Baseball S Funnymen

From Nick Altrock to Casey Stengel, Dizzy Dean to Satchel Paige, Bill Veeck to Bob Uecker, baseball has always admired the clever. This book tells the stories of some of the players, coaches, managers and broadcasters who had the most fun in the Major Leagues and made fans laugh out loud (or shake their heads in disbelief). The author recounts tales both famous and little known that capture the character of unusual and offbeat players, unique and engaging personalities and the succession of eccentrics who were officially dubbed "Clown Prince of Baseball."

As a young boy in the depths of the 1890s depression, Joe E. Brown had a job: making faces at the firemen on passing coal-burning trains so they would throw coal at him. As a child he also worked as a circus acrobat and newsboy. His inventiveness and spunk helped his family get through hard times but also fueled his fascination with entertainment, and he built up a repertoire of rubber-faced expressions and funny antics that would make his stage and screen work memorable. Baseball was a favorite pursuit in his life and thus a recurring theme in his films and skits. In this biography--the first on one of the top film comedians of the 1930s--the reader learns of Joe's challenging childhood and how it prepared him for later screen roles, and how his love of baseball translated into screen successes. His early career in vaudeville is discussed, his work as a Broadway comedian in the Roaring Twenties, his road to movie stardom, and how he parlayed his love of sports into big hits like 1930's Elmer the Great. The year 1935 gets its own chapter; its films are considered the pinnacle of Brown's career, including Alibi Ike, Bright Lights and A Midsummer Night's Dream. The final chapters reveal what happened after he left Warner Bros., including the bittersweet 1940s, when he entertained troops around the globe while mourning a son lost to the war. The book concludes with a comprehensive filmography of his features from 1928 to 1963.

A former major-league catcher provides a view of the lighter side of baseball as he relates his professional experience

Sigmund "Ziggy" Blissman isn't the best-looking, sanest boy in the world. Far from it. But this misfit child of a failed husband-and-wife vaudeville team has one thing going for him: He can crack people up just by batting his eyelashes. Vittorio "Vic" Fontana, the son of a fisherman, can barely carry a tune or even stay awake while attempting to, but he, too, has one thing going for him: Women love to look at him. On their own, these two men are failures. But one summer night in the Catskills, Ziggy and Vic step onstage and together become the funniest men -- and hottest act -- in America. Written as a fictional oral history and filled with more than seventy memorable characters, Funnymen is the wildly inventive story of "Fountain and Bliss," the comedy duo that delighted America in the 1940s and 1950s. The episodes recounted here by managers, wives, children, mistresses, friends, fans, and foes -- and the truths Heller reveals about human ambition, egotism, and friendship -- make Funnymen not only a masterpiece of storytelling, but also a thoroughly hilarious read.

This is an anthology of 23 papers that were presented at the Thirteenth Cooperstown Symposium on Baseball and American Culture, held June 6-8, 2001, and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Featuring keynote remarks from George Plimpton, author of Home Run: The Best Writing About Baseball's Most Exciting Moment, this Symposium examined such topics as baseball's myths, legends and tall tales. These essays, divided into sections titled "Mythic Heroes," "Media Mythology," "Myth and Mystery" and "Myths in Progress," go beyond the quick and easy judgments of the media and offer instead the longer, more informed views of scholars and researchers.

“Will make many readers smile with recognition.”—The New Yorker “Readaholics, meet your new best friend.”—People “This book is bliss.”—The Boston Globe Sometimes subtle, sometimes striking, the interplay between our lives and our books is the subject of this unique memoir by well-known publishing correspondent and self-described “readaholic” Sara Nelson. The project began as an experiment with a simple plan—fifty-two weeks, fifty-two books—that fell apart in the first week. It was then that Sara realized the books chose her as much as she chose them, and the rewards and frustrations they brought were nothing she could plan for. From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.

Documenting the amazing back story of the world's first Jewish superhero, Siegel and Shuster's Funnyman is an important document of comics and Jewish history. Funnyman, aka Larry Davis, is a red-haired television comedian whose agent talks him into performing a superhero-like stunt in order to obtain publicity. This stunt goes wrong when Larry finds himself in a real crime scene. Larry stops this criminal, not knowing what he is doing is real until after the fact. Discovering that he enjoys fighting crime, Larry begins a career as the costumed crime fighter Funnyman.