the 1970s. His work offers a unique interpretation of international modern architecture from the perspective of the Mexican landscape.